本文選題：莫言 + 接受美學(xué)　； 參考：《青島大學(xué)》2016年碩士論文

【摘要】：本文首先研究了2012年諾貝爾文學(xué)獎(jiǎng)獲得者莫言作品《紅高粱家族》在歐洲德語區(qū)的接受情況,進(jìn)而詳細(xì)分析德語區(qū)讀者是如何解讀莫言作品中“魔幻現(xiàn)實(shí)主義”這一特點(diǎn)的。通過研究得出結(jié)論,莫言作品《紅高粱家族》在德語區(qū)的接受程度相對(duì)較低,其作品更多的是在漢學(xué)界及文學(xué)界產(chǎn)生影響。而且很多德語區(qū)讀者常常帶著有色眼鏡解讀莫言作品,這對(duì)他們深入理解莫言作品無疑是很大的障礙。莫言作品中的“魔幻現(xiàn)實(shí)主義”被讀者從語言到結(jié)構(gòu)再到內(nèi)容進(jìn)行了多方面的闡釋。例如莫言在作品《紅高粱家族》中具有民族特色的語言,別具一格的結(jié)構(gòu)設(shè)置,以及被神話了的故鄉(xiāng)高密東北鄉(xiāng),這些特點(diǎn)都賦予了莫言“魔幻現(xiàn)實(shí)主義”不同于其他作者的特點(diǎn)。這個(gè)結(jié)論一方面印證了德國(guó)“康茨坦茲學(xué)派”的“接受理論”,即每個(gè)讀者對(duì)同一部文學(xué)作品的解讀會(huì)因?yàn)閭�(gè)人不同的經(jīng)歷和認(rèn)知而不同,另一方面也說明了每個(gè)讀者對(duì)同一個(gè)文學(xué)讀本的理解是可以多種多樣的,在文學(xué)闡釋中根本不存在絕對(duì)的“正確”和“錯(cuò)誤”之分。
[Abstract]:This paper first studies the acceptance of the 2012 Nobel Prize winner Mo Yan's work "Red Sorghum Family" in the German-speaking region of Europe, and then analyzes in detail how the readers of the German-speaking region interpret the feature of "Magic realism" in Mo Yan's works. It is concluded that the acceptance of Mo Yan's works Red Sorghum Family is relatively low in the German-speaking region, and his works have more influence in Sinology and literary circles. Moreover, many German-speaking community readers often use colored glasses to interpret Mo Yan's works, which is undoubtedly a great obstacle to their in-depth understanding of Mo Yan's works. The magic realism in Mo Yan's works is interpreted from language to structure to content. For example, in his work "Red Sorghum Family", Mo Yan has a distinctive language, a unique structure, and the mythical hometown of Gaomi Northeast Township. These characteristics have given Mo Yan's Magic realism different from other authors. This conclusion, on the one hand, confirms the "reception theory" of German "Kangzantanzi School", that is, each reader's interpretation of the same literary work varies according to the individual's different experiences and perceptions. On the other hand, it also shows that each reader's understanding of the same literary book can be varied, and there is no absolute difference between "right" and "wrong" in literary interpretation.
【學(xué)位授予單位】：青島大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：I207.42
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本文編號(hào)：1859092