發(fā)布時(shí)間：2018-05-07 17:32

  本文選題：田星六 + 詩歌��； 參考：《吉首大學(xué)》2017年碩士論文

【摘要】：本文以晚清至民國(guó)時(shí)期著名詩人田星六先生的詩歌為研究對(duì)象,將其置于晚清、民國(guó)時(shí)期這一特殊的社會(huì)文化背景中,聯(lián)系當(dāng)時(shí)全國(guó)的文化環(huán)境與湘西特殊的地方文化環(huán)境,對(duì)其詩歌展開分析,盡可能地揭示了解其詩歌的文化內(nèi)涵、藝術(shù)特色和詩學(xué)價(jià)值。在田星六看來,作為詩歌藝術(shù),最重要的價(jià)值取向在于“救世”,只有對(duì)國(guó)家、民族前途、命運(yùn)能發(fā)生影響的詩歌才是真正的藝術(shù)。當(dāng)然,田星六并非只是強(qiáng)調(diào)藝術(shù)的政治功能,他同樣也強(qiáng)調(diào)詩歌的個(gè)性創(chuàng)造,只是在他的內(nèi)心深處,個(gè)人的藝術(shù)創(chuàng)造更多地集中在對(duì)故鄉(xiāng)溫情的懷念上。在藝術(shù)文化觀念上,田星六先生認(rèn)為,詩歌要符合時(shí)代的需要。有時(shí)候,為了國(guó)家,為了民族的未來,詩人也應(yīng)該勇敢地站出來,走向戰(zhàn)場(chǎng),用自己的血肉捍衛(wèi)自己的國(guó)家。只是在為國(guó)沖鋒陷陣的過程中,如果受傷過重,詩人也可以回到故鄉(xiāng)休養(yǎng)生息,在故鄉(xiāng)的親情中享受心靈的安閑。詩歌文化意蘊(yùn)的堅(jiān)定基石自然是詩歌的審美意象,田先生在這方面尤其頗有創(chuàng)意。他的詩歌雖然產(chǎn)生于晚清、民國(guó),但其意象的創(chuàng)造卻早已超越了當(dāng)時(shí)的時(shí)代。詩人專注于視覺意象與聽覺意象的塑造,從嶄新的角度觀察世界,解讀世界,描繪世界,從而使其詩歌超越同輩,也對(duì)湘西后來的文人文學(xué)創(chuàng)作產(chǎn)生著巨大的影響。本文鑒于當(dāng)前田星六詩歌研究相對(duì)薄弱的實(shí)際狀況,從以下幾個(gè)方面力圖對(duì)田星六詩歌做一個(gè)較為全面、深入的分析研究。在緒論中介紹了田星六詩歌的研究現(xiàn)狀及其研究背景和意義,指出了田星六詩歌研究的必要性。第一章主要是闡述了田星六生活的時(shí)代背景及其經(jīng)歷和成就,重點(diǎn)挖掘詩人的內(nèi)心情感世界,以期做到“知人論詩”。第二章分析了田星六的詩歌文化內(nèi)涵和藝術(shù)特色,揭示詩歌中詩人內(nèi)心深處的奇情霸氣以及潛心著述育人寄情故土山水的寧靜致遠(yuǎn)。第三章結(jié)合前面所論,探析其詩歌的詩學(xué)價(jià)值,即他的詩歌對(duì)時(shí)代和后人的昭示及其具體的歷史影響。
[Abstract]:This paper takes the poems of Mr. Tian Xingliu, a famous poet from the late Qing Dynasty to the Republic of China, as the research object, puts them in the special social and cultural background of the late Qing Dynasty and the Republic of China, connecting the cultural environment of the whole country at that time with the special local cultural environment of Western Hunan. Through the analysis of his poems, the author tries to reveal the cultural connotation, artistic characteristics and poetic value of his poems as far as possible. In Tian Xingliu's view, the most important value orientation of poetry art lies in "saving the world". Only poetry that can influence the future and destiny of the nation is the true art. Of course, Tian Xingliu not only emphasizes the political function of art, but also emphasizes the personality creation of poetry, but in his heart, his artistic creation is more concentrated on the nostalgia for the warmth of his hometown. In the concept of art and culture, Mr. Tian Xingliu believes that poetry should meet the needs of the times. Sometimes, for the sake of the nation and the future of the nation, poets should stand up bravely and go to the battlefield and defend their country with their own flesh and blood. Only in the process of fighting for the country, if the injury is too heavy, the poet can return to his hometown to rest and enjoy the peace of mind in his family. The solid foundation of poetic culture is the aesthetic image of poetry, in which Mr. Tian is particularly creative. Although his poems originated in the late Qing Dynasty and the Republic of China, the creation of his images has already exceeded the time of that time. The poet focuses on the shaping of visual image and auditory image, observes the world from a new angle, interprets the world, depicts the world, thus makes his poetry transcend his peers, and also has a great influence on the literary creation of the literati later in Xiangxi. In view of the fact that the study of Tian Xing's six poems is relatively weak at present, this paper tries to make a more comprehensive and in-depth analysis and study of Tian Xing's poems from the following aspects. In the introduction, the author introduces the present situation, background and significance of the research on Tian Xing's six poems, and points out the necessity of the research. The first chapter mainly expounds the background, experiences and achievements of Tian Xing's life, and focuses on the poet's inner emotional world, in order to achieve "understanding poetry". The second chapter analyzes the cultural connotation and artistic characteristics of Tian Xingliu's poetry, and reveals the strange feeling and hegemony in the poet's heart, and the quiet distance between the mountains and rivers. The third chapter analyzes the poetics value of his poems, that is, his poems' revelation to the times and later generations and their specific historical influence.
【學(xué)位授予單位】：吉首大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 周冰心;;南社文人與日俄戰(zhàn)爭(zhēng)[J];東疆學(xué)刊;2015年04期

2 史全生;;柳亞子與新南社[J];揚(yáng)州大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版);2014年04期

3 黎保榮;;論沈從文的暴力描寫與生命敘事[J];南京師范大學(xué)文學(xué)院學(xué)報(bào);2014年01期

4 張芳;;“思想界中初革命,欲憑文字播風(fēng)潮”——兼析孫之梅《南社研究》中的“近代革命文學(xué)史”視角[J];山東圖書館學(xué)刊;2012年02期

5 張利玲;;漢語言文學(xué)對(duì)湘西民族文學(xué)的滲透和影響——以苗族詩人田名瑜為中心[J];吉首大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2009年02期

6 孟丹青;;從“南社”到“新南社”看柳亞子思想的進(jìn)步性[J];南京理工大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2007年03期

7 彭永慶;;論清朝湘西民族地區(qū)教育的發(fā)展[J];民族教育研究;2007年01期

8 楊瑞仁;鳳凰之“仙”與鳳凰之“龍”——談鳳凰縣土家詩人田星六與苗族作家沈從文[J];民族論壇;2005年08期

9 劉一友;鳳凰廳城的崛起和楚巫文化的張揚(yáng)(上篇)——《沈從文與湘西》之二[J];吉首大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);1999年03期

10 丘陵;南社詩人田星六和他的詩詞[J];吉首大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);1989年03期

相關(guān)重要報(bào)紙文章 前1條

1 胡連利;田紅虹;;雜文化：外來文化對(duì)日本的影響[N];中華讀書報(bào);2003年

相關(guān)博士學(xué)位論文 前1條

1 盧文蕓;變革與局限[D];華中師范大學(xué);2002年

相關(guān)碩士學(xué)位論文 前2條

1 向筆群;土家族傳統(tǒng)文化與當(dāng)代土家族青年詩人的創(chuàng)作[D];西南大學(xué);2008年

2 張震;近代鳳凰城市文化探析[D];湖南師范大學(xué);2005年

，

本文編號(hào)：1857820