【摘要】：正當代書法評判是個寬泛的話題。當代書法是以展覽為重心和標志的,展覽成為當代書法的縮影�；诖�,這里所說當代書法評判體系的建設只是相對于當前書法展覽作品而言,或者,對于當代書法的評判是以書法展覽為觀照的。隨著當代書法展覽的興起及文化環(huán)境的變化,當代書法在審美價值及審美標準的評判上,已然發(fā)生了較大變化,而對于書法作品的評判,似乎還有待于
[Abstract]:Modern and contemporary calligraphy judgment is a broad topic. Contemporary calligraphy is the focus and symbol of exhibition, exhibition becomes the epitome of contemporary calligraphy. Based on this, the construction of contemporary calligraphy evaluation system is only relative to the current calligraphy exhibition works, or the judgment of contemporary calligraphy is based on calligraphy exhibition. With the rise of contemporary calligraphy exhibition and the change of cultural environment, great changes have taken place in the judgment of aesthetic value and aesthetic standard of contemporary calligraphy.
【分類號】：J292.1

【相似文獻】

相關期刊論文 前10條

1 尹旭;當代書法的“非傳統(tǒng)”性質[J];寧夏社會科學;2005年06期

2 梅墨生;;當代書法散論[J];中國書畫;2006年04期

3 ;當代書法“十病”[J];廉政w，

本文編號：2409142