本文選題：唐五代詩詞 + 名物��； 參考：《浙江大學》2016年博士論文

【摘要】：本論文以唐五代詩詞名物為研究對象,以唐五代詩詞文本為文獻依托。在充分挖掘原典的基礎上,將出土文獻、域外文獻與傳世圖譜、考古實物相結合,對唐五代詩詞名物進行了專題考證。嘗試突破傳統(tǒng)訓詁研究和單純文學解讀的觀察模式,進行對還原唐五代詩詞原生文學環(huán)境,揭示特定文學現(xiàn)象有益,且能糾正唐宋而下注本訛誤的研究。在總體關照與專題拓展相結合的基礎上,本文按照綜合與個案兩條線索編排篇章結構,以深入探討唐五代詩詞文學和名物的具體關聯(lián)問題。本文共計六章內容。主要致力于以下幾方面的探討:第一,唐五代詩詞名物理論研究。本論文第一章,主要對詩詞名物研究和傳統(tǒng)名物研究的分野進行了理論架構和闡釋。二者的研究范圍、深度和研究方法都不同。詩詞名物的研究,要格外注重占有一切有價值的材料,為解析文本而服務,以突出文學本位。同時,這一章對詩詞名物和詩詞意象作出概念上的界定和劃分。對于二者相對區(qū)分又有所勾連的關系予以分析。闡明研究詩詞名物,不能離開對于名物原生態(tài)特點的考證求索。第二,金銀飾品與唐五代詩詞研究。金銀飾品的特點在于,其具有原始財富積累意義,又襯托出唐代積極向上、充沛自信的人文與社會姿態(tài)。金銀飾品是唐五代人生活的一個重要部分,這在詩詞之中有充分的表現(xiàn)。本論文第二章分類對唐五代詩詞中出現(xiàn)的金銀飾品作出考證,主要分為冠飾、發(fā)飾、耳飾、項飾、手飾、腰飾、衣飾幾部分。又著重對金銀飾品在詩詞中于聲色表現(xiàn)、意象傳遞、情感表達方面的獨特藝術特征作出釋讀。第三,樂器名物與唐五代詩詞研究。唐五代詩詞中保存了大量的樂器詩,披露了唐五代樂器的形制、演變以及在文學作品中呈現(xiàn)出的特質。論文第三章按照吹樂、彈撥樂、打擊樂三大類對樂器進行考證。其中,對詩詞中"笛"的概念進行梳理,并對吹樂在文學作品中的趨同表現(xiàn)進行歸納。又在考證中提出一些具體觀點,如"檀槽"不是架弦琴格;"金屑"不是指金屬裝飾;"促柱"不是急弦行為;《樂書》中記載的"大箜篌"和"小箜篌"是豎箜篌等。最后詳細剖析了樂器名物在詩詞中的擬聲效果,情感呈現(xiàn)以及意境塑造途徑。第四,閨中物事與唐五代詩詞研究。論文的第四章以《全唐詩》及《花間集》為底本,重點選取了最具代表性的幾種閨閨閣物:屏風、枕頭,窗、簾幕,燈、燭,香爐進行考證。尤其對閨中名物在唐五代詩詞中的特殊表現(xiàn),如"枕膩"、"背燈"等現(xiàn)象,以及閨中物事在文學表達中的情感特質作出深入解析。在文學的語境中,還原出真實的唐五代閨閣圖景。第五,唐五代詩詞經典名篇中的名物研究。不同的詩人選擇名物各有特點,運用名物的方式也不盡相同。論文的第五章主要選取了三部唐五代時經典作品:溫庭筠的《菩薩蠻》,白居易《長恨歌》和杜甫的《麗人行》,從名物角度對作品進行考與論的整體關照。論文在具體論證中有所突破,如對溫庭筠《菩薩蠻》中的"小山"作出全新角度的考辨;詳細解析"花鈿"在不同文學語境下指代不同名物的現(xiàn)象;糾正古往今來對于杜甫詩中"珠壓腰極"的注釋訛誤。第六,唐五代詩詞經典名物詞考證詮釋。論文的第六章遵循個案研究的思路,選取了唐五代詩詞中具有豐富內涵的三個名物詞:釵頭鳳、簪珥、蹙金,對其進行了名物實意上的考證,又對其體現(xiàn)的文學意義和演變,以及突出的文化內涵作出詮釋。具體名物反映了時代環(huán)境的細節(jié),由物性到理性,再到文學情性的滲透,是一種隱性的文學生產模式,本章即對此過程予以特別關注。
[Abstract]:This paper takes the poems and words of the Tang and Five Dynasties as the research object, relying on the texts of the poems and words of the Tang and Five Dynasties. On the basis of the full excavation of the original code, the paper makes a textual research on the unearthed documents, the extraterritorial documents and the atlas of the world, and the archaeological objects, and tries to break the traditional exegesis study and the simple literary interpretation of the observation model. In order to restore the original literary environment of the poems of the Tang and Five Dynasties, to reveal the benefit of the specific literary phenomena and to correct the errors of the Tang and Song Dynasties, on the basis of the combination of the total and the thematic expansion, the text is arranged in accordance with the two clues of the comprehensive and individual cases, so as to discuss the specific customs of the poems and the names of the Tang and Five Dynasties. This article is a total of six chapters. It is mainly devoted to the following aspects: first, the theoretical study of the poems and names of the Five Dynasties of the Tang Dynasty. The first chapter of this thesis is the theoretical framework and interpretation of the research of the poems and the names of the traditional names. The research scope, depth and research methods of the two are different. We should attach great importance to the possession of all valuable materials and serve for the analysis of text to highlight the literary standard. At the same time, this chapter defines and divides the names and images of poems and words, and analyzes the relationship between the two parties. Second, the study of the gold and silver ornaments and the poems of the Tang and Five Dynasties. The characteristics of gold and silver ornaments are that the gold and silver ornaments are characterized by the accumulation of original wealth, and the cultural and social posture of the Tang Dynasty, which are abundant and confident. Gold and silver ornaments are an important part of the life of the Tang and Five Dynasties. This is a full expression in the poetry. Second of the poems. The chapter classifies the gold and silver ornaments which appeared in the poems of the Tang and Five Dynasties, mainly divided into the crown ornaments, hair ornaments, earrings, ornaments, hand ornaments, waist ornaments, clothes and other parts. It also focuses on the interpretation of the unique artistic features of gold and silver ornaments in poetry, image transfer and emotional expression. Third, musical instruments and the poems of Tang and Five Dynasties. In the five generation of poetry, a large number of musical instruments have been preserved, and the form of the Five Dynasties of the Tang Dynasty, the evolution of the musical instruments and the characteristics presented in the literary works are disclosed. The third chapters of the paper are used to examine the musical instruments in accordance with the blowing music, the plucking music and the percussion music. Among them, the concept of "Flute" in the poetry is combed, and the convergence of the music in the literary works is presented. It also puts forward some specific views in the textual research, such as "the sandalwood trough" is not a string harmonica; "gold chip" is not a metal decoration; the "pillar" is not an urgent chord; the "great treasure" and "little" are the erection. Finally, the effect of the onomatopoeia, the emotion presentation and the way of the artistic conception in the poetry are analyzed in detail. Four, the study of poetry in the boudoir and the poetry of the Tang and Five Dynasties. The fourth chapters of the paper are based on the whole Tang poetry and the collection of flowers, and select the most representative boudoir objects: screens, pillows, windows, curtains, lights, candles, and incense, especially in the poems of the Tang and Five Dynasties, such as "pillow greasy", "back light" and other phenomena, as well as boudoir. In the literary context, the true Tang Wu generation of boudoir scenes is restored. Fifth, the study of the famous objects in the classical poems of the Tang and Five Dynasties. The different poets have their own characteristics and the way of using famous objects. The fifth chapters of the paper mainly select three Tang and five. The classic works: Wen Ting Yun's < Bodhisattva >, Bai Juyi < long hate song > and Du Fu's "Li Ren Xing >", take a holistic consideration of the works from the angle of famous objects. The paper has made a breakthrough in the concrete demonstration, such as making a new angle to the "Xiaoshan" in Wen Ting Yun's "Bodhisattva"; detailed analysis of "Hua of Pearl" in different literary contexts. The phenomenon of different famous objects; rectify the annotated errors of "Pearl pressure waist" in Du Fu's poems from ancient times to the present. Sixth, the interpretation of the classical names of the poems and words of the Tang and Five Dynasties. The sixth chapters of the thesis follow the train of thought of case study, and select the three famous words with rich connotations in the poems of the Tang and Five Dynasties: hairpin, hairpin and gold. It also explains the literary meaning and evolution and the outstanding cultural connotation, which reflects the details of the times, from physical to rational and to the permeation of literary sentiment, which is a recessive mode of literature production. This chapter pays special attention to this process.

【學位授予單位】：浙江大學
【學位級別】：博士
【學位授予年份】：2016
【分類號】：I207.2
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本文編號：1817880