本文選題：伊斯蘭文化 + 回族文學　； 參考：《北方民族大學》2017年碩士論文

【摘要】：元朝建立之后實施了各種新政策,使得社會進入一個相對寬松的時期。在這種背景下,伊斯蘭“本土化”進程得到快速推進,回族文學也開始形成并在元代中后期涌現(xiàn)出一批優(yōu)秀的回族文人及其作品。伊斯蘭“本土化”進程主導了回族文人人格精神塑造及其文學審美取向。元代中后期回族文人人格精神塑造和文學審美取向又體現(xiàn)了元代回族文人豐富的創(chuàng)作風格和獨特的文人精神風貌,這是研究元代中后期回族文人精神風貌不可忽視的重要部分,學界對此研究較少。有鑒于此,筆者對元代中后期伊斯蘭文化及其回族文學之關系加以研究。本文通過五個章節(jié)來論述:第一章主要論述在“恩威相濟”“兼容并蓄”的民族、宗教事務政策、擴建清真寺等主要社會、歷史、文化背景中,伊斯蘭文化在元代中后期的傳播方式及發(fā)展情況;第二章主要論述伊斯蘭文化與元代中后期回族文學人格精神形成。元代回族文學在伊斯蘭“本土化”的特殊社會文化氛圍中,體現(xiàn)出“仁愛”與“真忠”的政治思想,“兩世吉慶”觀與“崇高俊潔”的人格精神以及“仁心、心空、空靈”與“認主獨一”的多重價值觀,這三方面共同構(gòu)成了元代中后期回族文人人格精神塑造的重要因素;第三章主要論述元代中后期回族文學的主題取向。伊斯蘭“本土化”進程中,元代中后期回族文人的創(chuàng)作題材取向集中表現(xiàn)在“清凈無染”與“純真樸素”的清真情懷,“關懷現(xiàn)世”與“感念亂離”的濟世精神,“流連山水”與“寄情怡性”的處世心態(tài)這三個方面;第四章主要從“純樸自然”與“清朗俊逸”的潔凈之美、陰陽之美與蒼涼之美的藝術(shù)蘊含以及獨特的民族氣質(zhì)與鮮明的宗教信仰這三個方面闡述元代中后期回族文學的審美特質(zhì);第五章主要論述伊斯蘭文化與元代中后期回族文學的意義生成,元代中后期回族文學體現(xiàn)了異質(zhì)文化與本土文化文學之間的互動關系,也豐富了元代詩壇文苑。同時,它還引領和推進了中國古代回族文學的發(fā)展。
[Abstract]:After the establishment of Yuan Dynasty, a variety of new policies were implemented, making society enter a relatively loose period. Under this background, the process of "localization" of Islam was rapidly promoted, and the literature of Hui nationality began to form and a group of outstanding Hui literati and their works emerged in the middle and late Yuan Dynasty. The process of "localization" of Islam dominates the shaping of the personality spirit of the Hui literati and its literary aesthetic orientation. The shaping of the personality spirit of the Hui literati in the middle and late Yuan Dynasty and the aesthetic orientation of the literature also reflect the rich creative style and unique literary spirit style of the Hui literati in the Yuan Dynasty, which is an important part of the study on the spiritual features of the Hui literati in the mid and late Yuan Dynasty. There is little academic research on this. In view of this, the author studies the relationship between Islamic culture and Hui literature in the mid-and late Yuan Dynasty. The first chapter mainly discusses the main social, historical and cultural background of the "Enwei Xiangji", "inclusive" nationality, religious affairs policy, the expansion of mosques and other major social, historical and cultural backgrounds. The second chapter mainly discusses the Islamic culture and the formation of the literary personality spirit of the Hui nationality in the middle and late Yuan Dynasty. In the special social and cultural atmosphere of "localization" of Islam, the literature of the Hui nationality of the Yuan Dynasty embodies the political thought of "benevolence" and "true loyalty", the view of "two auspiciousness" and the personality spirit of "lofty Junjie", and the "benevolent heart, empty heart". These three aspects constitute the important factors of shaping the personality spirit of the Hui literati in the middle and late Yuan Dynasty. The third chapter mainly discusses the theme orientation of the Hui literature in the middle and late Yuan Dynasty. In the process of "localization" of Islam, the creative theme orientation of the Hui literati in the middle and late Yuan Dynasty concentrated on the halal feelings of "pure and pure" and "pure and simple", and the relief spirit of "caring for the present world" and "disorderly separation of feelings". The fourth chapter focuses on the clean beauty of "pure nature" and "Qinglang Junyi". The artistic implication of the beauty of Yin and Yang and the beauty of desolation, as well as the unique national temperament and the distinct religious belief, expounded the aesthetic characteristics of the Hui nationality literature in the middle and late Yuan Dynasty. The fifth chapter mainly discusses the meaning generation of Islamic culture and the middle and late Yuan Dynasty Hui literature, which embodies the interaction between the heterogeneous culture and the native culture literature, and enriches the Yuan poetry literary circle. At the same time, it also led and promoted the development of ancient Chinese Hui literature.
【學位授予單位】：北方民族大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I206.2

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