發(fā)布時(shí)間：2018-01-09 14:27

  本文關(guān)鍵詞：傳統(tǒng)的盛景與幻象——近二十年來(lái)張大春、臺(tái)灣六年級(jí)作家的寫作及臺(tái)灣的文化身份選擇　出處：《福建論壇(人文社會(huì)科學(xué)版)》2017年10期 　論文類型：期刊論文

  更多相關(guān)文章： 傳統(tǒng) 張大春 六年級(jí)作家 認(rèn)同

【摘要】：世紀(jì)之交以來(lái)張大春的小說(shuō)創(chuàng)作在詞句、結(jié)構(gòu)、形式、主題等諸多方面明顯增強(qiáng)了其傳統(tǒng)因素,但這種傳統(tǒng)敘述過(guò)于凸顯其逃離、懷疑、偶然等特色,在本質(zhì)上趨向于解構(gòu)清晰明確的傳統(tǒng)本身。臺(tái)灣六年級(jí)作家的小說(shuō)創(chuàng)作同樣在對(duì)歷史傳統(tǒng)的問(wèn)題上展現(xiàn)出模糊、含混、曖昧的文本美學(xué),同張大春的小說(shuō)創(chuàng)作一道塑造了傳統(tǒng)盛景中的幻象。在當(dāng)代臺(tái)灣分離主義文化思潮甚囂塵上的語(yǔ)境中,文學(xué)應(yīng)該從傳統(tǒng)中汲取面對(duì)時(shí)代重大問(wèn)題的方法與立場(chǎng),強(qiáng)調(diào)臺(tái)灣身份認(rèn)同的中國(guó)性。
[Abstract]:Since the turn of the century Zhang Dachun's novels in the form of words, structure, theme, etc. obviously enhanced the traditional factors, but the traditional narrative too highlights its escape, doubt, accident and other characteristics, in essence, deconstruction tends to clear the tradition itself. The sixth grade of Taiwan writers' novels in the history of the same the problem of traditional show vague, ambiguous, ambiguous text aesthetics, Zhang Dachun's novels with a traditional shape in spectacular illusion. In the contemporary cultural trend of rampant separatism in Taiwan in the context of literature should learn from the traditional standpoint and method facing major problems in the era of Taiwan, emphasizes the identity of Chinese.

【作者單位】： 福建社會(huì)科學(xué)院;
【基金】：福建省社會(huì)科學(xué)研究基地重大項(xiàng)目“中華文化傳承視野下的臺(tái)灣文學(xué)研究”(FJ2015JDZ020)階段成果
【分類號(hào)】：I207.42
【正文快照】： 臺(tái)灣的文化身份選擇□陳舒R繼訃疤ㄍ宓貝難е械鬧謝澄幕鶚，

本文編號(hào)：1401783