本文關(guān)鍵詞：論新世紀(jì)文學(xué)生態(tài)與作家創(chuàng)作心態(tài)的互動關(guān)系　出處：《知與行》2017年10期 　論文類型：期刊論文

  更多相關(guān)文章： 互動關(guān)系 創(chuàng)作心態(tài) 新世紀(jì)文學(xué) 品牌策略 文學(xué)生態(tài) 《中州學(xué)刊》 文學(xué)生產(chǎn) 偏好 視覺文化時代 慣性

【摘要】：正雷鳴在《中州學(xué)刊》2017年第9期撰文指出,新世紀(jì)以來,作家的創(chuàng)作心態(tài)受到文學(xué)生態(tài)的巨大影響。在文學(xué)生產(chǎn)機(jī)制市場化轉(zhuǎn)型的背景下,受文學(xué)營銷中"品牌策略"影響,作家被貼上"符號標(biāo)簽",促使作家形成自足的慣性心理。媒介權(quán)力的施控,催生了作家的媒介炒作行為,凸顯了作家創(chuàng)作上的速度焦慮。視覺文化時代的"圖像霸權(quán)",驅(qū)使作家迎合讀者讀圖的偏好,一方面進(jìn)行
[Abstract]:Zheng Lei Ming pointed out in the 9th issue of the Zhongzhou Journal on 2017 that since the new century, the writers' creative mentality has been greatly influenced by the literary ecology, under the background of the market-oriented transformation of literary production mechanism. Under the influence of "brand strategy" in literature marketing, writers are labeled with "symbol labels", which urges writers to form self-sufficient inertia psychology and the control of media power, which gives birth to the media speculation behavior of writers. The "image hegemony" in the age of visual culture drives the writer to cater to the reader's preference of reading pictures, on the one hand,
【分類號】：I206.7
【正文快照】： j猨猨酌凇噸兄菅Э，

本文編號：1436931