本文選題：《世說新語》 + 人物審美�。� 參考：《四川師范大學(xué)》2017年碩士論文

【摘要】：成書于劉宋初年的《世說新語》,是我國美學(xué)史上的一部重要的經(jīng)典。它受到漢末以來人物品藻和玄學(xué)清談風(fēng)氣的影響,用一種多角度的方式對當(dāng)時(shí)人物的外在容止、內(nèi)在人格等進(jìn)行了新的審美描述和評價(jià),改變了此前對人物審美的評價(jià)標(biāo)準(zhǔn),使人物審美形成了一種脫離政治和道德倫理的獨(dú)立的審美形態(tài)。文章共分為六個(gè)部分。緒論部分,主要闡述論文選題的意義、相關(guān)領(lǐng)域的研究現(xiàn)狀以及研究思路。第二、三章從《世說新語》重視容止美和人格美的現(xiàn)象出發(fā),通過這兩個(gè)主要方面的論述得出《世說新語》所展現(xiàn)的“多元”化的人物審美觀。同時(shí)認(rèn)為,《世說新語》將“身體之美”作為獨(dú)立的審美要素凸現(xiàn)出來,認(rèn)為,人物外在的容止美和內(nèi)在的人格美同樣重要,因?yàn)閮?nèi)在的人格美需要通過外在的容止美才能得以顯現(xiàn),這在中國美學(xué)史上具有重大意義。第四章,文章探討以“清”為美的《世說新語》人物審美觀與“秀骨清像”之間的關(guān)系,論證了魏晉時(shí)期通過欣賞人物外在容止的清瘦、清麗、清秀來追求內(nèi)在的清虛超脫與淡泊寧靜�！靶愎乔逑瘛钡脑煜耧L(fēng)格和以“清”為美的審美觀,體現(xiàn)了佛教強(qiáng)調(diào)自身修養(yǎng)、講究禪靜的精神,也體現(xiàn)了玄學(xué)不拘泥于形跡、直視自然本身的精神。文章認(rèn)為,注重人的儀表風(fēng)度,是魏晉時(shí)代人的自我意識覺醒的一個(gè)重要標(biāo)志。而這種關(guān)注人物個(gè)體自身的思想和魏晉玄學(xué)有著不可分割的關(guān)系。因此,第五章又通過論述玄學(xué)清談與人物氣質(zhì)、精神美的關(guān)系,分析了《世說新語》中重視容止美和人格美的原因。結(jié)語部分,總結(jié)《世說新語》人物美所達(dá)到的成就以及對后世的影響。
[Abstract]:Written in Liu's early Song Dynasty, it is an important classic in the history of Chinese aesthetics. Influenced by the atmosphere of character and metaphysics since the end of the Han Dynasty, it has carried out a new aesthetic description and evaluation of the characters' external tolerance and internal personality in a multi-angle way, thus changing the previous evaluation criteria for the characters' aesthetic appreciation. It makes the character aesthetic form an independent aesthetic form which is divorced from politics and moral ethics. The article is divided into six parts. The introduction part mainly elaborates the significance of the selected topic, the current research situation and the research ideas in related fields. Second, the third chapter starts from the phenomenon that "Shi Shuo Xin Yu" attaches importance to the beauty of tolerance and personality, and through the discussion of these two main aspects, the author draws the conclusion that the "plural" character aesthetic is shown in "Shi Shuo Xin Yu". At the same time, the author thinks that "the beauty of the body" is highlighted as an independent aesthetic element, and that the external beauty of the character is as important as the beauty of the inner personality. Because the inherent beauty of personality needs to be manifested through external tolerance, which is of great significance in the history of Chinese aesthetics. In the fourth chapter, the article discusses the relationship between the aesthetic perception of the characters and the image of Xiu Gu Qing, and demonstrates that in the Wei and Jin dynasties, by appreciating the thinness and beauty of the characters' external tolerance, Qingxiu to pursue the inner emptiness and tranquility. The figurative style of "Xiu Gu Qing" and the beauty of "Qing" embody the spirit of Buddhism emphasizing self-cultivation, stressing the spirit of meditation, and showing the spirit of metaphysics not restricted to signs and looking directly at nature itself. The article thinks that paying attention to the appearance of man is an important sign of the awakening of self-consciousness in Wei and Jin dynasties. But this kind of concern personage individual own thought and Wei Jin metaphysics has the inseparable relation. Therefore, the fifth chapter discusses the relationship between metaphysics, character temperament and spiritual beauty, and analyzes the reasons for attaching importance to the beauty of tolerance and personality in Shi Shuo Xin Yu. In conclusion, the author summarizes the achievements achieved by the beauty of characters and their influence on later generations.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.41

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本文編號：2080948