本文選題：屈原 + 楚辭　； 參考：《湖南科技大學(xué)》2016年碩士論文

【摘要】：屈賦時(shí)間意象的產(chǎn)生有著非常復(fù)雜的文化背景。南楚自然地理環(huán)境、原始宗教思維、神鬼巫術(shù)信仰以及時(shí)代理性思潮等文化精神諸因素,都對(duì)屈賦時(shí)間意象的形成起到十分重要的作用。通過屈賦時(shí)間意象可以窺見獨(dú)屬荊楚大地的地理特征,可以深刻感受到楚文化濃郁的宗教巫術(shù)色彩以及屈原對(duì)時(shí)代理性思潮的創(chuàng)造性接受。屈賦中的時(shí)間意象數(shù)量龐大、類型豐富,主要有直接時(shí)間意象、間接時(shí)間意象兩大類。時(shí)間意象是屈原從生命存在之本源入手構(gòu)建的極具內(nèi)涵的意象,是詩與思的高度融合。屈原通過一系列時(shí)間意象傳達(dá)了對(duì)時(shí)間飛逝的感傷、對(duì)生命消亡的恐懼、對(duì)黑暗現(xiàn)實(shí)的抨擊、對(duì)美好歲月的追思以及對(duì)人格理想的不懈追求與奮力持守。時(shí)間意象凝聚著屈原蒼涼悲慨、深沉哀婉的生命情感,凸顯了屈原獨(dú)特的時(shí)間意識(shí)、鮮明的生命意識(shí)以及崇高的人格精神。政途險(xiǎn)惡,人生多舛,屈賦時(shí)間意象一方面承載著屈原最為直觀的情感體驗(yàn),成為屈原生存處境、生命壓力以及精神困境的真實(shí)寫照,一方面詮釋了屈原強(qiáng)烈的政治理想與人格追求�？梢哉f,時(shí)間意象是屈原跌宕起伏的政治命運(yùn)與悲痛愁苦的人生遭遇的沉痛訴說與辛酸詮釋,凝聚了詩人靈魂深處的悲慨與哀鳴,是融入了詩人生命情感的個(gè)性化語言表達(dá),有著極為豐富的象征意蘊(yùn)。屈原所構(gòu)建的時(shí)間意象群及其賦予時(shí)間意象的豐富內(nèi)涵極大地影響了后世文人對(duì)時(shí)間意象的詩學(xué)表達(dá)與情感寄寓,后來很多詩詞作品不僅在時(shí)間意象上明顯體現(xiàn)出對(duì)屈賦時(shí)間意象的賡續(xù),而且在人生感悟與情感寄托上也深深流露出對(duì)屈賦時(shí)間意象內(nèi)蘊(yùn)的自覺承襲與詩性拓展。屈賦龐大的時(shí)間意象群凝聚了中華民族的美學(xué)追求,昭顯了文學(xué)最本質(zhì)的魅力,可以毫不夸張地說,屈賦時(shí)間意象奠定了中國文學(xué)時(shí)間意象的經(jīng)典原型和厚重基礎(chǔ)。
[Abstract]:The creation of the temporal image of qu Fu has a very complicated cultural background. Such cultural and spiritual factors as the natural geographical environment of Southern Chu, primitive religious thinking, belief in witchcraft and witchcraft of gods and ghosts, and rational thoughts of the times all play a very important role in the formation of the temporal image of qu Fu. Through the time imagery of qu Fu, we can see the geographical characteristics of Jingchu land, and can deeply feel the rich color of religious witchcraft in Chu culture and qu Yuan's creative acceptance of the rational trend of thought of the times. There are two kinds of time images: direct time image and indirect time image. Time image is a kind of intension image constructed by qu Yuan from the origin of existence of life, and it is a high fusion of poetry and thought. Qu Yuan conveys his feelings for the passage of time, his fear of the demise of life, his attack on the dark reality, his memory of the good years and his unremitting pursuit of his personality ideal through a series of time images. The image of time condenses qu Yuan's desolation and sadness, deep and sad life emotion, and highlights qu Yuan's unique time consciousness, vivid life consciousness and lofty personality spirit. On the one hand, it bears qu Yuan's most intuitive emotional experience and becomes a true portrayal of qu Yuan's living situation, life pressure and spiritual predicament. On the one hand, it explains qu Yuan's strong political ideal and personality pursuit. It can be said that the time image is qu Yuan's ups and downs of the political fate and sad life experience of the sad description and bitter interpretation, condensed the poet's soul deep sorrow and lamentation, is the integration of the poet's life emotion of the personalized language expression. There is an extremely rich symbolic meaning. The group of time images constructed by qu Yuan and the rich connotation of time images have greatly affected the poetic expression and emotional expression of time images by later scholars. Later, many poems not only reflected the continuity of the time image of qu Fu obviously, but also deeply revealed the conscious inheritance and poetic expansion of the time image of qu Fu in the sense of life and emotional sustenance. Qu Fu's huge group of time images condenses the aesthetic pursuit of the Chinese nation and reveals the most essential charm of literature. It is no exaggeration to say that qu Fu's time imagery has laid a classical prototype and a heavy foundation of Chinese literature's time image.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：I207.22

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