本文選題：鐵壁畫上的《夜宴》與《紅樓夢(mèng)》 + 圖文關(guān)系��； 參考：《南京藝術(shù)學(xué)院學(xué)報(bào)(美術(shù)與設(shè)計(jì))》2017年04期

【摘要】：地鐵壁畫《夜宴》作為公共藝術(shù)品,是《紅樓夢(mèng)》某些章節(jié)的文學(xué)成像。為了使路過(guò)《夜宴》的乘客在匆匆前行的側(cè)頭一瞥中,一看就知道是紅樓夢(mèng)題材,一看就知道是為賈母祝壽,一看就知道賈府彩燈高懸的喜慶氛圍,壁畫創(chuàng)作者匠心獨(dú)運(yùn),淡化了小說(shuō)的情節(jié),提取了最有代表性的紅樓元素,強(qiáng)化了環(huán)境和氛圍的塑造。創(chuàng)作者還采用了不同時(shí)空節(jié)點(diǎn)上的場(chǎng)景同框"并置"的圖像敘事手法,為圖文關(guān)系的新解提供了例證。
[Abstract]:Subway mural painting "Banquet" as a public art, is a literary imaging of a dream of Red Mansions and some chapters. In order to pass a glimpse of the passengers passing through the banquet, it is known that it is the theme of the dream of Red Mansions. The plot of the novel has been changed, the most representative elements of the Red Mansion were extracted, and the environment and atmosphere were strengthened. The author also adopted the image narrative technique of "juxtaposition" between the scenes and the frames on the nodes of different time and space, which provided examples for the new solution of the relationship between graphic and text.

【作者單位】： 東南大學(xué)藝術(shù)學(xué)院;
【分類號(hào)】：I207.411;J218.6

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