【摘要】：從古至今,在任何民族的任何宗教中,太陽光都占據(jù)極其重要的位置。光代表了生命和救贖。即使是到了科技高度發(fā)達(dá)的現(xiàn)代,光仍是人們生活總不可或缺的元素,令無數(shù)人為之著迷。它對建筑空間的表現(xiàn)力和塑造力,從未被削弱。 隨著科技的進(jìn)步,各種人工照明手段層出不窮。人工照明因其方便性及可控性正在逐漸替代自然光在建筑空間中的位置,人工光源正在現(xiàn)代建筑空間中不斷的蔓延。但是,人工光源的濫用不僅制造了千篇一律的泛光空間,削弱了建筑空間的意義,同時,還使人們離自然光,離大自然越來越遠(yuǎn)。 自然光對于建筑空間的意義,不僅僅是消除空間中的黑暗。自然光賦予建筑空間生命和與眾不同的個性,而建筑空間則為自然光提供了一個表現(xiàn)的舞臺。因此,作為建筑師,應(yīng)該認(rèn)真思考自然光與建筑空間相碰撞所產(chǎn)生的豐富內(nèi)涵,重視自然光對建筑空間在視覺及精神兩個層面的塑造。有了自然光的加入,建筑空間才有了生命和個性。而有這樣的建筑空間,建筑才擺脫了單純的功能性,而有了更高層次的內(nèi)涵。 本論文中,筆者通過對大量文獻(xiàn)資料及案例的分析及總結(jié),試著探討在進(jìn)行建筑設(shè)計時,如何考慮建筑空間與自然光之間的關(guān)系及建筑的形式會對建筑空間中的自然光產(chǎn)生怎樣的影響。其中探討的建筑形式包括建筑的平面組合形式、剖面形式和采光口的設(shè)計,使用直線形、集中式和組團(tuán)式的平面組合形式的建筑空間需要不同的采光方式。直線形平面組合形式的建筑可以采用側(cè)面采光,而集中式平面組合形式的建筑就需要采用插入采光井、中庭等方式引入自然光,組團(tuán)式兼具前兩者的特點(diǎn)。建筑的平面和剖面共同決定了自然光進(jìn)入建筑空間的質(zhì)量、數(shù)量及形式。同時,作為建筑采光的最重要的方式,采光口的尺寸、位置及細(xì)部設(shè)計都會影響到自然光在建筑空間內(nèi)的呈現(xiàn)。 在此基礎(chǔ)之上,探討自然光在建筑空間中的表現(xiàn)、界定及引導(dǎo)作用,及通過這些視覺層面上的表達(dá)賦予建筑空間獨(dú)特的個性,在精神層面塑造出不同的空間氛圍。
[Abstract]:From ancient times to the present, sunlight has occupied an extremely important position in any religion of any nation. Light represents life and salvation. Even in the highly developed modern science and technology, light is still an indispensable element of people's life, fascinating millions of people. It has never been weakened in the expression and shaping of architectural space.
With the development of science and technology, various artificial lighting methods emerge one after another. Artificial lighting is gradually replacing natural light in the building space because of its convenience and controllability. Artificial light source is spreading in modern building space. However, the abuse of artificial light source not only creates uniform flooding space, but also weakens the building space. Meanwhile, it also makes people away from natural light and away from nature.
The meaning of natural light to architectural space is not only to eliminate the darkness in the space. Natural light endows architectural space with life and distinctive personality, but also provides a stage for the expression of natural light. Natural light shapes the architectural space in both visual and spiritual levels. With the addition of natural light, the architectural space has life and personality. And with such architectural space, the architecture has got rid of the simple function, but has a higher level of connotation.
In this paper, through the analysis and summary of a large number of documents and cases, the author tries to explore how to consider the relationship between architectural space and natural light and how the architectural form will affect the natural light in architectural space. The design of the surface form and the lighting aperture, the building space with the linear, centralized and grouped plane combination form needs different lighting methods. The building with the linear plane combination form can adopt the side lighting, while the building with the centralized plane combination form needs to adopt the way of inserting the lighting well, atrium and so on to introduce the natural light. The plane and section of the building together determine the quality, quantity and form of natural light entering the building space. At the same time, as the most important way of building lighting, the size, location and detail design of the lighting opening will affect the appearance of natural light in the building space.
On this basis, this paper discusses the expression, definition and guiding role of natural light in architectural space, and through these visual expression gives the architectural space a unique personality, creating a different spatial atmosphere in the spiritual level.
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TU113.3

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