論東西小說的命運(yùn)書寫
本文選題:東西小說 + 命運(yùn)書寫; 參考:《西南大學(xué)》2017年碩士論文
【摘要】:東西是“廣西三劍客”之一,也是廣西文學(xué)的領(lǐng)軍人物和骨干之一。他的小說通過人物命運(yùn)的書寫不僅能夠反映當(dāng)下社會(huì)的現(xiàn)狀、揭示出社會(huì)上出現(xiàn)的各種矛盾和問題,也能夠深刻地剖析人情冷暖和人性善惡。他以桂西北農(nóng)村和繁華都市為創(chuàng)作背景和立足點(diǎn),發(fā)揮想象力和創(chuàng)造力,將小說的內(nèi)容與思想輻射范圍由小農(nóng)村擴(kuò)大到大都市,由農(nóng)村小人物的生存困境寫到都市小人物的心理困境,由對(duì)小人物不幸命運(yùn)的同情寫到對(duì)都市冷漠人心的擔(dān)憂。東西的小說大多是圍繞著各類人物的經(jīng)歷與命運(yùn)來加以敘寫的,其命運(yùn)書寫帶有鮮明的個(gè)性特點(diǎn)。在他的筆下,主人公大都逃脫不了命運(yùn)這一股虛無而又強(qiáng)有力的力量的束縛,無論是農(nóng)村小人物在艱苦生存環(huán)境中的苦苦掙扎,還是都市小人物在繁花似錦的生活環(huán)境中迷失自我;無論是一開始就對(duì)命運(yùn)妥協(xié),還是在忍無可忍之后對(duì)命運(yùn)進(jìn)行反抗,主人公的最終結(jié)局大多是在這場(chǎng)與命運(yùn)的戰(zhàn)斗中敗下陣來。東西善于從底層小人物的角度出發(fā)去挖掘人類生存背后的艱辛與不易,注重對(duì)人類生存悲劇的描述與闡釋,同時(shí)理性地看待現(xiàn)實(shí)中的各種問題并加以揭示,使讀者在字里行間深刻理解到人物所具有的品質(zhì)與性格缺陷,并對(duì)人物的命運(yùn)遭遇進(jìn)行深度思考。東西小說對(duì)人物命運(yùn)的書寫,不僅讓人們了解到小人物的生活百態(tài),也體現(xiàn)出了作者東西的精神情懷。本文試圖以命運(yùn)書寫為切入點(diǎn),來展開對(duì)東西小說的探討,本文由五個(gè)部分組成:緒論部分主要介紹東西的創(chuàng)作概況、梳理東西研究現(xiàn)狀和闡明選題理由與價(jià)值。第一章探討東西對(duì)人物命運(yùn)的殘酷與不幸的書寫。主要從農(nóng)村小人物的苦難、進(jìn)城女性的墮落和都市小人物的死亡三個(gè)方面入手,來分析東西筆下不同類型人物的悲劇命運(yùn)。東西的小說不僅關(guān)注農(nóng)村小人物和進(jìn)城女性的生存困境,也聚焦于都市小人物在夾縫中的生存與迷失,揭示了小人物生存的艱辛與絕望。第二章討論東西筆下人物面對(duì)不幸命運(yùn)的不同態(tài)度與選擇。在東西小說中,小人物面對(duì)命運(yùn)有著不同的選擇,有的對(duì)命運(yùn)順從妥協(xié),有的奮起反抗,有的甚至試圖對(duì)命運(yùn)進(jìn)行“篡改”。從中可以看出不同歷史時(shí)期人們所遇到的生活挑戰(zhàn)和人們面對(duì)不幸命運(yùn)時(shí)的不同態(tài)度、心理與行為。第三章探究東西小說命運(yùn)書寫的原因和意義。中華傳統(tǒng)文化中的宿命觀與桂西北文化中的宿命觀對(duì)東西小說的命運(yùn)書寫均產(chǎn)生了一定的影響,東西的人道主義情懷也是促使他走向命運(yùn)書寫的重要原因。東西小說的命運(yùn)書寫體現(xiàn)出對(duì)人類悲劇命運(yùn)的悲憫、對(duì)現(xiàn)實(shí)人生的感悟與批判、對(duì)善與美的贊頌與呼喚。結(jié)論部分總括全文。
[Abstract]:East-west is one of Guangxi three swordsmen, and also one of the leading figures and backbone of Guangxi literature. His novels can not only reflect the present situation of the society, reveal the contradictions and problems in the society, but also deeply analyze the human feelings, warmth and human good and evil through the writing of the fate of the characters. Taking the rural areas of northwest Guangxi and prosperous cities as his background and foothold, he developed his imagination and creativity and expanded the scope of the novel's contents and ideas from small rural areas to metropolitan areas. From the plight of the rural little people to the psychological plight of the urban little people, from the sympathy for the unfortunate fate of the little people to the apathy of the city. Most of the stories are written around the experiences and fates of all kinds of characters. In his works, most of the protagonists can not escape the fate of this nihilistic and powerful force, whether it is the struggle of the rural little people in the hard living environment, Or the urban little man who lost himself in the flowery environment of life; whether it was a compromise to fate at the beginning, or resistance to fate after he could not bear it, The final outcome of the protagonist is mostly defeated in this battle with fate. The East and West are good at excavating the hardship and difficulty behind the human existence from the angle of the bottom nobody, paying attention to the description and interpretation of the tragedy of human existence, and at the same time, rationally looking at the various problems in reality and revealing them. It makes the reader understand the character and character defect between the lines, and think deeply about the fate of the character. The writing of the fate of the characters in the western novels not only makes people understand the life of the little people, but also reflects the spiritual feelings of the author. This paper attempts to explore the oriental novels with the writing of destiny as the starting point. This paper is composed of five parts: the introduction mainly introduces the creation of things, combs the present situation of the research of things, and clarifies the reasons and values of the selected topics. The first chapter discusses the cruel and unfortunate writing of the fate of the characters. This paper analyzes the tragic fate of different types of characters from three aspects: the tribulation of the little people in the countryside, the depravity of the women in cities and the death of the little people in the cities. The novels focus not only on the plight of the rural little people and the women in cities, but also on the existence and loss of the urban little people in the gap, which reveals the hardships and despair of the small people's survival. The second chapter discusses the different attitudes and choices of the characters facing the unfortunate fate. In the western novels, little people have different choices to face fate, some give in to fate, some rise up against it, and some even try to "tamper with it". From this, we can see the life challenge and the different attitude, psychology and behavior when people face the unfortunate fate in different historical periods. The third chapter explores the reasons and significance of the writing of the fate of the East and West novels. The fatalism in the traditional Chinese culture and the fatalism in the northwest Guangxi culture had a certain influence on the writing of the destiny of the East and West novels, and the humanitarianism of the East and the West was also the important reason to urge him to write the destiny. The writing of the fate of the East and West novels embodies the pity for the tragic fate of human beings, the perception and criticism of real life, the praise and call for goodness and beauty. The conclusion part summarizes the full text.
【學(xué)位授予單位】:西南大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:I207.42
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