王維詩(shī)作隱逸類典故研究
發(fā)布時(shí)間:2018-04-24 23:34
本文選題:王維 + 隱逸; 參考:《曲阜師范大學(xué)》2017年碩士論文
【摘要】:王維是我國(guó)盛唐時(shí)代最著名的詩(shī)人之一,有“詩(shī)佛”之稱。本文以王維詩(shī)歌中的隱逸類典故為研究對(duì)象,通過(guò)對(duì)詩(shī)作中化用的隱逸類典故進(jìn)行詳細(xì)探源,從而細(xì)致考察王維詩(shī)歌的用典特色和深度剖析王維的隱逸思想。本文由緒論和四個(gè)章節(jié)構(gòu)成。緒論部分主要闡述選題的理由及意義,概括王維詩(shī)作中隱逸類典故的研究現(xiàn)狀,對(duì)用典這一修辭進(jìn)行簡(jiǎn)單說(shuō)明及對(duì)隱逸類典故的入選標(biāo)準(zhǔn)進(jìn)行界定,并對(duì)王維詩(shī)作中的隱逸類典故運(yùn)用《四庫(kù)全書》經(jīng)史子集的分類標(biāo)準(zhǔn)進(jìn)行簡(jiǎn)單梳理。第一章是對(duì)王維詩(shī)作隱逸類典故中的事典進(jìn)行考察。根據(jù)事典中涉及的隱士,將隱士大致分為以下三種類型:“有見(jiàn)于幾先”的全身適性之隱、獨(dú)善其身的撤退之隱、求遂其志的蟄伏之隱。通過(guò)分析隱逸類典故中所涉及的隱士類型,研究其與王維不同隱逸階段的契合之處。第二章是對(duì)王維詩(shī)作隱逸類典故中的語(yǔ)典進(jìn)行考察。主要包括對(duì)“詩(shī)騷”和諸子散文語(yǔ)典的化用、對(duì)史書語(yǔ)典的化用及前代詩(shī)文語(yǔ)典的化用三個(gè)部分,分析王維對(duì)前代詩(shī)文作品的繼承和創(chuàng)新,從而對(duì)其知識(shí)構(gòu)成以及詩(shī)歌的藝術(shù)淵源進(jìn)行探究。第三章探究王維詩(shī)作中隱逸類典故所體現(xiàn)的思想特色。分為詩(shī)作中隱逸典故所體現(xiàn)的“無(wú)可無(wú)不可”的儒家思想特色、“無(wú)為”“自然”的道家思想特色、“空”“寂”的佛家思想特色三個(gè)部分,從用典的角度探究王維不同人生階段的思想傾向,體現(xiàn)其思想的兼容并包性,及儒道佛思想對(duì)其半官半仕的隱逸模式的影響。第四章分析王維詩(shī)作中隱逸類典故的用典特色。主要從手法和典面兩個(gè)角度探究。手法包括明引暗用相結(jié)合和正用反用相結(jié)合兩部分,典面包括事典典面分析和語(yǔ)典典面分析兩部分。通過(guò)用典這一角度分析王維隱逸思想的流變及其詩(shī)歌知識(shí)構(gòu)成,為王維研究提供了一個(gè)新的視角,對(duì)全面深刻地研究王維具有非常重要的意義。
[Abstract]:Wang Wei is one of the most famous poets in the Tang Dynasty. This article takes the recluse allusion in Wang Wei's poetry as the research object, through the detailed exploration of the reclusive allusion used in the poetry works, and then makes a careful investigation of the characteristics and the depth of Wang Wei's seclusion thought. This paper consists of an introduction and four chapters. The introduction part mainly elaborates the reason and significance of the topic, generalizes the current situation of the study of the recluse allusion in Wang Wei's poems, and gives a simple explanation of the rhetoric of the use of the allusions and defines the criteria for the selection of the hermit allusions. And the hermit allusions in Wang Wei's poems are simply sorted out by the classification standard of the subsets of classics and history. The first chapter is to investigate the classic in the recluse allusions of Wang Wei's poems. According to the hermit involved in the book, the hermit can be divided into the following three types: "there is a few prior" of the whole body suitable for the hidden, the withdrawal of the hiding, so as to achieve the dormancy of his hidden spirit. By analyzing the types of hermit involved in hermit allusions, this paper studies the coincidence between hermit and Wang Wei in different reclusive stages. The second chapter is the study of the lexicon in the recluse allusions of Wang Wei's poems. It mainly consists of three parts: the translation of "Shi Sao" and the prose of various scholars, the conversion of historical books and the use of the former poetry and prose, and the analysis of Wang Wei's inheritance and innovation of the previous poetry and prose. In order to explore the composition of its knowledge and the artistic origin of poetry. The third chapter explores the ideological characteristics of the reclusive allusions in Wang Wei's poems. It is divided into three parts: the characteristics of Confucianism, the Taoism characteristic of "inaction" and "nature", and the characteristics of Buddhism thought of "empty" and "silence", which are embodied in the reclusive allusions of poetry. This paper probes into Wang Wei's ideological tendency in different stages of life from the angle of use of scripture, which reflects the inclusiveness of his thought, and the influence of Confucianism, Taoism and Buddhism on his seclusion mode of half official and half official. Chapter four analyzes the allusion characteristics of the hermit allusions in Wang Wei's poems. Mainly from the point of view of technique and classical surface. The method consists of two parts: the combination of explicit and dark use and the combination of positive and negative use, and the canonical surface includes two parts: the analysis of the canonical surface and the analysis of the canonical surface. This paper analyzes the evolution of Wang Wei's reclusive thought and the composition of his poetry knowledge from the angle of using the dictionary, which provides a new angle of view for the study of Wang Wei, and is of great significance to the comprehensive and profound study of Wang Wei.
【學(xué)位授予單位】:曲阜師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:I207.22
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