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當(dāng)代建筑結(jié)構(gòu)美學(xué)新趨勢(shì)初探

發(fā)布時(shí)間:2018-08-05 17:29
【摘要】:現(xiàn)代建筑運(yùn)動(dòng)之后,伴隨著應(yīng)用科學(xué)領(lǐng)域突飛猛進(jìn)式的發(fā)展,人類(lèi)進(jìn)入信息時(shí)代,材料科學(xué)和建造技術(shù)也獲得了巨大的發(fā)展,技術(shù)的進(jìn)步支撐著建筑創(chuàng)作呈現(xiàn)多元化趨勢(shì),人們的審美也發(fā)生了變化。現(xiàn)在的建筑審美傾向,已經(jīng)由現(xiàn)代主義建筑時(shí)的“理性思維”、“線(xiàn)性思維”和“整體思維”轉(zhuǎn)換為現(xiàn)代主義之后的“非理性思維”、“混沌思維”和“非整體性思維”。建筑結(jié)構(gòu)美學(xué)從追求結(jié)構(gòu)整體性的傳統(tǒng)力學(xué)表現(xiàn)逐漸向追求構(gòu)件裝飾性的建構(gòu)美學(xué)表現(xiàn)的趨勢(shì)轉(zhuǎn)變。建構(gòu)是指在建筑建造的過(guò)程中,以物質(zhì)的手段解決建筑本體問(wèn)題的過(guò)程和方式,是由建筑材料、建筑結(jié)構(gòu)和構(gòu)造方式共同形成的建造邏輯和關(guān)系。人們對(duì)新建筑材料、新建造技術(shù)所產(chǎn)生的新的結(jié)構(gòu)美學(xué)表現(xiàn)力的不懈追求導(dǎo)致了建構(gòu)理論的深入發(fā)展。從最初強(qiáng)調(diào)結(jié)構(gòu)和構(gòu)造要滿(mǎn)足強(qiáng)度、剛度和穩(wěn)定性的結(jié)構(gòu)功能性要求,到結(jié)構(gòu)和構(gòu)造要滿(mǎn)足技術(shù)審美的藝術(shù)化表現(xiàn)力的美學(xué)要求,建構(gòu)理論越來(lái)越強(qiáng)調(diào)對(duì)技術(shù)的審美。隨著建構(gòu)理論的不斷發(fā)展,建筑以結(jié)構(gòu)構(gòu)件作為裝飾即按照視覺(jué)要求來(lái)應(yīng)用結(jié)構(gòu)體系和結(jié)構(gòu)構(gòu)件,并使其成為建筑表現(xiàn)的主要對(duì)象的趨勢(shì)愈發(fā)明顯。并逐步成為當(dāng)代結(jié)構(gòu)美學(xué)表現(xiàn)的主要潮流。本文以建筑結(jié)構(gòu)美學(xué)的發(fā)展脈絡(luò)為線(xiàn)索,對(duì)比了當(dāng)代結(jié)構(gòu)美學(xué)表現(xiàn)同傳統(tǒng)結(jié)構(gòu)美學(xué)表現(xiàn)的異同,分析了產(chǎn)生這種變化的原因,并著重對(duì)當(dāng)代建筑結(jié)構(gòu)美學(xué)的特征和價(jià)值做了分類(lèi)和總結(jié),以期更好運(yùn)用這種趨勢(shì),在方法論層面為設(shè)計(jì)手法提供相應(yīng)借鑒,最終服務(wù)于建筑創(chuàng)作實(shí)踐,做出更富當(dāng)代技術(shù)結(jié)構(gòu)表現(xiàn)力的建筑作品。
[Abstract]:After the modern architectural movement, with the rapid development of the applied science field, the material science and construction technology have also obtained the huge development, the progress of the technology supports the architectural creation to present the diversification tendency, the mankind enters the information age, the material science and the construction technology also obtained the huge development. People's aesthetics has also changed. The present aesthetic tendency of architecture has been transformed from "rational thinking", "linear thinking" and "holistic thinking" into "irrational thinking", "chaotic thinking" and "non-holistic thinking" after modernism. The trend of architectural structure aesthetics has changed from the traditional mechanical expression of pursuing structural integrity to the structural aesthetic expression of component decoration. Construction refers to the process and manner of solving the problem of building ontology by material means in the process of building construction. It is the construction logic and relationship formed by building materials, building structure and construction mode. The unremitting pursuit of the expression of new structural aesthetics caused by the new building materials and new construction technology has led to the further development of the construction theory. From the initial emphasis on the structure and structure to meet the structural and functional requirements of strength, stiffness and stability, to the structure and structure to meet the aesthetic requirements of the artistic expression of technical aesthetics, the construction theory emphasizes the aesthetic of technology more and more. With the development of construction theory, it is more and more obvious that architecture applies structure system and structural component according to visual requirement, and makes it become the main object of architectural performance. And gradually become the main trend of contemporary structural aesthetics performance. Taking the development of architectural structure aesthetics as the clue, this paper compares the similarities and differences between the contemporary structural aesthetics and the traditional structural aesthetics, and analyzes the reasons for this change. It also makes a classification and summary of the characteristics and values of contemporary architectural structure aesthetics in order to make better use of this trend, to provide the corresponding reference for the design methods at the methodological level, and finally to serve for the architectural creation practice. To make a more expressive contemporary technical structure of the building works.
【學(xué)位授予單位】:天津大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類(lèi)號(hào)】:TU-80;TU318

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 何雋;以結(jié)構(gòu)形態(tài)構(gòu)筑建筑形象的創(chuàng)作方法初探[D];江南大學(xué);2004年

2 鄧中美;大跨度建筑的空間形態(tài)與結(jié)構(gòu)技術(shù)理念探析[D];武漢理工大學(xué);2003年

3 趙植蘋(píng);建筑藝術(shù)與技術(shù)的關(guān)聯(lián)[D];重慶大學(xué);2001年

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