本文選題：格薩爾史詩 + 女性�。� 參考：《青海民族大學(xué)》2017年碩士論文

【摘要】：格薩爾王傳被稱為藏族人民的百科全書,它是我們藏族人民最為璀璨的文學(xué)藝術(shù)作品。人物是任何文學(xué)作品中的重點(diǎn),不同民族的人對具有本民族特征的人物具有不同的感情,并且這種感情是永恒的,會成為其民族某個時代的象征或民族文化的符號。例如:西方著名的荷馬史詩中有眾多栩栩如生的人物,包括:英勇善戰(zhàn)的阿喀琉斯、勇猛英明的赫克托耳、美到極致的海倫等得以世代傳頌。國內(nèi)有四大名著,當(dāng)中的許多人物讓我們至今難忘。例如:三國有足智多謀的諸葛亮、有仁義忠誠關(guān)羽、勇猛魯莽的張飛。西游記里有七十二變的孫悟空、有好吃懶惰的豬悟能等無論時過境遷都讓我們回味無窮。這樣的文學(xué)形象的存在讓我們不乏反復(fù)閱讀這些著作,反倒很享受。格薩爾史詩是世界最長的史詩,其中有三千多個人物形象,傲立世界文學(xué)藝術(shù),也可以講是文學(xué)史上一個驚人的奇跡。更重要的是不少人物形象塑造得相當(dāng)成功,鮮明生動,成為藏族文學(xué)史上不朽的藝術(shù)形象,活在藏族人民的心中。其中最為熟知的莫過于格薩爾王和嶺國三十大將,但也有不得不提的女性人物。而本論文中的王妃珠牡更是嶺國女性人物的典型。本論文的核心內(nèi)容分為三個章節(jié),第一章節(jié)主要闡述了王妃珠牡的家族史和珠牡的名字的由來,珠牡的命運(yùn)。第二章主要闡述了珠牡的人物形象,分為年幼時形象和嶺國時期的形象,在霍爾時期的形象。第三章主要闡述了珠牡的非凡才氣。第四章主要闡述了以珠牡的婚姻為主的史詩中存在的其他婚俗,其中主要討論了幼年時結(jié)婚的婚俗和一夫多妻制的婚俗,搶婚等婚俗。
[Abstract]:King Gesar is known as the encyclopedia of the Tibetan people, it is our Tibetan people's brightest literary and artistic works. Characters are the key points in any literary works. People of different nationalities have different feelings towards the characters with their own national characteristics, and this feeling is eternal and will become the symbol of a certain period of their nationality or the symbol of their national culture. For example, there are many lifelike characters in the famous Homer epic of the West, including Achilles, brave and wise Hector, Helen, etc. There are four famous works in China, many of which are unforgettable to this day. For example: the three Kingdoms have resourceful Zhuge Liang, benevolent and loyal Guan Yu, bold and reckless Zhang Fei. There are 72 changes in the Journey to the West Sun Wukong, there are delicious lazy pig Wu Neng, and so on, regardless of the time has changed, let us aftertaste endless. The existence of such a literary image allows us to read these works over and over again and enjoy them. Gesar epic is the longest epic in the world, with more than three thousand characters. It is also an amazing miracle in the history of literature. What is more important is that many figures have been created successfully, vividly and vividly, and become immortal artistic images in the history of Tibetan literature and live in the hearts of the Tibetan people. None of them is better known than King Gesar and the Thirty General of the National Congress of the Ridge, but there are also female figures who have to be mentioned. In this paper, Princess Zhu Mu is a typical female figure in Lingguo. The core content of this thesis is divided into three chapters. The first chapter mainly expounds the family history of Princess Zhu and the origin of her name, the fate of Zhu and Peony. The second chapter mainly expounds the image of Zhu Mu, which is divided into the image of young age, the image of Lingguo period and the image of Hall period. The third chapter mainly elaborated Zhu Peu's extraordinary talent. The fourth chapter mainly expounds other marriage customs existing in the epic of Zhu Peu's marriage, which mainly discusses the marriage customs of childhood marriage and polygamy, robbery marriage and other marriage customs.
【學(xué)位授予單位】：青海民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.22

【參考文獻(xiàn)】

相關(guān)期刊論文 前7條

1 郎潤芳;賈海娥;;《格薩爾王傳》所見古代藏族社會的婚姻形態(tài)和習(xí)俗[J];西北農(nóng)林科技大學(xué)學(xué)報(bào)(社會科學(xué)版);2012年02期

2 李巍;蘊(yùn)蓄于中 行諸于外——《格薩爾王傳》中珠牡心理散論[J];西藏藝術(shù)研究;2001年01期

3 馬學(xué)仁;古代藏族婦女的光輝典范──論《格薩爾王傳》中的珠牡[J];青海民族研究;1996年04期

4 索南卓瑪;淺析《格薩爾王傳》中的婚俗事象[J];青海民族學(xué)院學(xué)報(bào);1994年02期

5 何天慧;;《格薩爾》史詩中的藏族婚姻淺析[J];西北民族大學(xué)學(xué)報(bào)(哲學(xué)社會科學(xué)版);1992年03期

6 吳偉;;論《格薩爾》的人物性格[J];中國藏學(xué);1991年04期

7 李梅花;試析《格薩爾王傳》中王妃珠毛的形象[J];青海民族學(xué)院學(xué)報(bào);1985年03期

，

本文編號：1905487