本文關(guān)鍵詞： 現(xiàn)代游記 物境 情境 意境 審美特點(diǎn)　出處：《福建師范大學(xué)》2016年博士論文　論文類型：學(xué)位論文

【摘要】：中國現(xiàn)代游記是現(xiàn)代散文史上創(chuàng)作質(zhì)量和藝術(shù)成就較高、富有審美價(jià)值的一大文類。它對(duì)自然、人生和社會(huì)的審美觀照和藝術(shù)寫照,不僅展現(xiàn)了客體世界的豐富多彩,而且體現(xiàn)了游者主體的審美眼光和創(chuàng)作個(gè)性,創(chuàng)造出主客體互動(dòng)相生的異彩紛呈的審美境界。為此,本文引入藝術(shù)境界這一中國傳統(tǒng)美學(xué)命題,從主客體辯證統(tǒng)一的角度,以主體把握客體的不同審美方式,將現(xiàn)代游記的藝術(shù)境界分為三種類型：物境、情境、意境。物境,即注重自然客體的審美發(fā)現(xiàn)；情境,即注重主體移情的審美再造；意境,即注重哲理領(lǐng)悟的審美探究。三境的劃分立足于主體把握客體的側(cè)重點(diǎn)不同,既“分立”又“互滲”,沒有高下優(yōu)劣之分,而有境界層深之別。物境的逼真如畫,情境的詩情畫意,意境的物我同化,皆有境界,都有各自獨(dú)特的藝術(shù)內(nèi)涵與審美特點(diǎn),彰顯了現(xiàn)代游記審美追求的多樣性、創(chuàng)新性和現(xiàn)代性。本文綜合運(yùn)用文藝美學(xué)、旅游美學(xué)、文化詩學(xué)等理論方法,建構(gòu)審美主客體互動(dòng)相生的研究范式,通過選取和解讀一批各有代表性的游記作品,探討現(xiàn)代游記物境、情境、意境的審美特點(diǎn),發(fā)掘現(xiàn)代入的審美意識(shí)和審美需求對(duì)自然、人生與社會(huì)的審美把握和藝術(shù)表達(dá),探求現(xiàn)代游記的審美特點(diǎn)與美學(xué)意義,從而推進(jìn)現(xiàn)代游記的審美研究。
[Abstract]:Chinese modern travel notes are a kind of literature with high creation quality, artistic achievement and aesthetic value in the history of modern prose. It is aesthetic and artistic portrayal of nature, life and society. It not only shows the rich and colorful object world, but also embodies the aesthetic vision and creative personality of the tourist subject, and creates the colorful aesthetic realm of the interaction between the subject and the object. This paper introduces the artistic realm, a traditional Chinese aesthetic proposition, from the point of view of dialectical unity of subject and object, classifies the artistic realm of modern travel record into three types: material environment and situation. Artistic conception. The situation, that is, the aesthetic reconstruction of the subject empathy; Artistic conception, that is, the aesthetic exploration that pays attention to philosophical comprehension. The division of three realms is based on the different emphasis of the subject to grasp the object, which is not only "separate" but "permeate each other", and there is no distinction between advantages and disadvantages. And there is the depth of the boundary. The lifelike like painting, the situation of poetry and painting, artistic conception of things I assimilate, have a realm, have their own unique artistic connotation and aesthetic characteristics. It shows the diversity, innovation and modernity of the aesthetic pursuit of modern travel notes. This paper uses the theories of literature and art aesthetics, tourism aesthetics, cultural poetics and so on, to construct the research paradigm of the interaction of aesthetic subject and object. Through the selection and interpretation of a number of representative travel works, this paper discusses the aesthetic characteristics of modern travel notes, such as environment, situation and artistic conception, and explores the aesthetic consciousness and aesthetic demand for nature. The aesthetic grasp and artistic expression of life and society, the aesthetic characteristics and aesthetic significance of modern travel notes are explored, and the aesthetic research of modern travel notes is promoted.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2016
【分類號(hào)】：I207.65
，

本文編號(hào)：1481451