【摘要】：隨著個(gè)人學(xué)習(xí)的深入，慢慢的會(huì)對(duì)一些建筑產(chǎn)生或多或少莫名的感動(dòng)，有的是因其夸張的形式，有的是因其感人的空間場(chǎng)景，那么什么才是建筑的根本呢？就我個(gè)人看來，建筑的意義在于其內(nèi)部形成的一種整體的感人場(chǎng)景，這才是場(chǎng)所營(yíng)造的本質(zhì)——直達(dá)空間內(nèi)部，深入人心。 從社會(huì)發(fā)展的角度來看，城市的過度以及過快的發(fā)展帶來了一系列城市空間的碎片化、城市場(chǎng)景的單調(diào)化等問題，這種現(xiàn)象帶來了人們生活品質(zhì)倒退的現(xiàn)象�；诖�，需要我們重拾場(chǎng)所精神，，致力于建筑及城市空間的場(chǎng)所營(yíng)造。作為一名建筑設(shè)計(jì)從業(yè)者，則需要從建筑認(rèn)識(shí)和設(shè)計(jì)方法上進(jìn)行深刻的反思。 本文以場(chǎng)所理論的哲學(xué)根源——現(xiàn)象學(xué)為起點(diǎn)，首先對(duì)現(xiàn)象學(xué)理論以及有關(guān)場(chǎng)所理論內(nèi)容進(jìn)行綜合的梳理、分析和總結(jié)，從而得到一個(gè)系統(tǒng)性的理論框架。然后通過大量的實(shí)例分析，對(duì)該框架進(jìn)行驗(yàn)證和進(jìn)一步解讀。最終建立起一種具有整體性、層次性的場(chǎng)所設(shè)計(jì)思路。論文從大的結(jié)構(gòu)關(guān)系來看，大致可分為三部分：提出問題、分析問題、解決問題。 第一部分，提出問題。 第二部分，分析問題，以現(xiàn)象學(xué)為導(dǎo)引，對(duì)場(chǎng)所現(xiàn)象學(xué)與建筑知覺現(xiàn)象學(xué)兩大理論進(jìn)行綜合的分析、比較，確立了以場(chǎng)所存在的層次為主線和以知覺感知為輔線的論文框架。具體說來就是以超大、大、中、小四個(gè)層次為論文主線，以場(chǎng)所存在的意義為基礎(chǔ)，分別在大、中、小三個(gè)層面加入知覺體驗(yàn)中的輔助性要素：歷時(shí)性知覺體驗(yàn)、即時(shí)性知覺感受和對(duì)建筑細(xì)部的知覺感知。 第三部分，解決問題，在上述框架的基礎(chǔ)之上分別結(jié)合實(shí)例分析，對(duì)框架內(nèi)容進(jìn)行深入解讀。第三章內(nèi)容是對(duì)中的層面——單一建筑場(chǎng)所的設(shè)計(jì)為研究對(duì)象，以場(chǎng)所空間構(gòu)成的三要素為基礎(chǔ)，結(jié)合特性分析和即時(shí)性的知覺感受，進(jìn)行大量的實(shí)例分析。第四章在單一建筑場(chǎng)所設(shè)計(jì)的基礎(chǔ)之上，主要探討整體場(chǎng)所的秩序設(shè)計(jì)，并在其中加入歷時(shí)性的知覺體驗(yàn)，從而完善以往空間秩序研究中過于理性的分析方式。第五章分為兩部分：從超大層面研究場(chǎng)所與外部環(huán)境的關(guān)聯(lián)性設(shè)計(jì)；以知覺感知為基礎(chǔ)，從最小層面研究建筑空間中的細(xì)部要素對(duì)場(chǎng)所設(shè)計(jì)的影響，開拓人的主動(dòng)設(shè)計(jì)思路。 最終的期望就是建立起一套整體、連續(xù)的場(chǎng)所設(shè)計(jì)方法，以期對(duì)當(dāng)代的建筑創(chuàng)作理論和未來的創(chuàng)作實(shí)踐帶來一定的參考和借鑒意義。
[Abstract]:With the deepening of personal learning, some buildings will be slowly more or less inexplicable moved, some because of its exaggerated form, some because of its moving space scene, so what is the root of architecture? In my opinion, the meaning of architecture lies in a whole moving scene formed inside it, which is the essence of place construction-it goes directly to the interior of space and goes deep into the hearts of the people. From the perspective of social development, the excessive and rapid development of cities has brought a series of urban space fragmentation, the monotony of urban scenes and other problems, which has brought about the retrogression of people's quality of life. Based on this, we need to regain the spirit of the place, dedicated to building and urban space of the place. As an architectural designer, it is necessary to reflect deeply on architectural knowledge and design methods. Based on the philosophical origin of the theory of place, phenomenology, this paper firstly combs, analyzes and summarizes the theory of phenomenology and the related contents of the theory of place, and obtains a systematic theoretical framework. Then through a large number of examples to verify the framework and further interpretation. Finally, a kind of overall, hierarchical design ideas of the place has been established. The paper can be divided into three parts from the point of view of large structural relationship: problem raising, problem analysis and problem solving. The first part, raises the question. The second part is the analysis of the problems, taking phenomenology as the guide, this paper makes a comprehensive analysis of the two major theories of phenomenology of place and phenomenology of architectural perception, compares them, and establishes the frame of the thesis which takes the hierarchy of place existence as the main line and the perception of perception as the auxiliary line. Specifically speaking, it takes the four levels of oversize, middle and small as the main line of the thesis, based on the meaning of the place existence, and adds the auxiliary elements in the perceptual experience at the big, middle and small levels: diachronic perceptual experience. Immediate perception and perception of architectural detail. The third part, solve the problem, on the basis of the above-mentioned framework, respectively combined with the analysis of examples, in-depth interpretation of the framework content. The third chapter focuses on the design of a single building site, based on the three elements of the site space, combining with the characteristic analysis and the immediate perception, carries on a large number of examples analysis. The fourth chapter mainly discusses the order design of the whole place on the basis of the single building site design, and adds the diachronic perceptual experience into it, thus perfecting the way of analysis which is too rational in the research of the space order in the past. The fifth chapter is divided into two parts: to study the correlation design between the place and the external environment from the super-large level; to study the influence of the detail elements in the building space on the place design from the minimum level on the basis of perceptual perception, and to open up the idea of active design. The final expectation is to set up a set of whole and continuous design method of the place, in order to bring certain reference and reference to the contemporary architectural creation theory and the future creative practice.
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：TU201

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本文編號(hào)：2234703