本文選題：《紅樓夢(mèng)》　切入點(diǎn)：敘事時(shí)序　出處：《南京大學(xué)學(xué)報(bào)(哲學(xué)·人文科學(xué)·社會(huì)科學(xué))》2017年03期

【摘要】：曹雪芹在繼承中國(guó)古代小說敘事傳統(tǒng)的基礎(chǔ)上,對(duì)敘事時(shí)序的安排和設(shè)計(jì)進(jìn)行了大膽且巧妙的創(chuàng)新。首先,他打破中國(guó)古代小說以順敘為主體的敘事時(shí)序格局,以倒敘統(tǒng)攝全書。其次,他創(chuàng)造性地使用預(yù)敘這一形式,并將其貫穿全書,構(gòu)建了一個(gè)完整、嚴(yán)密的預(yù)敘系統(tǒng)�！都t樓夢(mèng)》充分發(fā)揮預(yù)敘的功能,并進(jìn)行了許多創(chuàng)新,一方面借此流露出憂傷、惆悵的悲劇心緒,營(yíng)造不祥、壓抑的不和諧氣氛;另一方面也在提醒讀者,人的命運(yùn)盡管早已被造化規(guī)定好,但它也有可能通過個(gè)人努力而改變。
[Abstract]:On the basis of inheriting the narrative tradition of ancient Chinese novels, Cao Xueqin made bold and ingenious innovations in the arrangement and design of narrative timing. Second, he creatively used the form of pre-narration, ran it through the book, and constructed a complete, rigorous system of prescription.A Dream of Red Mansions gave full play to the function of pre-narration, and made many innovations. On the one hand, the tragic mood of sadness and melancholy is revealed, creating an ominous and oppressive atmosphere of disharmony; on the other hand, it reminds readers that, although the fate of man has long been stipulated by God, it may be changed through personal efforts.
【作者單位】： 南京大學(xué)文學(xué)院;
【分類號(hào)】：I207.411

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