本文選題：青銅器 + 商代　； 參考：《中國國家博物館館刊》2017年11期

【摘要】：2016年9月,中國國家博物館與清華大學(xué)藝術(shù)館聯(lián)合推出了"其金孔吉—一商周青銅器藝術(shù)"展覽,共展出62組件中國國家博物館收藏的商周時期青銅器。本文從這次展覽的展品出發(fā),選取兩個主題進行討論。一是商代長江流域青銅器與中原地區(qū)的交流;二是春秋中期青銅器風(fēng)格的變化。第一個主題,本文從這次展出的要和鬲出發(fā),討論了商代中原及北方地區(qū)所見的帶有長韻狀扉棱的銅器,認(rèn)為它們與長江流域具有一定聯(lián)系;第二個主題從展出的春秋中期青銅器出發(fā),討論了這一階段青銅器造型及紋飾風(fēng)格的變化,指出,春秋中期在青銅器風(fēng)格的轉(zhuǎn)變過程中,具有承前啟后的作用,應(yīng)該將這一階段的代表性銅器墓獨立進行討論,這樣更容易把握和理解春秋時期青銅器風(fēng)格由西周風(fēng)格向列國風(fēng)格的轉(zhuǎn)變。
[Abstract]:In September 2016, the National Museum of China and the Tsinghua University Museum of Art jointly launched an exhibition entitled "its Jin Kong Ji-A Shang Zhou Bronze Art", featuring 62 components of the Chinese National Museum's collection of Shang Zhou bronzes.Starting from the exhibits of this exhibition, this paper selects two themes for discussion.One is the exchange between bronze vessels in the Yangtze River Valley and the Central Plains in Shang Dynasty, and the other is the change of bronze ware style in the middle of Spring and Autumn period.In the first theme, this paper discusses the bronze vessels with long rhyme edge seen in the Central Plains of Shang Dynasty and the northern part of the Shang Dynasty from the point of view of "he Li" on this exhibition, and considers that they have certain connection with the Yangtze River basin.The second theme starts from the bronze ware on display in the middle of the Spring and Autumn period, and discusses the changes of the bronze ware modeling and decoration style at this stage. It is pointed out that the middle spring and autumn period plays a role of connecting the past with the future in the process of changing the bronze ware style.The representative bronze tombs of this stage should be discussed independently so that it is easier to grasp and understand the transformation of bronze ware style from Western Zhou style to foreign style in the Spring and Autumn period.
【作者單位】： 山西大學(xué)歷史學(xué)院;
【分類號】：K876.41
，

本文編號：1734350