本文關(guān)鍵詞：論兩創(chuàng)方針與當(dāng)下中國(guó)文藝的繁榮發(fā)展　出處：《人民論壇·學(xué)術(shù)前沿》2017年10期 　論文類(lèi)型：期刊論文

  更多相關(guān)文章： 兩創(chuàng)方針 辯證關(guān)系 理性反思 現(xiàn)代性危機(jī)

【摘要】：文藝創(chuàng)作領(lǐng)域提倡的"兩創(chuàng)方針",就是從創(chuàng)造與創(chuàng)新的角度,再次將傳統(tǒng)與現(xiàn)代的命題引入人們的主觀經(jīng)驗(yàn)與精神世界,深刻反映出中華民族在新的歷史形態(tài)中的文化自信。"兩創(chuàng)方針"首先要求正確認(rèn)識(shí)兩者的辯證關(guān)系。傳統(tǒng)文化被賦予當(dāng)下性,需要融入當(dāng)下的日常生活,從具體對(duì)象轉(zhuǎn)化成一種態(tài)度、價(jià)值與思維方式。其次,"兩創(chuàng)方針"確立了創(chuàng)造性轉(zhuǎn)化、創(chuàng)新性發(fā)展的文化目標(biāo),解決了當(dāng)下文藝創(chuàng)作的總體方向。再次,"兩創(chuàng)方針"突出創(chuàng)新性發(fā)展,即提出了一種針對(duì)現(xiàn)代性危機(jī)的選擇標(biāo)準(zhǔn)與思考原則。它要求當(dāng)下中國(guó)文藝應(yīng)該具有這樣的勇氣與敏感,站在人類(lèi)的高度,回應(yīng)人類(lèi)的命題,自信地弘揚(yáng)有利于解決現(xiàn)代性危機(jī)的傳統(tǒng)價(jià)值。
[Abstract]:The "two creative principles" advocated in the field of literary and artistic creation are to introduce the traditional and modern propositions into people's subjective experience and spiritual world again from the angle of creation and innovation. It deeply reflects the cultural self-confidence of the Chinese nation in the new historical form. "two creative principles" requires a correct understanding of the dialectical relationship between the two. Traditional culture is endowed with the present nature and needs to be integrated into the daily life of the present. From the specific object to a kind of attitude, value and mode of thinking. Secondly, the "two creative principles" established a creative transformation, innovative development of cultural objectives, to solve the current general direction of literary and artistic creation. The "two creative principles" highlight the innovative development, that is, put forward a kind of choice standard and thinking principle in view of the crisis of modernity. It requires that the present Chinese literature and art should have such courage and sensitivity and stand at the height of mankind. In response to human propositions, we can confidently carry forward the traditional value which is conducive to solving the crisis of modernity.
【作者單位】： 中山大學(xué)中文系;
【基金】：2016年國(guó)家哲學(xué)社科基金一般項(xiàng)目“基于海外動(dòng)態(tài)數(shù)據(jù)庫(kù)的中國(guó)電影競(jìng)爭(zhēng)力研究[1980~2014]”之階段成果,項(xiàng)目編號(hào):16BZW158
【分類(lèi)號(hào)】：I206.7
【正文快照】： 黨的十八大以來(lái),當(dāng)下中國(guó)文藝如何弘揚(yáng)中華優(yōu)秀傳統(tǒng)文化,發(fā)揮作為時(shí)代號(hào)角、引領(lǐng)時(shí)代精神的重要功能,已成為學(xué)界持續(xù)關(guān)注的重點(diǎn)。任何一個(gè)時(shí)代精神都是在社會(huì)實(shí)踐的基礎(chǔ)上,經(jīng)歷文學(xué)、藝術(shù)、哲學(xué)的共同熔鑄與錘煉,凝聚出精神結(jié)晶。在三十多年改革開(kāi)放的偉大實(shí)踐中,文藝創(chuàng)作不斷

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