本文選題：送別雅集 + 朝隱　； 參考：《社會(huì)科學(xué)家》2017年04期

【摘要】：明代京官送別雅集引入朝隱文化,將預(yù)祝出行人取得卓越政績(jī)和設(shè)想出行人政暇的娛樂(lè)活動(dòng)結(jié)合,創(chuàng)作了表征朝隱意識(shí)形態(tài)的雅集文本。此類(lèi)文本充分利用敘事的語(yǔ)言結(jié)構(gòu),建構(gòu)意識(shí)形態(tài)的意指實(shí)踐,利用普遍化、自然化手段推廣意識(shí)形態(tài)。但送別雅集祝愿的虛化情境和雅集的符號(hào)化趨向本身帶有烏托邦性,恰好說(shuō)明了文人的政治處境對(duì)意識(shí)形態(tài)推廣的保護(hù)作用,顯示了中國(guó)文人與西方文人對(duì)意識(shí)形態(tài)的不同態(tài)度,豐富了文本意識(shí)形態(tài)批判的內(nèi)涵。
[Abstract]:In the Ming Dynasty, the elegant collection of Beijing officials' farewell was introduced into the Chaoyin culture, which combined the outstanding achievements of the travelers with the entertainment activities of the political leisure of the travelers, and created the text of the elegant collection which represented the ideology of Chaoyin. This kind of text makes full use of the language structure of narration, constructs the meaning practice of ideology, popularizes ideology by means of generalization and naturalization. But the false situation of farewell and the symbolization tendency of elegant collection are utopian, which explains the protective effect of the literati's political situation on the promotion of ideology. It shows the different attitudes of Chinese literati and western literati towards ideology, and enriches the connotation of ideological criticism in the text.
【作者單位】： 湖北師范大學(xué)美術(shù)學(xué)院;
【基金】：國(guó)家社科基金一般項(xiàng)目:宋代美學(xué)范疇研究(15BZW030) 湖北省教育廳人文社會(huì)科學(xué)研究項(xiàng)目青年項(xiàng)目:明代雅集圖的視覺(jué)文化研究(16Q168)階段性研究成果
【分類(lèi)號(hào)】：I207.2;J212
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本文編號(hào)：1835707