本文關鍵詞：中、日都市旅游街區(qū)書法景觀空間分異及其文化認同比較研究，由筆耕文化傳播整理發(fā)布。

中、日都市旅游街區(qū)書法景觀空間分異及其文化認同比較研究

On Spatial Differentiation and Related Cultural Identity of Calligraphic Landscapes in Tourist Districts： A Comparative Study between China and Japan

[1] [2] [3] [4] [5]

ZHANG Jie, LU Shao-jing, DU Guo-qing, SUN Jing-rong, WAN Ji-cai （1 .Department of Land Resources and Tourism Science, Nanjing University, Nanjing, Jiangsu 210093, China; 2.

[1]南京大學國土資源與旅游學系,江蘇南京210093; [2]日本立教大學觀光學部,日本東京3528558

文章摘要：以中國和日本兩國都市旅游街區(qū)的商店招牌為研究對象,以北京琉璃廠、東京淺草寺作為傳統(tǒng)旅游街區(qū),以北京王府井、東京新宿作為更新型旅游街區(qū),以南京新街口、東京銀座作為都市現(xiàn)代商貿旅游街區(qū),設計了特定的書法景觀指數(shù)從不同空間尺度探討了兩國書法景觀空間分異特征及文化認同的異同。結果表明：全球化背景下中、日兩國對書法文化仍然存在的較強文化認同,書法景觀作為一種文化符號,標識了城市內部象征空間的形成,表征著全球化背景下的社會與文化過程。雖然兩國文字、民俗和書法傳統(tǒng)的差異性導致兩國在書法藝術的認同角度和形式上的差異,但兩國書法景觀在整體上具有城市空間分異規(guī)律和文化認同的一致性：在全球化的背景下,現(xiàn)代旅游街區(qū)的書法景觀較之傳統(tǒng)旅游街區(qū)已經(jīng)弱化;書法景觀在不同類型業(yè)態(tài)之間的差異則揭示了這種空間分異的形成機制。

Abstr：As the most distinctive cultural symbols, the art of calligraphy is endowed with a rich cultural conno- tation. On one hand, it performances the origin function of identification, and on the other hand, it constructs a meaningful world based on collective memory and identity. China and Japan have the similar cultural traditions of calligraphy. Meanwhile, calligraphic landscape is a crucial component of urban cultural landscapes and an important representative for both counties. Calligraphic landscape is a portion of a geographical space that has a specific visual characteristic and a special sense of the place resulting from the lay-out of calligraphy characters as landscape elements. As one kind of calligraphic landscape, shop signs of different tourist districts are taken into the statistic and analysis process. Selecting Liulichang of China and Sensoji Temple of Japan as traditional tourist districts, Wangfujing of China and Shinjuku of Japan as renewal tourist districts, Xinjiekou of China andGinza District of Japan as modem tourist districts, this article examined the similarities and differences of spa- tial differentiation of calligraphic landscapes of two countries from multi spatial scales, by employing specific calligraphic landscape index which indicates more traditional calligraphic signs with a higher value and more non-traditional or western signs with a lower value. The findings indicate that for literal, folk and calligraphic traditional discrepancy between China and Japan, some differences derived from calligraphic landscapes exist mainly in the ways of writing forms and normal authenticity of calligraphic landscapes, characteristics of cultur- al penetration and fusion, and the identity to the artist

文章關鍵詞：

Keyword：:calligraphic landscapes spatial differentiation cultural identity tourist district globalization

課題項目：國家自然科學基金（40871072）資助

  本文關鍵詞：中、日都市旅游街區(qū)書法景觀空間分異及其文化認同比較研究，由筆耕文化傳播整理發(fā)布。