本文選題：美國 + 2012　； 參考：《美術(shù)》2013年04期

【摘要】：正主題年展匯集了眾多藝術(shù)家的作品,往往是藝術(shù)博物館表達(dá)藝術(shù)主張和挖掘新人的契機(jī)。2012年,"惠特尼雙年展"、"新博物館三年展"和"國家學(xué)院博物館年展"相繼開幕,筆者在紐約訪學(xué)期間恰逢這一系列難得的藝術(shù)盛事。這3個博物館年展的代表性很強(qiáng)、又恰在同一年相逢,這種六年一遇的幾率使得三者之間的藝術(shù)對話變得富有戲劇性。因此,雖然展覽已經(jīng)結(jié)束,但仍有必要對三大年展進(jìn)行較深入的對比分析,以探索當(dāng)代美國藝術(shù)觀念的基本格局。
[Abstract]:The theme year is a collection of artists' works, often an opportunity for art museums to express their artistic opinions and tap new talent. In 2012, the Whitney Biennale, the New Museum Triennial, and the National College Museum Annual Exhibition opened one after another. The author's visit to New York coincided with this series of rare art events. The three museums' annual exhibitions are highly representative and meet in the same year, a six-year chance that makes the artistic dialogue between the three dramatic. Therefore, although the exhibition is over, it is still necessary to make a deep comparative analysis of the three annual exhibitions in order to explore the basic pattern of contemporary American artistic concepts.
【作者單位】： 清華大學(xué);
【分類號】：J171.2
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本文編號：1826799