本文選題：嘉岸拉桑欽姆 + 集桑��； 參考：《西北民族大學(xué)》2017年碩士論文

【摘要】：煨桑誦文作為描述向藏區(qū)地域神或山神獻(xiàn)祭的儀軌文獻(xiàn),集古老性與民間性、宗教性、普遍性等特征,是藏族煨桑儀式中最為重要也是不可或缺的文體形式。其中《嘉岸拉桑欽姆》作為早期和重要的藏族煨桑誦文作品,一直被視為是歷代煨桑誦文文體的代表作,以至于后期以寧瑪派為主的藏傳佛教宗派均視之為煨桑誦文創(chuàng)作的藍(lán)本�！都伟独J姆》的文體中不僅兼具了早期苯教凈化與后期佛教供奉的兩個方面,更在不同文化背景與歷史事件中,通過實(shí)施類似于佛教火供的儀式,表明了其以佛教思想為核心的內(nèi)容。我們通過研究《嘉岸拉桑欽姆》及其儀式的內(nèi)容與形式,能發(fā)現(xiàn)藏族向山神等神靈酬謝供奉習(xí)俗的歷史與淵源,并對研究藏民族神圣與世俗相結(jié)合的信仰生活有一定的現(xiàn)實(shí)意義。本文試圖從整體介紹藏族煨桑文化的方式,論述煨桑誦文的文化內(nèi)涵,并通過討論煨桑文化的起源及其在不同文化背景下的變遷情況,論述煨桑誦文這一文類或文體的起源及《嘉岸拉桑欽姆》在煨桑誦文中的地位等。首先關(guān)于《嘉岸拉桑欽姆》的起源問題,本文針對該文獻(xiàn)出自伏藏文本的特殊情況,通過引經(jīng)據(jù)典和邏輯推理相結(jié)合的方式作了詳細(xì)論述,并得出公元八世紀(jì)由蓮花生大師親自撰寫的傳說為該文獻(xiàn)的起源奠定了思想基礎(chǔ),而真正成書的時間段應(yīng)是伏藏挖掘時期的結(jié)論。其次對《嘉岸拉桑欽姆》的文本作出了分析,其涉及到文體的框架結(jié)構(gòu)與段落排列以及如何從相關(guān)儀式的排列中突出佛教中心地位等,并通過分析與闡釋該文獻(xiàn)的文體格式以及對此文獻(xiàn)中的部分疑難字詞的解釋標(biāo)注,論述了該文獻(xiàn)如何源自藏民族的生活而又反映藏民族生活等的內(nèi)容。再次,從《嘉岸拉桑欽姆》文本的內(nèi)容與形式分別論述了該文獻(xiàn)的文本特征。試圖從該文獻(xiàn)特有的古老性與歷史性等方面來闡釋該文獻(xiàn)跨越時間與空間的內(nèi)容特征,并依據(jù)其文體外在的形式與格式特點(diǎn)探析該文獻(xiàn)的形式特征及其成因和功能等。最后從《嘉岸拉桑欽姆》對煨桑誦文文體完整化的推動及其為后世煨桑誦文文體的結(jié)構(gòu)與語體、風(fēng)格等方面的影響,甚至對該文獻(xiàn)成為后世撰寫煨桑誦文的通用性藍(lán)本與山神名錄等方面入手,探討了該文獻(xiàn)對后世煨桑誦文文體的影響情況。綜上所述,本文從文體學(xué)的意義探討了蘊(yùn)含著藏族文化根基的典型煨桑誦文案例,并期望此研究能為藏族煨桑文化以及煨桑誦文的研究提供一個參考,從而引起對煨桑誦文的重視與更深層次的研究工作。
[Abstract]:As a document describing the sacrifice to Tibetan regional gods or mountain gods, the Sang Sheng's recitation is the most important and indispensable style form of Tibetan simmering ceremony, which gathers the characteristics of ancient, folk, religious and universal. Among them, "Jia an La Sang Chin", as an early and important Tibetan mulberry chanting work, has always been regarded as a masterpiece of the style of simmer mulberry recitation in successive dynasties. So much so that the later Tibetan Buddhist sects, mainly Nimar sect, regarded it as a blueprint for the chanting of simmer mulberry. The style of < Jiaban La Sangchen > not only has two aspects of early benzene purification and later Buddhism worship, but also has two aspects in the style of "Jiaban La Sangchen". Moreover, in different cultural backgrounds and historical events, it shows that Buddhist thoughts are the core content through the implementation of ritual similar to Buddhist fire offering. By studying the contents and forms of La Sangchen and its rituals, we can find out the history and origin of the Tibetan custom of honoring gods such as mountain gods. And it has certain practical significance to study the religious life of Tibetan nationality combining sacred and secular. This paper tries to introduce the way of Tibetan simmer mulberry culture as a whole, discuss the cultural connotation of simmer mulberry recitation, and discuss the origin of simmer mulberry culture and its vicissitude under different cultural background. This paper discusses the origin of the text or style of "simmer mulberry recitation" and the position of "Jiaban La Sangchen" in the reading of "simmer mulberry". First of all, about the origin of "Jia'an La Sang Chin", this paper discusses in detail the special situation of this document, which is derived from Tibetan texts, through the combination of quoting classics and logical reasoning. It is concluded that the legends written by Master Lianhuasheng in the eighth century laid the ideological foundation for the origin of the literature, and the time period for the real completion of the book should be the period during which the hidden deposits were excavated. Secondly, this paper analyzes the text of "Jia'an La Sangchen", which involves the frame structure and paragraph arrangement of the style and how to highlight the central position of Buddhism from the arrangement of related rituals. By analyzing and explaining the stylistic format of the document and the explanation of some difficult words in the document, this paper discusses how the document originates from the life of the Tibetan people and reflects the life of the Tibetan people. Thirdly, the text features of the text are discussed from the content and form of the text. This paper attempts to explain the content characteristics of the literature spanning time and space from the aspects of its unique antiquity and historicity, and analyzes the formal characteristics, causes and functions of the literature according to its stylistic external form and format characteristics. Finally, from the perspective of "Jiaban La Sangchen", it promotes the integration of the style and the structure, style, style and so on of the style of reading the words of the simmer mulberry, and the influence of the style, and so on, on the structure, style and so on. The paper even discusses the influence of this document on the style of the reading of mulberry in the later generations by making it a universal blueprint and a catalogue of mountain gods. To sum up, this paper probes into the typical case of simmer mulberry chanting which contains the foundation of Tibetan culture from the meaning of stylistics, and hopes that this study can provide a reference for the study of Tibetan simmer mulberry culture and simmer mulberry recitation. So as to the simmer mulberry reading attention and a deeper level of research work.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.9

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