“寫意”手法在室內(nèi)公共空間中的應(yīng)用
發(fā)布時(shí)間：2018-09-06 11:40
【摘要】：隨著社會(huì)的發(fā)展和人們物質(zhì)文化生活水平的不斷提高,價(jià)值觀、生活觀、審美觀都在發(fā)生著全方位、深層次的變化。人們?cè)谧非笪镔|(zhì)生活的同時(shí)開始逐漸的要求對(duì)自身精神和心理需求的提高,室內(nèi)公共空間設(shè)計(jì)可以是具有創(chuàng)造性的滿足人們精神文化生活的場(chǎng)所,也是滿足人的精神情感更高層次追求的途徑之一。當(dāng)人們不滿足目前的精神生活時(shí),設(shè)計(jì)開始趨向人文情懷,重視人性化、自由化和多元化,追求文化品質(zhì)和獨(dú)特的審美情感。隨著時(shí)代的進(jìn)步和人們文化水平的不斷提高,室內(nèi)公共空間設(shè)計(jì)的文化品質(zhì)要求必然成為社會(huì)不斷發(fā)展和設(shè)計(jì)技術(shù)與理念不斷進(jìn)步的產(chǎn)物,如何是空間設(shè)計(jì)更符合人性化,使得心理具有正面的積極的情緒,成了如今設(shè)計(jì)討論的必然話題。“寫意”手法的應(yīng)用無論是在設(shè)計(jì)空間的界面語言形態(tài)的表達(dá)上還是在設(shè)計(jì)施工過程中各個(gè)環(huán)節(jié)的配合上以及設(shè)計(jì)最終成果的實(shí)現(xiàn)傳達(dá)給受眾的文化情感上都是作為二維平面設(shè)計(jì)對(duì)三維空間的借鑒的又一成功推動(dòng)。本文從中國(guó)畫的發(fā)展歷程說起引出中國(guó)的畫體分為宮廷畫、山水畫、文人畫。又從繪畫的發(fā)展歷史中提出文人畫是中國(guó)畫“寫意”表達(dá)的主要畫體,提煉了其主要的表現(xiàn)形式包括“線”、“色”、“墨”。并通過分析總結(jié)出他們各自不同的特點(diǎn),與中國(guó)繪畫的構(gòu)圖形式提出三大應(yīng)用特征：關(guān)聯(lián)性、象征性、留白結(jié)合,對(duì)不同使用功能的室內(nèi)公共空間提供新的創(chuàng)意思路和完善手法。論文期望通過闡述兩個(gè)不同藝術(shù)領(lǐng)域之間的相互關(guān)系,將中國(guó)畫“寫意”手法在室內(nèi)公共空間設(shè)計(jì)中理論化系統(tǒng)化,多角度闡述“寫意”手法在室內(nèi)公共空間中的價(jià)值與意義,嘗試對(duì)室內(nèi)公共空間設(shè)計(jì)的發(fā)展進(jìn)行新的探索,為室內(nèi)公共空間帶來一個(gè)全新的視角和設(shè)計(jì)思路,并提示設(shè)計(jì)師對(duì)室內(nèi)公共空間中的文化內(nèi)涵得表達(dá)進(jìn)行一定的關(guān)注。
[Abstract]:With the development of society and the continuous improvement of people's material and cultural living standards, values, outlook of life and aesthetic standards are all undergoing all-round and profound changes. People in the pursuit of material life at the same time began to gradually demand the improvement of their own spiritual and psychological needs, indoor public space design can be creative to meet the spiritual and cultural life of the place, It is also one of the ways to satisfy the higher level pursuit of human spirit and emotion. When people are not satisfied with the present spiritual life, the design begins to move towards humanistic feelings, attach importance to humanization, liberalization and diversification, and pursue cultural quality and unique aesthetic feelings. With the progress of the times and the continuous improvement of people's cultural level, the cultural quality requirements of the interior public space design will inevitably become the product of the continuous development of society and the continuous progress of the design technology and concept. How is the space design more in line with the humanization? Make the psychology have the positive emotion, became the inevitable topic of the design discussion nowadays. The application of "freehand brushwork" is not only in the expression of the interface language form in the design space, but also in the cooperation of each link in the design and construction process, as well as in the cultural emotion conveyed to the audience by the realization of the final result of the design. As a two-dimensional plane design for three-dimensional space for reference another successful promotion. This paper begins with the development of Chinese painting, drawing Chinese paintings into court painting, landscape painting and literati painting. From the history of the development of painting, the author points out that literati painting is the main painting body of "freehand brushwork" in Chinese painting, and abstracts its main forms of expression, including "line", "color" and "ink". And through the analysis and summary of their different characteristics, and the composition of Chinese painting proposed three major application characteristics: relevance, symbolism, white combination, To different uses the function indoor public space to provide the new creative idea and the consummation technique. This paper hopes to systematize the theory of "freehand brushwork" in the design of indoor public space by expounding the relationship between two different artistic fields, and expounds the value and significance of "freehand brushwork" in indoor public space from many angles. This paper attempts to explore the development of indoor public space design, brings a new perspective and design ideas for indoor public space, and points out that designers should pay attention to the expression of cultural connotation in indoor public space.
【學(xué)位授予單位】：大連工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：TU238.2
[Abstract]:With the development of society and the continuous improvement of people's material and cultural living standards, values, outlook of life and aesthetic standards are all undergoing all-round and profound changes. People in the pursuit of material life at the same time began to gradually demand the improvement of their own spiritual and psychological needs, indoor public space design can be creative to meet the spiritual and cultural life of the place, It is also one of the ways to satisfy the higher level pursuit of human spirit and emotion. When people are not satisfied with the present spiritual life, the design begins to move towards humanistic feelings, attach importance to humanization, liberalization and diversification, and pursue cultural quality and unique aesthetic feelings. With the progress of the times and the continuous improvement of people's cultural level, the cultural quality requirements of the interior public space design will inevitably become the product of the continuous development of society and the continuous progress of the design technology and concept. How is the space design more in line with the humanization? Make the psychology have the positive emotion, became the inevitable topic of the design discussion nowadays. The application of "freehand brushwork" is not only in the expression of the interface language form in the design space, but also in the cooperation of each link in the design and construction process, as well as in the cultural emotion conveyed to the audience by the realization of the final result of the design. As a two-dimensional plane design for three-dimensional space for reference another successful promotion. This paper begins with the development of Chinese painting, drawing Chinese paintings into court painting, landscape painting and literati painting. From the history of the development of painting, the author points out that literati painting is the main painting body of "freehand brushwork" in Chinese painting, and abstracts its main forms of expression, including "line", "color" and "ink". And through the analysis and summary of their different characteristics, and the composition of Chinese painting proposed three major application characteristics: relevance, symbolism, white combination, To different uses the function indoor public space to provide the new creative idea and the consummation technique. This paper hopes to systematize the theory of "freehand brushwork" in the design of indoor public space by expounding the relationship between two different artistic fields, and expounds the value and significance of "freehand brushwork" in indoor public space from many angles. This paper attempts to explore the development of indoor public space design, brings a new perspective and design ideas for indoor public space, and points out that designers should pay attention to the expression of cultural connotation in indoor public space.
【學(xué)位授予單位】：大連工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：TU238.2
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相關(guān)期刊論文 前10條
1 歐詩(shī),陳建;高校校園公共空間探析[J];規(guī)劃師;2003年09期
2 李海燕,呂富s，
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