本文選題：《娛閑錄》 + 戲曲�。� 參考：《華東師范大學(xué)》2017年碩士論文

【摘要】：本文以民國初期文藝增刊《娛閑錄》中的戲曲資料為研究對象,立足于新戲曲史料的發(fā)掘和整理。在著力勾畫《娛閑錄》的辦刊始末和內(nèi)容構(gòu)成外,重點(diǎn)研究了其所反映的川省地區(qū)新舊劇發(fā)展、京川劇之爭和士伶交往等焦點(diǎn)問題,并對所刊劇本做了整體性的解讀,以考察清末民初成都地區(qū)的戲曲藝術(shù)觀。為此,本文分前后五章,并附附錄三種以為補(bǔ)充。第一章以樊孔周的生平事跡為切入點(diǎn),著重介紹了由樊孔周牽頭,在吳虞、胡鴻勛、方于彬、劉長述等人的支持配合下,四川公報增刊《娛閑錄》的創(chuàng)刊始末。此外,此章還嘗試分析了《娛閑錄》辦刊宗旨與內(nèi)容特色。作為增刊單獨(dú)發(fā)行的《娛閑錄》共發(fā)行二卷二十七冊,它堅持開門辦報,內(nèi)容豐富,圖文并茂,制作精良。在內(nèi)容上集小說、戲曲、詩詞于一體,注重平衡雜志的娛樂性與教育性,受到了讀者的極大歡迎。第二章分類介紹《娛閑錄》所刊戲曲資料。通過對《娛閑錄》中的戲曲文獻(xiàn)資料進(jìn)行梳理,將其大致分為四類:伶人小照(劇照)、小史類,劇本,劇評及其他戲曲相關(guān)資料,并對四種戲曲資料加以簡要分析與初步研究。第三章考察研究民初蜀地戲曲批評實況。民初四川戲劇界,一方面沿襲儒家禮樂大道,關(guān)注戲曲的社會功用,強(qiáng)調(diào)戲曲對民眾的啟蒙效果,另一方面,又越發(fā)重視戲曲本身的審美性,追求戲曲活動的美學(xué)價值,在戲曲本體論和戲曲藝術(shù)改良方面發(fā)出了諸多聲音。第四章對《娛閑錄》中體現(xiàn)的士伶交往事實進(jìn)行梳理,并探求其原因。清末民初,士伶交往頻繁,究其原因有三:皇族熱捧和啟蒙思潮,一定程度上提高了伶人地位;川省刀兵戰(zhàn)禍、匪盜天災(zāi)加重了士人尋求理解和及時行樂的意愿;部分伶人重文好學(xué)、行俠尚義,其名士風(fēng)度吸引文人引其為知己。第五章整體研究《娛閑錄》所刊劇本,介紹了各劇本的刊行期號、作者譯者、內(nèi)容概要、本事來源等,并對此時劇本中的家國情懷加以分析,認(rèn)為其中既有對傳統(tǒng)戲曲"大旨談情"、"揚(yáng)忠刺奸"的眷戀與弘揚(yáng),又有對新的時代背景下新的社會問題的關(guān)注和反思。
[Abstract]:In this paper, the literature supplement in the early period of the Republic of China "entertainment" as the research object, based on the new drama historical materials excavation and collation. Besides the beginning and end of the publication and the composition of the contents, this paper focuses on the focal issues such as the development of the new and old dramas in Sichuan Province, the contention between Beijing and Sichuan dramas, and the interaction between scholars and actors, and makes a holistic interpretation of the scripts of the journals. In order to investigate the late Qing Dynasty and the early Republic of China Chengdu area opera art view. To this end, this article is divided into five chapters, and appendix three as a supplement. The first chapter takes Fan Kongzhou's life story as the breakthrough point, emphatically introduces Fan Kongzhou's lead, with the support of Wu Yu, Hu Hongxun, Fang Yubin, Liu Changshu, etc. In addition, this chapter also tries to analyze the purpose and content features of the publication. As a supplement to the separate issue of "Entertainment Records" a total of two volumes of 27 copies, it adhere to open the newspaper, rich in content, picturesque, well-produced. The content of the novel, drama, poetry in one, pay attention to the balance of the magazine's entertainment and education, has been greatly welcomed by readers. The second chapter classifies and introduces the drama materials published in the Book of Recreation. Through combing the literature of drama in "Recreation of Entertainment", it can be divided into four categories: the actor and the actor, the small history, the script, the drama evaluation and other opera related materials, and the brief analysis and preliminary research on the four kinds of drama materials. The third chapter studies the criticism of Shudi opera in the early Republic of China. At the beginning of the Republic of China, the drama circles in Sichuan, on the one hand, followed the Confucian ritual and Music Avenue, paid close attention to the social function of the opera, and emphasized the enlightenment effect of the opera to the people. On the other hand, they paid more and more attention to the aesthetic character of the opera itself and pursued the aesthetic value of the opera activities. In the opera ontology and opera art improvement made a lot of voices. Chapter four combs the facts of taxi actors'communication and explores the reasons. At the end of the Qing Dynasty and the beginning of the Republic of China, there were three reasons for the frequent exchanges between scholars and actors: the popularity of the imperial family and the enlightenment trend improved the status of the actors to a certain extent, the war disaster of sword and soldiers in Sichuan Province, and the natural disaster of banditry aggravated the willingness of the scholars to seek understanding and to enjoy themselves in time and time; Some actors like to learn to do chivalrous Shangyi, its personage demeanor attracted literati as his confidant. The fifth chapter studies the screenplay published in the Book of Recreation, introduces the publication date of each play, the author and translator, the summary of the content, the source of ability, etc., and analyzes the feelings of family and country in the play at this time. The author thinks that there are not only the sentimental attachment and promotion of the traditional opera "talk about emotion" and "Yang's loyalty and thorns", but also the concern and reflection on the new social problems under the new background of the times.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.3

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