本文關鍵詞：唐五代宮詞中的女性形象研究　出處：《延邊大學》2017年碩士論文　論文類型：學位論文

  更多相關文章： 唐五代宮詞 女性形象 性別視角 女性觀

【摘要】：宮詞是我國古代文學中一種獨特的文體,一般是指關涉宮院生活的詩,它以描寫宮苑風光和宮人生活為主,同時兼及某一特定時代地域的典章制度、風俗物產(chǎn)、審美習尚等相關內(nèi)容。宮詞一般多為七言絕句,今存作品數(shù)千首,其起源最早可追溯到《詩經(jīng)》。首先以"宮詞"二字為名的詩歌是崔國輔的《魏宮詞》,直到唐代王建百首連章組詩的出現(xiàn),宮詞這一詩歌形式才正式興盛起來。此后又有王涯、張籍、殷堯藩、章孝標、張祜等諸多宮詞詩人的出現(xiàn),至五代前蜀花蕊夫人首次以后妃身份作百首宮詞。之后歷代多有繼作者,如五代后晉和凝,宋代宋白、張公癢、周彥質(zhì)、王仲修、宋徽宗、楊皇后、胡偉以及明清諸多宮詞詩人。宮詞的大量出現(xiàn)引起了世人的矚目,而在大量的宮詞作品中,王建、和凝和花蕊夫人之作在宮詞史上占有特殊的地位。本文選擇唐五代時期的宮詞,以王建、花蕊夫人、和凝等詩人的作品為中心,從女性主義文學批評方法來研究宮詞中的女性形象。唐五代宮詞以宮廷女性為詩歌描寫的主體對象,其中涉及宮女、宮伎、宮婢等宮廷獨有的女性形象。詩人通過對宮廷女性形象的描寫,展現(xiàn)了女性的容貌美、服飾美、德行美以及性格美等多方面審美特征,具有極高的審美價值,同時亦表現(xiàn)出詩人獨特的審美情趣,充分表現(xiàn)了對女性美的肯定。但千百年來男性對女性的審美標準也成為了影響女性主體價值實現(xiàn)的枷鎖。宮廷女性受當時的宮廷環(huán)境、文化、生活等諸多因素影響,形成了與社會普通女性不同的心理狀態(tài),產(chǎn)生了心理矛盾、心理訴求和心理局限等具體表現(xiàn)。如此種種心理狀態(tài)的出現(xiàn)正是由于唐五代時期女性觀的影響,而從男性與女性宮詞詩人作品所反映的女性形象中我們能夠窺見帶有各自兩性特點的女性觀。但值得一提的是,在中國古代這樣一個以男權為性別主導的社會無意識的大環(huán)境下,兩性詩人不約而同地在作品中表現(xiàn)出具有"雙性同體"特征的內(nèi)容,這不僅是詩人對超越單一性別氣質(zhì)的優(yōu)越人格的追求,更是女性觀中所展現(xiàn)出的性別融合的完美理想,具有更高的性別意義與社會意義。在對女性的描寫上,唐五代宮詞在延續(xù)了唐前宮怨詩和宮體詩以關注宮廷婦女生活為創(chuàng)作中心的特點的同時,又脫離了宮體"傷于輕艷"的藩籬,使得唐五代宮詞在古代宮廷文學中取得了輝煌的藝術成就。宮詞這一詩體從唐代至20世紀40年代漸至消逝,經(jīng)歷了 一千多年盛衰不絕。唐五代宮詞對女性的塑造和表現(xiàn)能夠讓我們看到一個時期的女性社會地位和意識,從而全面的觀察女性文學的發(fā)展情況。
[Abstract]:The palace is a unique style of ancient Chinese literature, which generally refers to the life Palace poem, it mainly describes the scenery and the palace palace life, and a particular era regional institutions, custom products, aesthetic conceptions and other related content. Its general for more than seven quatrains, the thousands of works, its origin can be traced back to the "Book of Songs". Taking the "Palace" two words in the name of Cui Guofu's poetry is "Wei Palace", until the Tang Dynasty Wang Jian's hundreds of poems in this chapter even, the form of poetry flourished before the official palace. Then there, Wang Ya Zhang Ji and Yin Yaofan, Zhang Xiaobiao, Zhang Hu and many other poets of the palace, to the five generation ago huaruifuren Shu for the first time after the princess for 100 pieces. After the second author, such as the five generation of Jin and Song Dynasty Song Bai, Zhang Gong Ning, Zhou Yanzhi, Wang Zhongxiu, Song Huizong, Yang, Yang, Hu Wei and queen many poets of Ming and Qing Dynasties palace. The emergence of a large number of Gongci attracted worldwide attention, and in a large number of its works, Wang Jian, and coagulation and huaruifuren work occupies a special position in the history of the palace. This choice of the Tang Dynasty to the Five Dynasties palace, with Wang Jian, huaruifuren, and coagulation of the works of poets such as the center, from the feminist literary criticism method to study the image of women in the palace. The palace of Tang Dynasty and Five Dynasties to the palace women for poetic description of the main object, which relates to the ladies, Gong Ji, the palace maids palace women's unique image etc.. Through the description of palace women, the poets show the aesthetic features of women's beauty, beauty, Tokuroyuki Mi, and character beauty. They have very high aesthetic value, and also show the unique aesthetic taste of poets. They fully show the affirmation of female beauty. But for thousands of years, men's aesthetic standards for women have also become the shackles that affect the realization of women's main body value. Court women were influenced by many factors such as court environment, culture and life at that time. They formed different psychological states from ordinary women. They produced psychological contradictions, psychological appeals and psychological limitations. There is such a variety of psychological state is due to the influence of the Tang and the Five Dynasties view of women, female images reflected from the male and female palace poets' works we can see with their gender characteristics of female view. But it is worth mentioning that, in ancient Chinese such a male dominated society for gender conscious environment, bisexual poet invariably works in exhibit "androgyny" characteristics of the content, which is not only the pursuit of superior personality beyond a single poet gender temperament, especially women show the concept of gender in perfect fusion, with gender and social meaning of higher. In the description of the female, the Tang and the Five Dynasties palace in the continuation of the pre Tang Dynasty Palace Enmity Poem and the palace poetry focuses on the characteristics of the palace women life as a creative center at the same time, and out of the palace "injury in the light bright" barriers, makes the Gongci in Tang Dynasty and Five Dynasties has made brilliant achievements in the art of ancient palace literature in. This is a poem from the Tang Dynasty palace to 1940s to gradually disappear, has experienced one thousand years of ups and downs of endless. The creation and performance of female palace in Tang Dynasty and five dynasties can let us see the social status of female consciousness and a period of time, thus the development of comprehensive observation of female literature.
【學位授予單位】：延邊大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.23

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1 趙悅;唐五代宮詞中的女性形象研究[D];延邊大學;2017年

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本文編號：1345165