本文選題：文化空間 + 非物質(zhì)文化遺產(chǎn)　； 參考：《天津理工大學》2014年碩士論文

【摘要】：隨著時間不斷推移,科學技術(shù)日新月異,人類不同文化環(huán)境相互滲透趨于整體化,各個地方文化界限模糊,文化需要從開放、發(fā)展的眼光來看,但同時因為地理的界限不再涇渭分明,保持地方文化獨一無二的特性越來越難。閉門造車式的研究已經(jīng)無法保護地方文化發(fā)展和不斷流變的非物質(zhì)文化遺產(chǎn),必須引入文化空間概念。文化空間即非物質(zhì)文化遺產(chǎn)這一古老文化存在于時間與空間的總和,保護非物質(zhì)文化遺產(chǎn)必定離不開對其文化空間的了解,因為任何事物都不會只對其本身造成影響,一定也會影響其所處的周邊環(huán)境。將文化禁錮在廟堂之上猶如植物離開了泥土、魚兒離開了湖水,以博物館形式的固態(tài)政府化保護固然是一種方法,但文化傳承的核心從來都是激活文化基因,重塑文化活性基因,薪火相傳的文化需要文化空間的構(gòu)建為其遮風避雨,文化空間發(fā)展形成規(guī)模才可能讓代表中國民族地方文化的非物質(zhì)文化遺產(chǎn)永遠發(fā)展壯大下去。樹立天津文化地方空間可以帶動天津經(jīng)濟增長,也是天津非物質(zhì)文化遺產(chǎn)研究的新領域。天津的文化空間需要文化研究者不斷探究,屬于天津的非物質(zhì)文化遺產(chǎn)需要文化研究者不斷去傳承發(fā)展,繼承和發(fā)展家鄉(xiāng)的文化是每一個天津人的責任,研究如何加持設計的附加值是當代設計的責任,作為生于天津的設計者,開發(fā)利用天津的文化資源,設計產(chǎn)品助推天津的文化空間建立,促進天津文化空間發(fā)展的同時增強設計產(chǎn)品的文化認可度,設計與文化相輔相成,經(jīng)濟與文化也是如此。研究天津歷史文化,建立天津文化空間,為天津的非物質(zhì)文化遺產(chǎn)建立一個可持續(xù)的活態(tài)發(fā)展的環(huán)境,為天津的文化產(chǎn)品設計源源不斷的輸送素材,天津的文化軟實力得以發(fā)展,天津城市文化才得以復蘇。
[Abstract]:With the passage of time, science and technology are changing with each passing day, the mutual infiltration of different cultural environments of human beings tends to be integrated, the boundaries of various local cultures are blurred, and culture needs to be viewed from the perspective of openness and development. But at the same time, because geographical boundaries are no longer distinct, it is becoming increasingly difficult to preserve the unique identity of local culture. Closed-door research has been unable to protect the development of local culture and the continuous evolution of intangible cultural heritage, it is necessary to introduce the concept of cultural space. Cultural space is the intangible cultural heritage, the ancient culture exists in the sum of time and space, the protection of intangible cultural heritage must be inseparable from the understanding of its cultural space, because nothing will only have an impact on itself. It must also affect its surrounding environment. To imprison culture above a temple is like a plant leaving the earth, a fish away from the lake, and a museum form of solid state government protection, but the core of cultural heritage has always been the activation of cultural genes. Reinventing the active gene of culture, the culture passed down by fire needs the construction of cultural space to shield it from rain and wind, and the scale of cultural space development can make the intangible cultural heritage, which represents the local culture of Chinese nationality, develop and expand forever. Setting up Tianjin's local cultural space can promote Tianjin's economic growth, and it is also a new research field of Tianjin's intangible cultural heritage. Tianjin's cultural space needs to be constantly explored by cultural researchers. The intangible cultural heritage of Tianjin requires cultural researchers to continue to carry on and develop their cultural heritage. It is the responsibility of every Tianjin people to inherit and develop the culture of their hometown. It is the responsibility of contemporary design to study how to increase the added value of design. As a designer born in Tianjin, we should develop and utilize Tianjin's cultural resources and design products to promote the establishment of Tianjin's cultural space. To promote the development of Tianjin's cultural space and to enhance the cultural recognition of design products, design and culture complement each other, and so is economy and culture. To study Tianjin's history and culture, to establish Tianjin's cultural space, to establish a sustainable living environment for Tianjin's intangible cultural heritage, and to design an endless stream of materials for Tianjin's cultural products. Tianjin's cultural soft power can develop, Tianjin's urban culture can recover.
【學位授予單位】：天津理工大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：TB472;G122

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