本文選題：宜人 + 器　； 參考：《蘇州大學(xué)》2014年博士論文

【摘要】：設(shè)計(jì)應(yīng)當(dāng)是為“人”的設(shè)計(jì)，這一點(diǎn)在千百年來人們的造器、用器活動(dòng)的過程中已經(jīng)得到確切的證實(shí)。人類最初創(chuàng)造器物的初衷是抱著方便生活的目的而產(chǎn)生,為了滿足人類的生理和心理、物質(zhì)與精神的需要，每一次造物的過程,都是在有意或無意地探詢?nèi)诵灾�。我們可以概略地將人類所�?jīng)歷之造型活動(dòng)分為農(nóng)業(yè)社會(huì)及工業(yè)革命后之兩個(gè)階段，造型活動(dòng)從遠(yuǎn)古的先民們開始制造石器的時(shí)代，歷經(jīng)演變成今日之工業(yè)時(shí)代，此一連串悠久的歷史是世世代代之造型經(jīng)驗(yàn)的累積與發(fā)展，都是人類的創(chuàng)造力的體現(xiàn)。 在我國傳統(tǒng)的造器經(jīng)驗(yàn)中，有許多從“宜人”的角度探討的設(shè)計(jì)思想，如傳統(tǒng)造器中的“利于人謂之巧，不利于人謂之拙”、“規(guī)矩為度”、“治物者，不于物于人”、““天人合一”等，這些傳統(tǒng)的設(shè)計(jì)思想都從一定程度上體現(xiàn)了以人為中心的“宜人”造器觀，對這些有參考價(jià)值的設(shè)計(jì)思想進(jìn)行重新疏理，通過分析與概括,歸納出我國傳統(tǒng)造器文化中蘊(yùn)藏的宜人性法理，達(dá)成對我國古代造器傳統(tǒng)的重新理解和認(rèn)識(shí)，力圖為現(xiàn)代產(chǎn)品設(shè)計(jì)開辟一條“溫故而知新”的研究蹊徑。 在中國傳統(tǒng)器物中所凝鑄的宜人因素主要包括其功能、尺度及審美上。器物在人們的生產(chǎn)生活中不僅起著實(shí)用的功用，同時(shí)還起著社會(huì)功能的作用。人們在漫長的生產(chǎn)生活中不斷突破，在原有的基礎(chǔ)上盡量使器物設(shè)計(jì)能更加符合人的使用，如我國傳統(tǒng)造器活動(dòng)充分考慮其功用是否與人相宜，在此基礎(chǔ)上形成了諸如一物多用、系列組合等先進(jìn)的設(shè)計(jì)理念；此外，還考慮器物所用的材料是否與人相宜；器物是否與其使用的環(huán)境與場合相宜等等。“器”從最初作為便于國家統(tǒng)治的“禮”的象征、代言的社會(huì)功能也逐漸轉(zhuǎn)化為反思層次設(shè)計(jì)的某一個(gè)面。而從我國傳統(tǒng)設(shè)計(jì)思想中所蘊(yùn)含的宜人觀主要是合目的性的設(shè)計(jì)、文質(zhì)兼?zhèn)浼叭伺c自然的和諧共處問題，而這些方面依然是當(dāng)代產(chǎn)品設(shè)計(jì)討論的重點(diǎn)，本文通過具體案例的梳理與剖析，探析我國傳統(tǒng)造器與當(dāng)代產(chǎn)品設(shè)計(jì)之間的發(fā)展源流關(guān)系，表明古人的造器思想在當(dāng)代并沒有過時(shí)，即使在未來，它們?nèi)匀挥衅浯嬖诘膬r(jià)值和合理性。思想意識(shí)要付諸實(shí)現(xiàn)，則必然要借助于各種工藝、技術(shù)的運(yùn)用。 工業(yè)革命之后，由于科學(xué)技術(shù)迅猛發(fā)展，各種先進(jìn)的技術(shù)、工藝被運(yùn)用到產(chǎn)品設(shè)計(jì)中，尤其是人機(jī)學(xué)、人類工程學(xué)的產(chǎn)生與發(fā)展，與許多新的科學(xué)技術(shù)相結(jié)合使得這些宜人設(shè)計(jì)的愿望得以更大程度上的實(shí)現(xiàn)，從而拓展了現(xiàn)代產(chǎn)品設(shè)計(jì)滿足人類各種需求的寬廣度。隨著時(shí)代的發(fā)展，人們對產(chǎn)品設(shè)計(jì)的需求也越來越高，“宜人”設(shè)計(jì)的概念也不斷延伸，這種設(shè)計(jì)理念已經(jīng)擴(kuò)展為不僅要求產(chǎn)品設(shè)計(jì)以人的生理、心理因素為中心，還要關(guān)注人類生存的整個(gè)自然與社會(huì)環(huán)境，在產(chǎn)品設(shè)計(jì)中體現(xiàn)生態(tài)、環(huán)保意識(shí)，注重社會(huì)倫理，如此，產(chǎn)品設(shè)計(jì)才能做到大格局下的真正的“宜人”，并形成良性循環(huán)。 宜人設(shè)計(jì)是產(chǎn)品設(shè)計(jì)的必然選擇，因此對宜人性設(shè)計(jì)方法的研究是非常必要的。本文即以宜人設(shè)計(jì)思維為導(dǎo)向來研究產(chǎn)品設(shè)計(jì)，探尋宜人產(chǎn)品設(shè)計(jì)的藝術(shù)規(guī)律，豐富產(chǎn)品設(shè)計(jì)的理論探討，并進(jìn)一步指導(dǎo)產(chǎn)品設(shè)計(jì)的實(shí)踐活動(dòng)，從而期盼能夠?qū)崿F(xiàn)產(chǎn)品設(shè)計(jì)與傳統(tǒng)造器文化的傳承與創(chuàng)新。
[Abstract]:The design should be the design of "man", which has been confirmed in the process of the activities of the devices and devices for thousands of years. The original purpose of human creation was to produce the purpose of convenient life. In order to meet the physical and psychological, material and spiritual needs of human beings, the process of each creation was in the process of the human beings. On the basis of intentional or unintentional inquiry into human nature, we can roughly divide the modeling activities of human beings into two stages after the agricultural society and the industrial revolution. The modeling activities from the ancient ancestors began to make the stone tools, which have evolved into the industrial age of today. This series of long history is the model of generations. The accumulation and development of tests are the embodiment of human creativity.
In the traditional building experience of our country, there are many design ideas from the "pleasant" angle, such as the "favor of man" in the traditional manufacture, such as "good for man, not good for the person", "the rule is degree", "the rule of things, not the man", "the unity of heaven and man" and so on. On the basis of the "pleasant" theory of the center, the idea of the design which has a reference value is reorganized. Through the analysis and summary, the pleasing jurisprudence contained in the traditional culture of our country is summed up, and a new understanding and understanding of the ancient architecture of our country has been reached to open up a study of the modern product design. A new way.
The amenity factors in Chinese traditional utensils mainly include its function, scale and aesthetics. The utensils not only play practical functions in the people's production and life, but also play the role of social function. People have made a breakthrough in the long production and life, and try to make the design of the utensils more consistent with the people on the original basis. For example, if our traditional apparatus activities fully consider whether their function is appropriate to people, on this basis, the advanced design concepts such as a multi use, a series of combinations and other advanced design concepts are formed; in addition, the material used by the utensils is suitable for the people; whether the utensils are suitable for the environment and the occasion and so on. The symbol of the family rule "Rites", the social function of the endorsement is gradually transformed into a certain aspect of the design of the reflective hierarchy, and the pleasing view contained in the traditional design ideas of our country is mainly the design of the purpose, the quality and quality of the harmony and the harmonious coexistence between man and nature, and these aspects are still the focus of the discussion of the contemporary product design. Through the analysis and analysis of specific cases, this paper analyses the origin and flow relationship between Chinese traditional and contemporary product design, which shows that the ancients' idea of the creator is not out of date in the present time, even in the future, they still have its existence value and rationality. Application.
After the industrial revolution, because of the rapid development of science and technology, all kinds of advanced technology and technology have been applied to product design, especially the production and development of ergonomics, human engineering, and many new science and technology, which make the desirability of these pleasant designs be realized in a greater range, thus expanding the satisfaction of modern product design. With the development of the times, the demand for product design is increasing with the development of the times. The concept of "pleasant" design has also been extended. This design concept has been expanded to not only require product design with human physiological and psychological factors as the center, but also the whole natural and social environment of human survival, and the production of product design. Product design embodies ecology, environmental protection consciousness and social ethics. In this way, product design can make the real "pleasant" under the big situation, and form a virtuous circle.
The pleasant design is the inevitable choice of the product design. Therefore, it is necessary to study the design method of the suitable human nature. This article is based on the pleasant design thinking to study the product design, explore the artistic law of the pleasant product design, enrich the theory of product design, and guide the practical activities of the product design, so as to look forward to it. It is enough to realize the inheritance and innovation of product design and traditional culture.
【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2014
【分類號(hào)】：TB472
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本文編號(hào)：2039249