本文選題：唐五代詞 + 小令�。� 參考：《山東師范大學(xué)》2017年碩士論文

【摘要】：詞在中國(guó)文學(xué)史上有著非常重要的地位,唐五代詞作為詞這種文學(xué)體裁的源頭,在詞學(xué)史上的地位舉足輕重。唐宋時(shí)期,填詞皆倚曲調(diào)曲拍,宋亡后,詞樂(lè)也隨之亡佚,填詞失卻了準(zhǔn)繩,于是,制定全面、規(guī)范的詞譜,成為詞學(xué)研究中非常重要的一部分。前人的詞譜研究著作頗豐,集大成者甚眾,但集中研究唐五代時(shí)期詞譜者卻不多,而是以各個(gè)時(shí)期的詞作作為整體的研究對(duì)象。本文將研究對(duì)象定為于唐五代時(shí)期的所有詞作,以建立涵蓋所有該時(shí)期詞作的全面的、有針對(duì)性的詞譜。本文以曾昭岷、曹濟(jì)平、王兆鵬、劉尊明四位先生編纂的《全唐五代詞(上下)》為底本,將其中41至44字的小令  共計(jì)20個(gè)詞牌、345首詞作選出進(jìn)行研究分析。先后校對(duì)基礎(chǔ)研究材料、標(biāo)注每字聲韻調(diào)、確定多音字音,然后將詞作進(jìn)行分類、歸納詞譜、分列正體變體,并將得出的詞譜與前人研究進(jìn)行比對(duì),最終確立該20個(gè)詞牌的詞譜,展現(xiàn)了這些詞牌在唐五代時(shí)期各體例的字?jǐn)?shù)、用韻、平仄、句式情況。同時(shí),對(duì)研究范圍內(nèi)的唐五代詞用韻進(jìn)行研究、比對(duì),得出一些唐五代詞的用韻規(guī)律,和唐五代至兩宋期間的語(yǔ)音變化規(guī)律。本論文共分四個(gè)部分:緒論,論述了本文的選題理由、研究意義,陳述了該課題的研究現(xiàn)狀,列出本文的研究創(chuàng)新點(diǎn)和研究方法。為本文之綱領(lǐng)。第一章唐五代詞概說(shuō),第一節(jié)論述了詞的起源以及唐五代詞在整個(gè)詞史上所取得的發(fā)展成果,并厘清了詞調(diào)、詞牌、詞譜的關(guān)系。第二節(jié)論述了唐五代詞在內(nèi)容、詞譜、語(yǔ)言上與宋詞的不同之處,展現(xiàn)了唐五代詞的獨(dú)特性。第二章至第五章匯集了本文主要的研究成果。在第二章至第四章章中,具體分析了20個(gè)詞牌的詞譜,對(duì)詞牌進(jìn)行逐一分析,包括詞牌詞譜、正變體分析、比對(duì)結(jié)果,并以表格方式展現(xiàn)詞牌的分體情況,一目了然。在第五章中,主要分析了唐五代詞用韻與詩(shī)韻、宋詞韻之間的異同關(guān)系,不僅得到了一些唐五代詞用韻的基本規(guī)律,也總結(jié)出一些唐五代至宋時(shí)的口語(yǔ)語(yǔ)音變化規(guī)律。結(jié)語(yǔ),首先以表格形式概括20個(gè)詞牌的具體情況,其次總結(jié)歸納了唐五代詞用韻的基本規(guī)律以及一些唐五代至宋時(shí)的口語(yǔ)語(yǔ)音變化規(guī)律。本文主要研究成果在于第二章至第四章各詞牌的正、變體詞譜,以及第五章的唐五代詞用韻特點(diǎn)分析、唐五代至宋的語(yǔ)音變化規(guī)律。
[Abstract]:Ci plays a very important role in the history of Chinese literature. As the source of the literary genre of ci in the Tang and five dynasties, ci plays an important role in the history of ci poetry. During the Tang and Song dynasties, the lyrics were written by tunes. After the death of the Song Dynasty, the lyric music was lost and the criterion was lost. Therefore, the formulation of a comprehensive and standardized lexical spectrum became a very important part in the study of ci poetry. There are many works on the ci spectrum of predecessors, but there are not many people who concentrate on the ci spectrum of the Tang and five dynasties, but take the ci works of each period as the whole research object. In order to establish a comprehensive and targeted lexical spectrum covering all the ci works of the Tang and the five dynasties, this paper focuses on the study of ci works in the Tang and five dynasties. Based on Zeng Zhaomin, Cao Jiping, Wang Zhaopeng and Liu Zuming, who compiled "ci (up and down) of the whole Tang Dynasty", this paper selected and analyzed a total of 20 words from 41 to 44 words. Proofread the basic research materials successively, mark the tone of each word, determine the multi-syllable word sound, then classify the words, sum up the word spectrum, separate the orthotypic variant, and compare the obtained word spectrum with the previous studies. Finally, the word spectrum of the 20 word cards was established, which showed the number of words, rhyme, level and sentence pattern of each style in the Tang and five dynasties. At the same time, the rhyme of ci in Tang and five dynasties is studied and compared, and the rules of rhyme and phonetic change between Tang and Song dynasties are obtained. This paper is divided into four parts: introduction, this paper discusses the reasons for the topic, the significance of the study, describes the status quo of the research, lists the innovative points and research methods of this paper. For the program of this article. The first section discusses the origin of ci and the development of ci in the whole history of ci, and clarifies the relationship among ci tone, word sign and ci spectrum. The second section discusses the differences between Tang and Song ci poems in content, ci spectrum and language, and shows the uniqueness of Tang and five dynasties ci. The second to fifth chapters collect the main research results of this paper. In the second to fourth chapters, the paper analyzes the word spectrum of 20 word cards, and analyzes the word signs one by one, including the word sign word spectrum, positive variant analysis, comparison results, and shows the form of the word card in a tabular way, which is clear at a glance. In the fifth chapter, the author mainly analyzes the similarities and differences between the rhyme and poetic rhyme of ci in Tang and five dynasties, and the rhyme of ci in Song Dynasty. It not only obtains the basic rules of rhyme used in ci in Tang and five dynasties, but also sums up some rules of phonetic changes in spoken language from Tang to Song. The conclusion first summarizes the specific situation of 20 word boards in the form of tables, and then summarizes the basic rules of rhyme used in the ci poems of the Tang and five dynasties, as well as the rules of the changes of spoken English pronunciation from the Tang Dynasty to the Song Dynasty. The main research results of this paper are in the second to fourth chapters of the correct, variant ci spectrum, as well as the fifth chapter of the Tang and five dynasties rhyme characteristics analysis, the Tang and five dynasties to the Song Dynasty phonetic changes.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.23

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