本文選題：王華小說 + 生態(tài)意識��； 參考：《貴州師范大學(xué)》2017年碩士論文

【摘要】：貴州作家王華自1996年開始小說創(chuàng)作以來,多次在《當代》、《人民文學(xué)》等“國字號”刊物上發(fā)表小說,并多次獲獎。但學(xué)界對王華的研究與作家取得的成就不成正比。即使是關(guān)注到王華的學(xué)者,也只適當點染,深入研究的不多,研究視野也較為局限。這極大阻礙了王華作品的向外推介,也不利于貴州本土文學(xué)的對外傳播。在生態(tài)思想逐漸成為一種思潮,甚至成為一門顯學(xué)的當代,本文試圖對王華小說中的生態(tài)意識進行研究,考察作家生態(tài)視域下的自然關(guān)懷和生命關(guān)懷,以此豐富王華小說研究,為促進貴州文藝發(fā)展獻上綿薄之力。全文分為三章,主要內(nèi)容如下:第一章對王華生態(tài)意識的產(chǎn)生進行追本朔源,從鄉(xiāng)村逆變、時代背景、文化熏陶和創(chuàng)作觀念的四個方面進行。其中生活經(jīng)歷形成了作家的鄉(xiāng)村視域,20世紀80年代中期以來生態(tài)文學(xué)蓬勃發(fā)展成作家關(guān)注生態(tài)的時代背景,儺文化中的人與自然和諧相處的理念也對作家有一定影響,勇?lián)鐣?zé)任的創(chuàng)作觀讓作家更傾向于關(guān)注現(xiàn)實生活中的問題。揭示作家指向鄉(xiāng)村世界的生態(tài)危機與鄉(xiāng)村人的精神危機的創(chuàng)作背景。第二章研究王華小說中呈現(xiàn)的人類的生存困境和精神困境。通過分析小說鄉(xiāng)村生態(tài)的末日景象和鄉(xiāng)村社會成為人們受難的“生死場”,來表現(xiàn)鄉(xiāng)村的生存困境;小說中人物的精神之死和愛情之死則是精神困境的表現(xiàn)。王華給讀者描繪了一個生態(tài)“惡托邦”,以此表達作家對生態(tài)破壞的隱憂。第三章進一步分析王華小說中超越人類中心主義的理想。人類不顧生態(tài)承載能力盲目發(fā)展,導(dǎo)致人類家園的失落。“搬家”讓人類處于無根的漂泊中,精神也將無所歸依。所以人類企圖“回家”,重拾回歸家園的夢想。作家塑造“文化英雄”來作為生態(tài)拯救的急先鋒,在追求人與自然和諧,人與人和諧的過程中,逐漸超越人類中心主義,人與自然由對立走向統(tǒng)一。
[Abstract]:Since the creation of the novel in 1996, Guizhou writer Wang Hua has published novels many times in "the Contemporary", "the people's Literature", and so on, and won many awards. However, the academic research on Wang Hua is not proportional to the writer's achievement. Even the scholars who pay attention to Wang Hua, only appropriate spot, the in-depth study is not much, the research field is also relatively limited. This greatly hinders the outward introduction of Wang Hua's works, and is not conducive to the dissemination of Guizhou's native literature. The ecological thought has gradually become a trend of thought, even a prominent contemporary. This paper attempts to study the ecological consciousness in Wang Hua's novels, and investigate the natural care and life care in the writer's ecological horizon, so as to enrich the study of Wang Hua's novels. In order to promote the development of Guizhou literature and art contribution to a modest force. This paper is divided into three chapters. The main contents are as follows: the first chapter traces the origin of Wang Hua ecological consciousness from four aspects: rural inversion, background of the times, cultural edification and creative ideas. Among them, the life experience has formed the writer's village horizon. Since the mid-1980s, ecological literature has developed vigorously into the background of writers' attention to ecology. The idea of harmonious coexistence between man and nature in Nuo culture also has a certain influence on writers. The creative view of brave social responsibility makes writers more inclined to pay attention to the problems in real life. The author points to the ecological crisis in the rural world and the creative background of the spiritual crisis of the rural people. The second chapter studies the plight of human existence and spiritual dilemma in Wang Hua's novels. By analyzing the apocalyptic scene of the village ecology and the fact that the rural society has become the "field of life and death" suffered by people, it is shown that the living predicament of the village is represented by the death of the spirit and love of the characters in the novel, while the death of the characters in the novel is the manifestation of the spiritual dilemma. Wang Hua depicts an ecological "evil state" to express the writer's worries about ecological destruction. Chapter three further analyzes the ideal of transcending anthropocentrism in Wang Hua's novels. The blind development of human beings regardless of ecological carrying capacity leads to the loss of human homeland. Moving makes the human being rootless, and the spirit will be gone. So the human race attempts to "go home" and regain the dream of returning to their homeland. In the process of pursuing harmony between man and nature and harmony between man and man, writers gradually transcend anthropocentrism and change from opposition to unity between man and nature as the vanguard of ecological salvation.
【學(xué)位授予單位】：貴州師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.42

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