本文選題：南宋筆記 + 詩文創(chuàng)作　； 參考：《南京師范大學(xué)》2017年碩士論文

【摘要】：“筆記”濫觴于戰(zhàn)國時(shí)期“九流十家”的“小說家”,經(jīng)過兩漢魏晉的分流和發(fā)展,至唐宋時(shí)期成為一種獨(dú)立文體。自漢代及至清代,從《漢書·藝文志》到《四庫全書總目提要》,歷代目錄學(xué)著作展現(xiàn)了筆記的發(fā)展壯大及其地位的升降變化,從中也可以清晰地看到宋代筆記在筆記發(fā)展中承前啟后的重要作用。筆記這一文體在宋代進(jìn)入成熟期,無論在創(chuàng)作數(shù)量還是質(zhì)量上,都有了很大的提升。尤其在南宋,學(xué)術(shù)性筆記的比重有明顯增加,出現(xiàn)了《容齋隨筆》、《能改齋漫錄》、《老學(xué)庵筆記》、《齊東野語》、《困學(xué)紀(jì)聞》等諸多優(yōu)秀之作。其中對詩詞文章的評鑒、對文學(xué)風(fēng)氣的審視,新見迭出,材料十分豐富。與前代筆記作品相比,南宋筆記在撰寫視角和內(nèi)容上都有諸多開拓,多側(cè)重對歷代典章制度、名物典故、字形字音字義的考辨,同時(shí)關(guān)注對歷代詩詞文章、作家作品的評鑒,體現(xiàn)出宋人篤學(xué)慎思的懷疑精神,對筆記寫作的繁榮也有極大的促進(jìn)作用。陶淵明、杜甫、蘇軾以及黃庭堅(jiān)等文學(xué)大家在文學(xué)發(fā)展史上占據(jù)十分重要的地位,南宋筆記中已對他們給予了非常多的關(guān)注,通過對陶淵明行跡的考索、杜甫作品文本的考訂、蘇軾文學(xué)形象的多元闡釋以及黃庭堅(jiān)及江西詩派詩法的分析,具體把握南宋筆記中對文學(xué)探討的重點(diǎn)所在,即對歷代重要作家、作品、文學(xué)思想及潮流的評價(jià)與反思。除了對個(gè)別作家的評論,南宋筆記中還有從整體上對文學(xué)發(fā)展規(guī)律、文學(xué)作品風(fēng)格以及文學(xué)創(chuàng)作等方面的論述,他們普遍強(qiáng)調(diào)文學(xué)作品在繼承基礎(chǔ)上的創(chuàng)新,追求文章中學(xué)問、義理與立身處世的結(jié)合,詩詞創(chuàng)作中的“氣格”、“氣象”與味外之味,這些都大大豐富了中國傳統(tǒng)的文學(xué)理論批評。
[Abstract]:"Notes" originated in the warring States period "Jiuliu Ten" novelist ", through the Han Dynasty, Wei and Jin's diversion and development, to the Tang and Song dynasties to become an independent style. From the Han Dynasty to the Qing Dynasty, from "the Art of the Han Dynasty" to "the outline of the Siku Book of works", the bibliographic works of the past dynasties showed the development of the notes and the rise and fall of their status. From this, we can clearly see the important role of the Song Dynasty notes in the development of notes. In the Song Dynasty, the style of note-taking entered into a mature period, both in terms of creation quantity and quality, has greatly improved. Especially in the Southern Song Dynasty, the proportion of academic notes has increased obviously, and many excellent works have appeared, such as "Rong Zhai essay", "being able to change Zhai Companion", "the Notes of Lao Xuean", "Qi Dongyu", "Troubles", and so on. Among them, the evaluation of poems and articles, the examination of literary ethos, the emergence of new materials are very rich. Compared with the works of the previous generation, the notes of the Southern Song Dynasty have many pioneering points of view and content, focusing on the textual research and differentiation of the system of the ancient dynasties, the allusions of famous things, the meaning of the characters and sounds, and at the same time paying close attention to the evaluation of the poems and poems of the past dynasties and the works of the writers. It reflects the sceptical spirit of learning and thinking carefully in Song Dynasty and promotes the prosperity of note-taking. Literature such as Tao Yuanming, du Fu, Su Shi and Huang Tingjian occupy a very important position in the history of literary development. They have been paid much attention in the notes of the Southern Song Dynasty. The pluralistic interpretation of Su Shi's literary image and the analysis of Huang Tingjian and the poetry method of Jiangxi School of Poetry, concretely grasp the key points of literary discussion in the notes of Southern Song Dynasty, that is, the evaluation and reflection on the important writers, works, literary thoughts and trends of the past dynasties. In addition to their comments on individual writers, the notes of the Southern Song Dynasty also discussed the law of literary development, the style of literary works, and literary creation as a whole. They generally emphasized the innovation of literary works on the basis of inheritance and pursued learning in the articles. The combination of righteousness and principle, the spirit in poetry creation, the weather and the taste outside taste have greatly enriched the criticism of Chinese traditional literary theory.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I206.2

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