本文選題：藝風(fēng)社 + 美術(shù)展覽��； 參考：《浙江大學(xué)》2011年碩士論文

【摘要】：藝風(fēng)社是20世紀(jì)中國(guó)美術(shù)史研究中的一個(gè)重要個(gè)案,作為綜合性的美術(shù)社團(tuán),它在中國(guó)近代美術(shù)社團(tuán)發(fā)展史上極具代表意義。相對(duì)于當(dāng)時(shí)其他形式的美術(shù)社團(tuán),藝風(fēng)社無疑是走在前列的,最重要的表現(xiàn),就在于它對(duì)中西方文化的兼容并蓄。藝風(fēng)社不僅對(duì)中西方美術(shù)知識(shí)進(jìn)行廣泛的傳播,為藝術(shù)創(chuàng)作者、理論家提供學(xué)術(shù)交流、藝術(shù)爭(zhēng)鳴的平臺(tái),而且在當(dāng)時(shí)特殊的文化背景下,倡導(dǎo)中國(guó)傳統(tǒng)藝術(shù)的改革和創(chuàng)新。藝風(fēng)社成立期間先后舉辦了三次全國(guó)性的美術(shù)展覽,對(duì)當(dāng)時(shí)整個(gè)美術(shù)界產(chǎn)生了深遠(yuǎn)的影響。在民國(guó)初期這一中西方文化相互沖擊、碰撞的特殊時(shí)段,藝風(fēng)社展覽具有特殊意義并承擔(dān)了重要的歷史使命,體現(xiàn)了民國(guó)時(shí)期展覽的一般特點(diǎn),又有其自身的鮮明特色。該社展覽融藝術(shù)創(chuàng)作、藝術(shù)研究、藝術(shù)評(píng)論于一體,為推動(dòng)中國(guó)藝術(shù)的發(fā)展做出了貢獻(xiàn)。本文從其民國(guó)時(shí)期的社會(huì)背景入手,對(duì)藝風(fēng)社展覽進(jìn)行全面的解剖,并思考民國(guó)時(shí)期美術(shù)展覽的變化與發(fā)展。
[Abstract]:Art style Society is an important case in the study of Chinese art history in the 20th century. As a comprehensive art society, it is of great significance in the history of the development of Chinese modern art societies. Compared with other forms of art societies at that time, the art society was undoubtedly in the forefront, the most important performance was its all-embracing of Chinese and Western culture. The Art style Society not only widely spreads the art knowledge between China and the West, but also advocates the reform and innovation of Chinese traditional art under the special cultural background, which provides a platform for academic exchange and artistic contending for artistic creators and theorists. Three national art exhibitions were held during the founding of the Art style Society, which had a profound influence on the whole art circle at that time. In the early period of the Republic of China, when the culture of China and the West collided with each other, the exhibition of the Art style Society was of special significance and undertook an important historical mission, which embodied the general characteristics of the exhibition during the period of the Republic of China and had its own distinctive characteristics. The exhibition integrates artistic creation, art research and art review, and contributes to the development of Chinese art. Starting from the social background of the Republic of China, this paper makes a comprehensive dissection on the exhibition of the Art style Society, and thinks about the changes and development of the art exhibition in the period of the Republic of China.
【學(xué)位授予單位】：浙江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J209.2

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