本文選題：“懷斯風(fēng)” + 影響�。� 參考：《曲阜師范大學(xué)》2014年碩士論文

【摘要】：20世紀(jì)70年代末80年代初以描寫鄉(xiāng)村生活為題材的鄉(xiāng)土寫實(shí)主義繪畫思潮在國內(nèi)一度盛行，，在這期間安德魯·懷斯作為美國寫實(shí)主義繪畫的代表畫家之一，其作品對(duì)一些中國畫家產(chǎn)生了重要的影響。其中有很多畫家借鑒了懷斯的藝術(shù)形式并試圖模仿他。 本篇論文以懷斯的藝術(shù)在中國的影響為主要的研究對(duì)象，以受懷斯影響較深的艾軒、何多苓為例，探討由他們所代表的“懷斯風(fēng)”創(chuàng)作風(fēng)格的特點(diǎn)，與懷斯的關(guān)聯(lián)等問題，同時(shí)兼論“懷斯風(fēng)”現(xiàn)象在國內(nèi)盛行的原因。主要從艾軒、何多苓兩位畫家的作品與懷斯作品的對(duì)比入手，結(jié)合國內(nèi)的時(shí)代背景和主觀因素，繼而深入的了解“懷斯風(fēng)”現(xiàn)象的實(shí)質(zhì)，探討“懷斯風(fēng)”現(xiàn)象在國內(nèi)產(chǎn)生的原因。本文分為四個(gè)部分進(jìn)行闡述，第一部分主要介紹當(dāng)時(shí)中國美術(shù)界與懷斯有關(guān)的出版物和展覽現(xiàn)象以及受懷斯影響的中國油畫界。主要列舉現(xiàn)象，用現(xiàn)象說明懷斯熱的程度。第二部分和第三部分是本篇論文的重點(diǎn)，主要以艾軒與何多苓為例論述懷斯對(duì)中國畫家產(chǎn)生的影響以及他們是如何將他人的藝術(shù)風(fēng)格融入自己繪畫的過程。從艾軒與何多苓藝術(shù)的特征、藝術(shù)作品中的懷斯圖示和與懷斯作品的異同等方面來闡釋艾軒與何多苓對(duì)懷斯藝術(shù)的演繹。第四部分試圖探討“懷斯風(fēng)”現(xiàn)象在中國興起的原因，結(jié)合國內(nèi)特定時(shí)代背景等客觀因素，從情感的共鳴和獨(dú)特的表現(xiàn)形式這兩個(gè)角度進(jìn)行探討。
[Abstract]:In the late 1970s and early 1980s, the trend of rural realism painting was popular in China, during which Andrew Wise was one of the representative painters of American realistic painting. His works have had an important impact on some Chinese painters. Many of them drew on Wise's artistic form and tried to imitate him. This paper takes the influence of Wise's art in China as the main research object, and takes Ai Xuan and Ho Do-ling, who are deeply influenced by Wise, as examples to discuss the characteristics of Wise's style of writing and its relation with Wise. At the same time, it also discusses the reason why the phenomenon of "Wise Wind" prevails in China. Starting from the comparison between the works of Ai Xuan and he Do-ling and Wise's works, combining the background of the times and subjective factors in our country, we then deeply understand the essence of the phenomenon of "Wise Wind". This paper probes into the causes of the phenomenon of "Wise Wind" in China. This paper is divided into four parts to elaborate. The first part mainly introduces the publications and exhibition phenomena related to Wise and the Chinese oil painting circle influenced by Wise. Mainly enumerate the phenomenon, use the phenomenon to explain the degree of Wise fever. The second part and the third part are the focus of this paper, mainly take Ai Xuan and he Douling as examples to discuss the influence of Wise on Chinese painters and how they integrate the artistic style of others into their own painting process. From the characteristics of Ai Xuan and he Do-ling 's art, the Wise figure and the similarities and differences between Ai Xuan and Ho Do-ling 's works, this paper explains the interpretation of Wise art by Ai Xuan and he Do-ling. The fourth part attempts to explore the reasons for the rise of "Wise Wind" in China, combining with the domestic specific background of the times and other objective factors, from the emotional resonance and unique form of expression to explore the two angles.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205

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