本文選題：蕭紅 + 小說�。� 參考：《寧波大學(xué)》2017年碩士論文

【摘要】：蕭紅,作為中國現(xiàn)代文學(xué)個(gè)性鮮明、風(fēng)格獨(dú)特獨(dú)的女作家,從文壇崛起伊始,便受到人們普遍而持續(xù)的關(guān)注。然而蕭紅的定位,經(jīng)歷了褒貶沉浮,評價(jià)不一。造成這一現(xiàn)象的重要原因之一,是文學(xué)評價(jià)系統(tǒng)的單一、狹隘和易變。要對包括小說在內(nèi)的蕭紅創(chuàng)作作更為恰如其分的評價(jià)和解讀,需要呼喚一種超越時(shí)代現(xiàn)實(shí)、民族國家等限制的整合性視角。敘事倫理就是這樣一種視角。到目前為止,學(xué)術(shù)界研究蕭紅小說的著作和文章有很多,但采用敘事倫理視角來研究蕭紅小說的文章卻很少。本篇論文以敘事倫理為理論視角,采用文本細(xì)讀方式,運(yùn)用敘事倫理學(xué)的一些理論,把蕭紅小說與蕭紅當(dāng)時(shí)所處的時(shí)代背景、歷史條件以及她個(gè)人的一些生活經(jīng)歷結(jié)合起來研究,分析敘事倫理視角在探究蕭紅小說中發(fā)揮的獨(dú)特作用和重要影響,探討蕭紅小說備受歡迎的成因及獨(dú)特貢獻(xiàn)。全文分四部分進(jìn)行論述:第一部分,探討敘事倫理作為研究蕭紅小說的一個(gè)新銳視角,跳出時(shí)代束縛,遵循文學(xué)內(nèi)部規(guī)則,契合文學(xué)道德的精神,從內(nèi)容到形式,為文學(xué)合法性提供一個(gè)相對系統(tǒng)的篩選標(biāo)準(zhǔn),也為蕭紅小說提供一個(gè)相對穩(wěn)定的系統(tǒng)的評價(jià)。第二部分,分析蕭紅在宏大的戰(zhàn)時(shí)背景下,雖囿于時(shí)代的“慣性”,涉及革命題材,但還是努力突破時(shí)代的文化語境,從抗日文學(xué)的歷史主潮大流中脫穎而出,選擇個(gè)性書寫,凝練個(gè)體生命體驗(yàn),靈魂敘事,形成了自己獨(dú)特的敘事倫理:文心即人心。第三部分,分析蕭紅小說在文學(xué)創(chuàng)作內(nèi)容上的特立獨(dú)行,通過具體文本分析,探尋蕭紅創(chuàng)作大多跟隨情感或情緒走向,結(jié)合自己的生命體驗(yàn)(尤其童年經(jīng)驗(yàn)),警惕警惕濫情和浮夸的國家民族主義,深入開掘女性主體意識,發(fā)現(xiàn)和重塑其真正的藝術(shù)自我,以構(gòu)筑自己的文學(xué)天地。第四部分,分析文學(xué)形式作為作家生命體驗(yàn)的一種外化,屬于蕭紅的“有意味的形式”值得深入探尋。以蕭紅小說的散文化結(jié)構(gòu)和意象結(jié)構(gòu)為例,分析蕭紅文學(xué)創(chuàng)作中融入的個(gè)體生命體驗(yàn),不僅體現(xiàn)在小說內(nèi)容上對倫理問題的獨(dú)特見解,還表現(xiàn)在其小說獨(dú)特的敘事形式上。總之,論文試圖以一個(gè)有超越性的理論視點(diǎn),由此來解析蕭紅小說的敘事風(fēng)格和敘事藝術(shù),不斷地強(qiáng)調(diào)蕭紅小說中敘事的個(gè)體倫理、生命體驗(yàn),并把個(gè)體倫理和生命體驗(yàn)看作是蕭紅小說獲得現(xiàn)代品格、藝術(shù)自由的基礎(chǔ),實(shí)現(xiàn)對蕭紅小說一個(gè)現(xiàn)代意義上的系統(tǒng)客觀的評價(jià)。
[Abstract]:Xiao Hong, as a woman writer with distinctive personality and unique style in modern Chinese literature, has been paid more and more attention from the beginning of the rise of literary world. However, the positioning of Xiao Hong, experienced a mixed evaluation. One of the important reasons for this phenomenon is the single, narrow and changeable literary evaluation system. In order to make a more appropriate evaluation and interpretation of Xiao Hong, including novels, it is necessary to call for an integrated perspective beyond the limitations of the reality of the times and nation-states. Narrative ethics is such a perspective. Up to now, there are a lot of works and articles on Xiao Hong novels in academic circles, but few articles study Xiao Hong novels from the perspective of narrative ethics. This paper takes narrative ethics as the theoretical perspective, adopts the way of text reading, applies some theories of narrative ethics, and puts Xiao Hong novels into the background of the times in which Xiao Hong lived at that time. Combining historical conditions and her personal life experiences, the author analyzes the unique role and important influence of narrative ethics in Xiao Hong novels, and probes into the popular causes and unique contributions of Xiao Hong novels. The thesis is divided into four parts: the first part discusses narrative ethics as a new angle of view in the study of Xiao Hong novels, jumping out of the bondage of the times, following the internal rules of literature, conforming to the spirit of literary morality, from content to form. It provides a relatively systematic screening criterion for literary legitimacy and a relatively stable systematic evaluation for Xiao Hong novels. The second part analyzes Xiao Hong in the grand wartime background, although limited by the "inertia" of the times, involved in revolutionary subjects, but still strive to break through the cultural context of the times, stand out from the main historical tide of anti-Japanese literature, choose personality writing. Condensed individual life experience, soul narrative, formed their own unique narrative ethics: the mind is the heart. The third part analyzes the maverick of Xiao Hong novels in the content of literary creation, through the specific text analysis, to explore that most of the Xiao Hong creation follow the trend of emotion or emotion. Combined with their own life experience (especially childhood experience), we should be on guard against the national nationalism with excessive feeling and grandeur, dig into the consciousness of female subject, discover and rebuild their true artistic self, and construct their own literary world. The fourth part, analyzes the literary form as a kind of externalization of the writer's life experience, which belongs to the "meaningful form" of Xiao Hong. Taking the structure of prose culture and image structure of Xiao Hong's novels as an example, this paper analyzes the individual life experience in Xiao Hong's literary creation, which is embodied not only in the unique views on ethical issues in the content of the novel, but also in the unique narrative form of his novel. In a word, the thesis tries to analyze the narrative style and art of Xiao Hong novels from a transcendent theoretical point of view, emphasizing the individual ethics and life experience of narration in Xiao Hong novels. The author regards individual ethics and life experience as the basis for Xiao Hong's novels to acquire modern character and artistic freedom and to realize a systematic and objective evaluation of Xiao Hong's novels in a modern sense.
【學(xué)位授予單位】：寧波大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.42

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