本文關(guān)鍵詞： 紅樓夢 轉(zhuǎn) 敘事展進(jìn)　出處：《東北師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：新時(shí)期以來,紅學(xué)研究出現(xiàn)了很多創(chuàng)新點(diǎn),與此對應(yīng),傳統(tǒng)的技法研究沒有得到持續(xù)的推進(jìn)。自清代評點(diǎn)文字,到新紅學(xué)時(shí)期的一些隨筆式闡述,技法研究多止于一例或幾例,一點(diǎn)或幾點(diǎn),缺少系統(tǒng)性分析,因此不能滿足當(dāng)今的學(xué)理化需要。重拾技法研究,以新的方法分之析之,是研究《紅樓夢》不可或缺的部分,也是古典文學(xué)現(xiàn)代化的重要一例。本論文在文本細(xì)讀的基礎(chǔ)上,全面統(tǒng)計(jì)《紅樓夢》中的敘事展進(jìn)方式,將其作為傳統(tǒng)文章學(xué)“轉(zhuǎn)”的概念補(bǔ)充,進(jìn)行歸類,類有團(tuán)轉(zhuǎn)、連轉(zhuǎn)、突轉(zhuǎn)、跨轉(zhuǎn)、鏡轉(zhuǎn)、漸轉(zhuǎn)、悲喜轉(zhuǎn)七種。第二章論述前六種:團(tuán)轉(zhuǎn)指首尾相接的敘事方式,形式上成一整圓,內(nèi)容上并未回到原處,而是實(shí)現(xiàn)了發(fā)展;連轉(zhuǎn)大致分兩種,一種是連續(xù)的有節(jié)奏的描寫,一種是以一人物帶動的串聯(lián)轉(zhuǎn),連轉(zhuǎn)將瑣碎的事件串成整體;突轉(zhuǎn)指突然敘事,分主干情節(jié)突轉(zhuǎn)與次級情節(jié)突轉(zhuǎn),是文本“偶然性”的實(shí)現(xiàn);跨轉(zhuǎn)指情節(jié)從此處跨到彼處的“跨越”,“下一處”或呼應(yīng)前文,或遙照后文,在“當(dāng)時(shí)情景”中,彼此兩處是無有關(guān)聯(lián)的,跨轉(zhuǎn)擴(kuò)充了線性敘事結(jié)構(gòu);鏡轉(zhuǎn)指帶有鏡頭切換意味的場景描寫,其中“交叉蒙太奇”手法尤其別出心裁;漸轉(zhuǎn)指故事之前的鋪墊,是行文不突兀的手段。第三章論悲喜轉(zhuǎn)。本論文先根據(jù)普林斯對最小事件的定義,列出《紅樓夢》的悲喜轉(zhuǎn)換表,隨后進(jìn)行統(tǒng)計(jì)。最終發(fā)現(xiàn),宏觀上,《紅樓夢》的總體氛圍是由喜轉(zhuǎn)悲的;微觀上,小事件幾乎可以全部被定性為悲事或者喜事,其展進(jìn)亦遵從了嚴(yán)格的藝術(shù)策略。悲喜轉(zhuǎn)為全書構(gòu)建出了另一個(gè)情調(diào)維度。
[Abstract]:Since the new era, there have been a lot of innovations in the study of red science, and corresponding, the traditional technical research has not been continuously promoted. The study of technique mostly ends in one or several cases, one or several points, lack of systematic analysis, so it can not meet the needs of modern science and chemistry. It is an indispensable part of the study of A Dream of Red Mansions and an important example of the modernization of classical literature. On the basis of careful reading of the text, this thesis comprehensively counts the narrative development methods in A Dream of Red Mansions. Take it as the traditional article "turn" the concept of supplement, classify, the category has group turn, continuous turn, abrupt turn, span turn, mirror turn, gradual turn. The second chapter discusses the first six kinds of narration: the form of the group turns into a whole circle, the content does not return to the original place, but realized the development; There are two kinds of continuous turns, one is the continuous rhythmic description, the other is the series rotation driven by a character, which turns the trivial events into a whole; Sudden change refers to the sudden narration, divided into main and secondary plots, which is the realization of "contingency" of the text. The cross-turn refers to the "leapfrogging" of the plot from here to there, "the next place" or echoing the previous text, or the following text, in "the scene at that time", there is no correlation between the two places, and the cross-turn expands the linear narrative structure; Mirror rotation refers to the scene description with the meaning of lens switching, in which the "cross montage" technique is particularly ingenious; Gradual change refers to the story before the foreshadowing, is not a sudden means of writing. Chapter III on the sad and happy turn. This paper first according to Prince's definition of the minimum event, listed in the "Dream of Red Mansions" sad and happy conversion table. Then statistics. Finally found that the macro, "Dream of Red Mansions" overall atmosphere is from happy to sad; At the micro level, small events can almost all be characterized as sad or happy events, and their development also obeys strict artistic strategies. The tragedy and joy turn to the book and construct another emotional dimension.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.411

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本文編號：1489153