本文選題：蕭乾 + 雜文　； 參考：《南京師范大學(xué)》2017年碩士論文

【摘要】：本文從形式和內(nèi)容兩條分析路徑來論證蕭乾四十年代自由主義思想的“無根”狀態(tài),以此來豐富對蕭乾四十年代末思想、政治立場轉(zhuǎn)變的理解與闡釋。并且以蕭乾四十年代政論雜文創(chuàng)作為切入點,反思現(xiàn)有的“自由主義文學(xué)”建構(gòu)闡釋方法,揭示“自由主義文學(xué)”概念的內(nèi)在悖論性。本文第一章從文體選擇、敘述視角、虛構(gòu)方式(夢境、新聞通訊、游記、書信自白)等方面建構(gòu)起形式批評框架,從蕭乾四十年代政論雜文的別有意味的形式出發(fā),考察其思想的經(jīng)驗性以及斷裂性,并指出其不同的立場姿態(tài)實際上是附著在建構(gòu)歷史渴望之上的精神假面。第二章通過進(jìn)一步的文本細(xì)讀,聯(lián)系蕭乾早期文本以及一系列回憶文本,試圖從蕭乾人生中較為重要的幾次認(rèn)知/實踐經(jīng)歷中抽象出一個屬于蕭乾的認(rèn)知/實踐模式,通過這個模式來重新審視蕭乾從左翼自由主義到社會主義的立場轉(zhuǎn)變。筆者將蕭乾左翼自由主義意識形態(tài)敘述之下的精神暗流概括為四個要素:潛在的集權(quán)主義、理性缺位的經(jīng)驗主義、宿命與虛無。第三章以蕭乾政論雜文為切入點,反思現(xiàn)有的“自由主義文學(xué)”概念建構(gòu)闡釋路徑。筆者認(rèn)為,如果將理解“自由主義文學(xué)”概念的重心分別放在“文學(xué)”或者“自由主義”上,會指向截然相反的文學(xué)形態(tài),前者導(dǎo)向了作為文學(xué)類別的“自由主義文學(xué)”以及作為權(quán)利訴求的“自由主義文學(xué)”,然而此類建構(gòu)闡釋方法往往存在對自由主義的誤讀以及對文學(xué)的拘役,從而顯示出命名的無效性;后者則導(dǎo)向一種真正同“左翼文學(xué)”形成價值對立的作為意識形態(tài)的“自由主義文學(xué)”,本文的這一建構(gòu)闡釋邏輯,是基于蕭乾《紅毛長談》等創(chuàng)作的鮮明的意識形態(tài)性而被確定下來的。
[Abstract]:This paper discusses the "rootless" state of Xiao Qian's liberal thought in the 1940s from two ways of analysis, form and content, so as to enrich the understanding and interpretation of the transformation of Xiao Qian's thought and political position in the late 1940s. Taking Xiao Qian's political essay creation in 1940s as the starting point, this paper reflects on the existing construction and interpretation methods of "liberal literature", and reveals the inherent paradox of the concept of "liberal literature". The first chapter constructs the framework of formal criticism from the aspects of stylistic choice, narrative perspective, fictional ways (dreams, newsletters, travel notes, letter confessions), and sets out from the different meaningful forms of political essays in the 1940s. This paper examines the experience and fracture of his thought and points out that his different stance is actually a spiritual facade attached to the construction of historical desire. The second chapter attempts to abstract a cognitive / practical model belonging to Xiao Qian from several important cognitive / practical experiences of Xiao Qian's life through further careful reading of the text, connecting with Xiao Qian's early texts and a series of reminiscent texts. Through this model to re-examine Xiao Qian's transition from left-wing liberalism to socialism. The author generalizes the spiritual undercurrent under Xiao Qian's ideological narration of left wing liberalism into four elements: latent centralism, rational absence of empiricism, fatalism and nihilism. The third chapter takes Xiao Qian's essays on political theory as the starting point to reflect on the existing way of construction and interpretation of the concept of "liberalism literature". The author believes that if the focus of understanding the concept of "liberal literature" is on "literature" or "liberalism", it will point to the opposite literary form. The former leads to "liberal literature" as a literary category and "liberal literature" as a right claim. However, this kind of construction and interpretation method often exists the misreading of liberalism and the detention of literature. Thus showing the ineffectiveness of naming, the latter leads to a kind of "liberal literature" as ideology, which is really opposite to the value of "left wing literature". It is based on the distinct ideological nature of Xiao Qian's "Red hair talk" and so on.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.65

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