本文關(guān)鍵詞：論先唐麗人賦“由容及情”的書(shū)寫(xiě)模式　出處：《湖北社會(huì)科學(xué)》2017年08期 　論文類(lèi)型：期刊論文

  更多相關(guān)文章： 麗人賦 由容及情 賦體 駢句 物哀

【摘要】：麗人賦是指以美麗女子為題材的賦。麗人賦"由容及情"的書(shū)寫(xiě)模式是指賦文前部描摹麗人容貌儀態(tài),后段抒發(fā)喜怒哀樂(lè)諸般感情。先唐麗人賦大都遵循這一模式,與同一作者的其他賦作存在明顯差異。麗人儀容描寫(xiě)的成因和藝術(shù)高度既決定于賦體的性質(zhì),又得益于駢句入賦的助推和人物對(duì)稱(chēng)之美的表現(xiàn)需求;愛(ài)美之心和物哀之情構(gòu)成作者情感的起因和兩層高度。
[Abstract]:Beauty Fu refers to the beautiful woman as the subject matter of Fu. The writing mode of beauty Fu "from the capacity to emotion" is to describe the appearance of beauty in the front part of Fu. The latter paragraph expresses feelings of joy, anger and sadness. Most of the Fu of the first Tang Dynasty follows this model, which is obviously different from the other works of the same author. The origin and artistic height of the description of beauty's appearance are determined by the nature of the Fu. It also benefits from the promotion of the parallel sentence into the Fu and the expression demand of the symmetrical beauty of the characters. The love of beauty and the sadness of things constitute the cause of the author's emotion and two levels of height.
【作者單位】： 浙江樹(shù)人大學(xué)人文學(xué)院;
【基金】：浙江省社會(huì)科學(xué)聯(lián)合會(huì)項(xiàng)目(17ND17) 浙江省文化廳文化科研項(xiàng)目(ZW2017014)
【分類(lèi)號(hào)】：I207.22
【正文快照】： 清代陳元龍所編《歷代賦匯》外集收“美麗”類(lèi)賦作,自先秦宋玉《高唐賦》始,至明代錢(qián)文薦《愛(ài)妾換馬賦》止,均以美麗女子為觀照對(duì)象抒發(fā)情感,篇名有以神女、麗人、麗色等體物之稱(chēng),亦有定情、協(xié)初、閑情等抒情之名,說(shuō)明這類(lèi)賦作兼具體物和抒情的雙重特點(diǎn),下文為限定范圍以便論，

本文編號(hào)：1441025