【摘要】：中國(guó)實(shí)驗(yàn)性建筑自九十年代萌芽之初,已有20多年的歷史,已經(jīng)陸續(xù)出現(xiàn)一大批優(yōu)秀的實(shí)驗(yàn)性建筑師及實(shí)踐作品。與此同時(shí),隨著科學(xué)技術(shù)的進(jìn)步,當(dāng)代西方先鋒建筑也在不斷的發(fā)展更新,以數(shù)字化技術(shù)和多領(lǐng)域間協(xié)作的形式研究建筑的方式越來(lái)走在大時(shí)代的前端,西方的先鋒建筑無(wú)論從研究方法和形式上都與發(fā)展近一個(gè)世紀(jì)的現(xiàn)代主義建筑形成鮮明的對(duì)比。隨著全球化程度的加深以及國(guó)內(nèi)建筑界自身的發(fā)展,中國(guó)實(shí)驗(yàn)性建筑在經(jīng)過(guò)初期對(duì)現(xiàn)代主義建筑的系統(tǒng)化學(xué)習(xí)以及對(duì)建筑本體的一再探討后,實(shí)驗(yàn)性建筑師及理念也不斷的向多樣化發(fā)展,從自身來(lái)說(shuō)與發(fā)展的前十年相比已經(jīng)產(chǎn)生了質(zhì)的變化,某種意義來(lái)說(shuō),已經(jīng)進(jìn)入了后實(shí)驗(yàn)建筑時(shí)代。本文基于以上立場(chǎng),通過(guò)六個(gè)章節(jié)去論述,開(kāi)篇就對(duì)先鋒建筑及實(shí)驗(yàn)性建筑作了定義,緊接著在第二章和第三章分別對(duì)中國(guó)當(dāng)代實(shí)驗(yàn)性建筑和當(dāng)代西方先鋒建筑的發(fā)展現(xiàn)狀做出分析。第四章在當(dāng)下西方先鋒建筑背景下去對(duì)比研究國(guó)內(nèi)實(shí)驗(yàn)性建筑與其的區(qū)別和差異,并梳理出當(dāng)前國(guó)內(nèi)實(shí)驗(yàn)建筑存在的問(wèn)題和誤區(qū),第五章闡述分析了實(shí)驗(yàn)性建筑的終結(jié),后實(shí)驗(yàn)建筑時(shí)代的來(lái)臨,由實(shí)驗(yàn)性建筑走向當(dāng)代建筑的新歷程。并從建筑師群體及其設(shè)計(jì)策略、市場(chǎng)策略等多方面對(duì)實(shí)驗(yàn)建筑的轉(zhuǎn)向做出分析研究。最后一章,筆者對(duì)后實(shí)驗(yàn)建筑時(shí)代的一些發(fā)展現(xiàn)狀進(jìn)行了反思及批評(píng)。本文將中國(guó)實(shí)驗(yàn)性建筑與當(dāng)代國(guó)際先鋒建筑并置,激發(fā)出對(duì)實(shí)驗(yàn)性建筑新的思考,并對(duì)后實(shí)驗(yàn)建筑時(shí)代的中國(guó)當(dāng)代建筑發(fā)展現(xiàn)狀進(jìn)行了研究。旨在能為完善中國(guó)當(dāng)代建筑理論體系獻(xiàn)出自己的力量。
[Abstract]:Experimental architecture in China has a history of more than 20 years since the beginning of the early 1990s, and a large number of excellent experimental architects and practical works have emerged one after another. At the same time, with the progress of science and technology, the contemporary western pioneer architecture is constantly developing and updating, and the way of studying architecture in the form of digital technology and multi-domain cooperation is increasingly coming to the front end of the great era. Western vanguard architecture is contrasted with modernist architecture in nearly a century in terms of research methods and forms. With the deepening of globalization and the development of the domestic architecture industry, the experimental architecture in China has been studied systematically in the early stage of modernism architecture and the architecture ontology has been discussed again and again. Experimental architects and ideas have been constantly diversified development, compared with the first decade of development has produced qualitative changes, in a sense, has entered the era of post-experimental architecture. Based on the above position, this paper discusses the avant-garde architecture and experimental architecture through six chapters. Then, in the second and third chapters, the author analyzes the current situation of Chinese contemporary experimental architecture and contemporary western pioneer architecture. The fourth chapter compares and studies the differences and differences between experimental architecture and domestic experimental architecture under the background of current western pioneer architecture, and combs out the problems and misunderstandings existing in the current domestic experimental architecture. Chapter five expounds and analyzes the end of experimental architecture. After the arrival of experimental architecture era, from experimental architecture to contemporary architecture of the new process. And from the architect group and its design strategy, market strategy and so on many aspects to make the analysis and research to the experimental building turn. In the last chapter, the author reflects on and criticizes the development of the post-experimental architecture. In this paper, the Chinese experimental architecture and the contemporary international pioneer architecture are juxtaposed to stimulate new thoughts on experimental architecture, and the present situation of Chinese contemporary architecture in the post-experimental architecture era is studied. In order to perfect the Chinese contemporary architecture theory system to give their own strength.
【學(xué)位授予單位】：天津大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：TU201

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