【摘要】：正創(chuàng)作一旦太正式了,預先有了目的和原因,就不自覺的產(chǎn)生了動機,于是畫面就拼命地走向和諧……這個是對的,也是錯的。當然,藝術(shù)沒有對與錯,要放在具體的語境里面去說。展覽往往要求的是一種比較實的主題,而反射到畫家的心理就成為一個可以延展可以深化可以關(guān)照內(nèi)心和成為有關(guān)于藝術(shù)本身的一些暢想與主張……《夢之路》表達的是現(xiàn)實與夢境之間的一種內(nèi)容�，F(xiàn)實是在生活的某個情境和比較確定的帶有稱謂的地點和借助于相對具體的一些人物和場景;夢境是體驗是感受是理想是小到藝術(shù)大到人生的追求。
[Abstract]:Once the creation is too formal, there is a purpose and reason in advance, unconsciously produced motivation, so the picture is desperately moving towards harmony. This is right and wrong. Of course, art is not right or wrong, to put in the specific context to say. Exhibitions often require a more realistic theme. Reflecting on the painter's psychology becomes a way to deepen and take care of the heart and become some fantasies and propositions about art itself. "the Road to Dreams" expresses a kind of content between reality and dreams. Reality is in a certain situation of life and a relatively definite place with appellation and with the help of relatively specific characters and scenes; dream is the pursuit of experience is feeling is ideal is small to art is big to life.
【分類號】：J212
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本文編號：2477991