發(fā)布時(shí)間：2018-05-30 03:37

  本文選題：中國傳統(tǒng)手工藝 + 文化創(chuàng)意產(chǎn)品　； 參考：《北京建筑大學(xué)》2017年碩士論文

【摘要】：傳統(tǒng)手工藝作為中國歷史傳統(tǒng)文化的重要組成部分,不僅具備了藝術(shù)形態(tài),而且還記載了人類的文明里程,呈現(xiàn)了當(dāng)時(shí)的社會(huì)經(jīng)濟(jì)和文化氣息。在現(xiàn)代設(shè)計(jì)中,中國傳統(tǒng)手工藝獨(dú)特的藝術(shù)魅力,其自然材料的親近感,人與肌膚的接觸,匠人與工具的融為一體,隨意表達(dá)的方式對現(xiàn)代各領(lǐng)域設(shè)計(jì)產(chǎn)生了重要的影響和啟示。但是,由于受到社會(huì)政治的變革、經(jīng)濟(jì)體制的改革以及全球化進(jìn)程中傳統(tǒng)文化與現(xiàn)代文化、傳統(tǒng)技術(shù)與機(jī)械科技、民族地域與世界等多方面因素的碰撞與挑戰(zhàn),中國傳統(tǒng)手工藝的未來之路面臨嚴(yán)峻考驗(yàn)。文化創(chuàng)意產(chǎn)業(yè)的興起為中國傳統(tǒng)手工藝提供了新的發(fā)展方向:以文化創(chuàng)意產(chǎn)品作為其新的物質(zhì)載體,使設(shè)計(jì)不再被孤立,拉近了人與產(chǎn)品之間的距離,讓產(chǎn)品擁有的不僅僅是使用價(jià)值還有文化價(jià)值。而以文化創(chuàng)意產(chǎn)品設(shè)計(jì)為實(shí)物載體的中國傳統(tǒng)手工藝,二者的相互結(jié)合,一方面可以為文化創(chuàng)意產(chǎn)品賦予濃厚的歷史氣息,使其不再單調(diào)乏味,缺失傳統(tǒng)文化內(nèi)涵;另一方面,可以將中國傳統(tǒng)手工藝所追求的哲學(xué)思想、審美觀念、匠人精神依附于文化創(chuàng)意設(shè)計(jì)產(chǎn)品展現(xiàn)出來。中國傳統(tǒng)手工藝的未來發(fā)展需要在當(dāng)今市場中尋求發(fā)展機(jī)遇,不僅僅是通過博物館收藏展覽、非物質(zhì)文化遺產(chǎn)申報(bào)、設(shè)立法律法規(guī)等一系列措施受到保護(hù),更重要的是,當(dāng)下文化創(chuàng)意產(chǎn)業(yè)的興起為傳統(tǒng)手工藝的傳承帶來了希望,以文化創(chuàng)意產(chǎn)品為實(shí)物載體的傳統(tǒng)手工藝通過創(chuàng)新設(shè)計(jì),結(jié)合人們的消費(fèi)心理與精神需求,可以創(chuàng)造出符合現(xiàn)代審美和功能需求的傳統(tǒng)手工藝類文化創(chuàng)意產(chǎn)品。本選題以中國傳統(tǒng)手工藝為研究內(nèi)容,文化創(chuàng)意產(chǎn)品為研究范圍,創(chuàng)新設(shè)計(jì)為研究核心對傳統(tǒng)手工藝在文化創(chuàng)意產(chǎn)品中的創(chuàng)新性設(shè)計(jì)做出了理論與應(yīng)用研究。通過對中國傳統(tǒng)手工藝和文化創(chuàng)意產(chǎn)品的多層次認(rèn)知與解析,深入剖析中國傳統(tǒng)手工藝在文化創(chuàng)意產(chǎn)品設(shè)計(jì)中的發(fā)展現(xiàn)狀以及困境問題,提出以文化創(chuàng)意產(chǎn)品為實(shí)物載體的新表現(xiàn)形式,從美學(xué)思想、現(xiàn)代設(shè)計(jì)理念、產(chǎn)品設(shè)計(jì)因素以及市場開發(fā)與互聯(lián)網(wǎng)模式四個(gè)方面研究如何創(chuàng)作出符合現(xiàn)代人審美觀念和功能需求的創(chuàng)新型文化創(chuàng)意產(chǎn)品,尋求中國傳統(tǒng)手工藝未來發(fā)展的更多空間。
[Abstract]:As an important part of Chinese historical and traditional culture, traditional handicraft not only has the artistic form, but also records the civilization mileage of mankind, showing the social economy and culture breath of that time. In modern design, the unique artistic charm of Chinese traditional handicraft, the affinity of natural materials, the contact between human and skin, the integration of craftsmen and tools, The way of free expression has had important influence and enlightenment to modern design in various fields. However, due to the social and political changes, the reform of economic system and the collision and challenge of traditional culture and modern culture, traditional technology and mechanical technology, national region and the world in the process of globalization, The future road of Chinese traditional handicraft faces severe test. The rise of cultural and creative industries provides a new direction of development for Chinese traditional handicrafts: taking cultural and creative products as its new material carrier, the design is no longer isolated, and the distance between people and products is drawn closer. Let the product have not only the use value but also the cultural value. On the one hand, the combination of the traditional Chinese handicrafts with the design of cultural and creative products as the physical carrier can, on the one hand, endow the cultural and creative products with a strong historical atmosphere and make them no longer monotonous and lack the traditional cultural connotation; on the other hand, Chinese traditional craftsmanship can be pursued by philosophy, aesthetic ideas, craftsmen spirit attached to cultural and creative design products. The future development of Chinese traditional handicrafts needs to seek opportunities for development in today's market, not only through a series of measures such as museum collection and exhibition, declaration of intangible cultural heritage, establishment of laws and regulations, etc., but more importantly, The emergence of cultural and creative industries brings hope to the heritage of traditional handicrafts. Traditional handicrafts, which take cultural and creative products as physical carriers, combine people's consumer psychology and spiritual needs through innovative design. Can create a modern aesthetic and functional needs of traditional handicraft cultural creative products. This topic takes Chinese traditional handicraft as the research content, the cultural creative product as the research scope, the innovation design as the research core, has made the theory and the application research to the traditional handicraft innovation design in the cultural creative product. Based on the multi-level cognition and analysis of Chinese traditional handicraft and cultural creative products, this paper deeply analyzes the development status and dilemma of Chinese traditional handicraft in the design of cultural and creative products. This paper puts forward a new form of expression with cultural and creative products as the carrier of physical objects, from the perspective of aesthetic thought and modern design concept, The factors of product design, market development and Internet model are four aspects to study how to create innovative cultural and creative products that meet the needs of modern aesthetic concept and function, and to seek more space for the future development of Chinese traditional handicraft.
【學(xué)位授予單位】：北京建筑大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TB472

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 張?jiān)?趙希崗;;淺析中國傳統(tǒng)手工藝在文化創(chuàng)意產(chǎn)品中的“再設(shè)計(jì)”[J];藝術(shù)與設(shè)計(jì)(理論);2016年10期

2 張祥泉;葉丹;;基于用戶需求的傳統(tǒng)手工藝產(chǎn)品創(chuàng)新設(shè)計(jì)模式研究[J];藝術(shù)百家;2016年01期

3 肖tq;;文化創(chuàng)意產(chǎn)品的設(shè)計(jì)創(chuàng)新研究[J];現(xiàn)代裝飾(理論);2016年01期

4 高靜靜;;淺談文化創(chuàng)意產(chǎn)品的設(shè)計(jì)創(chuàng)新[J];中國包裝工業(yè);2015年17期

5 王穎;施愛芹;;論博物館文化創(chuàng)意產(chǎn)品開發(fā)設(shè)計(jì)的創(chuàng)新思路[J];包裝世界;2015年04期

6 李朔;;傳統(tǒng)與變革——英國設(shè)計(jì)的手工藝“懷舊”[J];藝術(shù)教育;2015年02期

7 黃金霞;;傳統(tǒng)手工藝衍生品設(shè)計(jì)與開發(fā)——以俄羅斯套娃和無錫惠山泥人為例[J];南京藝術(shù)學(xué)院學(xué)報(bào)(美術(shù)與設(shè)計(jì)版);2012年05期

8 陳君;;傳統(tǒng)手工藝的文化傳承與當(dāng)代“再設(shè)計(jì)”[J];文藝研究;2012年05期

9 吳朋波;;關(guān)注創(chuàng)意產(chǎn)品設(shè)計(jì)的文化性[J];美術(shù)大觀;2011年12期

10 李慧;;淺議傳統(tǒng)手工藝以及創(chuàng)意手工產(chǎn)品設(shè)計(jì)的結(jié)合發(fā)展[J];藝術(shù)與設(shè)計(jì)(理論);2011年11期

相關(guān)博士學(xué)位論文 前3條

1 田青芬;臺(tái)灣文創(chuàng)產(chǎn)業(yè)的發(fā)展及其向大陸延伸的趨勢[D];南開大學(xué);2013年

2 張西昌;傳統(tǒng)手工藝的知識(shí)產(chǎn)權(quán)保護(hù)研究[D];西安美術(shù)學(xué)院;2013年

3 趙云川;日本工藝文化與日本現(xiàn)代化[D];中國藝術(shù)研究院;2007年

相關(guān)碩士學(xué)位論文 前6條

1 盧維佳;文創(chuàng)產(chǎn)品的設(shè)計(jì)元素獲取與創(chuàng)新[D];湖南大學(xué);2015年

2 呂艷;產(chǎn)品“再設(shè)計(jì)”的設(shè)計(jì)理論與方法研究[D];昆明理工大學(xué);2014年

3 佟冠一;體驗(yàn)經(jīng)濟(jì)背景下的創(chuàng)意文化產(chǎn)品設(shè)計(jì)研究[D];燕山大學(xué);2013年

4 韋婧;風(fēng)格社會(huì)下傳統(tǒng)工藝品牌的再生與創(chuàng)新[D];蘇州大學(xué);2013年

5 劉瑤;非物質(zhì)文化遺產(chǎn)保護(hù)與中國傳統(tǒng)文化傳承[D];哈爾濱工業(yè)大學(xué);2010年

6 余婕;淺析中國文化背景下的“新手工藝”之路[D];西北師范大學(xué);2009年

，

本文編號(hào)：1953762