本文選題：明式家具　切入點(diǎn)：審美情趣　出處：《四川師范大學(xué)》2017年碩士論文

【摘要】：明式家具作為民族文化的瑰寶,它體現(xiàn)了漢文化在歷史長河中的沉淀,匯聚了唐宋至明清時(shí)期幾代文人匠工的心血和智慧。大到社會(huì)思潮的表露、小到線腳形制的構(gòu)造,極致的融合和思考背后,明式家具是對造物者審美情趣的完美嶄露。而現(xiàn)代人對于民族文化的懷念,為明式家具的研究帶來了契機(jī)。作為文化載體的家具和貼近現(xiàn)代人內(nèi)心的家居環(huán)境如何適宜地融入到一起,讓傳統(tǒng)家具、器物中蘊(yùn)藏的審美情趣既滿足現(xiàn)代人對于家居產(chǎn)品的實(shí)用、審美需求,同時(shí)又能更好的保留傳統(tǒng)文化的神韻,使其在日常生活當(dāng)中傳承。文章對明式家具背后的設(shè)計(jì)者、設(shè)計(jì)思潮、設(shè)計(jì)環(huán)境進(jìn)行了梳理和分析;對明式家具中蘊(yùn)藏的審美情趣進(jìn)行剖析和總結(jié);對現(xiàn)代家居產(chǎn)品設(shè)計(jì)中所展現(xiàn)的審美傾向與明式家具產(chǎn)品背后所體現(xiàn)的審美情趣契合之處進(jìn)行點(diǎn)明,闡述兩者融合之后能體現(xiàn)的現(xiàn)實(shí)價(jià)值,呈現(xiàn)本人打造的現(xiàn)代“書房一隅”系列作品。作品既傳達(dá)傳統(tǒng)明式家具設(shè)計(jì)中的審美情趣,又融合現(xiàn)代家居產(chǎn)品設(shè)計(jì)理念,集書案、座椅、案頭陳設(shè)品于一體,表達(dá)本人的研究觀點(diǎn)。同時(shí)展示“書房一隅”系列作品的設(shè)計(jì)過程及設(shè)計(jì)成果,并進(jìn)行展望與反思。如何達(dá)到明式家具的審美情趣在現(xiàn)代家居產(chǎn)品設(shè)計(jì)上的融合,實(shí)現(xiàn)具備明式家具審美情趣的現(xiàn)代家居產(chǎn)品在當(dāng)前生活環(huán)境中的現(xiàn)有價(jià)值,促進(jìn)明式家具藝術(shù)精髓的傳承,是本人不變的初衷。
[Abstract]:As a treasure of national culture, Ming furniture embodies the sedimentation of Han culture in the long history, and gathers the painstaking efforts and wisdom of several generations of literati craftsmen from Tang and Song to Ming and Qing dynasties. Behind the ultimate fusion and reflection, Ming furniture is the perfect reflection of the creator's aesthetic taste. And modern people's nostalgia for national culture, As a cultural carrier of furniture and close to the heart of the home environment of modern people how to fit together, so that traditional furniture, The aesthetic taste contained in the utensils not only meets the practical and aesthetic needs of modern people for household products, but also can better preserve the charm of traditional culture, so that it can be passed down in daily life. The design trend of thought and design environment are combed and analyzed, and the aesthetic interest in Ming style furniture is analyzed and summarized. This paper points out that the aesthetic tendency displayed in the design of modern household products and the aesthetic sentiment reflected behind the Ming furniture products coincide with each other, and expounds the practical value that can be embodied after the two kinds of products are combined. Presents a series of modern "corner of the study" works created by myself. The works not only convey the aesthetic interest in the traditional Ming style furniture design, but also integrate the modern household product design concept, book case, seat and desk furnishings in one body. Express my research point of view. At the same time, show the design process and design results of the series works of "a corner of the study", and carry on the prospect and introspection. How to achieve the aesthetic interest of the Ming style furniture in the modern household product design fusion, It is my original intention to realize the present value of the modern household products with the aesthetic taste of Ming style furniture in the current living environment and to promote the inheritance of the essence of Ming style furniture art.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：TB472

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本文編號：1662283