本文選題：臺灣建筑 + 黃聲遠��； 參考：《廈門大學(xué)》2014年碩士論文

【摘要】：自80年代后,臺灣現(xiàn)代建筑的發(fā)展顯示出極強的生命力,并且極具臺灣地域特色,而黃聲遠便是臺灣當今最具代表性的建筑師之一。1994年至今,黃聲遠與他的田中央工作室扎根于臺灣宜蘭,專注于宜蘭當?shù)氐慕ㄖ⻊?chuàng)作。面對宜蘭優(yōu)美的自然條件和親和的人文壞境,黃聲遠向宜蘭傳統(tǒng)鄉(xiāng)土建筑學(xué)習(xí),與當?shù)卣⒘己玫暮献麝P(guān)系,并與當?shù)鼐用裢耆诤显谝黄?共同完成了一批批住宅、社會福利機構(gòu)、政府公共部門等建筑,詳盡的闡釋了他在宜蘭的在地建筑實踐。黃聲遠以普通大眾的需求為出發(fā)點,通過與業(yè)主的溝通進行設(shè)計,他用適宜的手段實現(xiàn)了建筑的社會責(zé)任,闡釋了建筑的深刻內(nèi)涵和人文關(guān)懷。 本文以黃聲遠在宜蘭的建筑作品為研究對象,從理念詮釋、形態(tài)演繹、個性化凝練三方面全面解析了其作品及思想,進而形成對他的建筑觀念的整體性把握。 首先,本文從戰(zhàn)后臺灣建筑的發(fā)展演變,宜蘭厝的興起與發(fā)展歷程以及黃聲遠個人的教育與工作經(jīng)歷這三個方面來分析黃聲遠創(chuàng)作思想形成的背景。其次,在黃聲遠的創(chuàng)作理念的研究上,主要從接近自然的心愿、強烈的場所情致與專業(yè)自省的態(tài)度三個方面進行總結(jié)。然后,通過選取黃聲遠具有代表性的不同建筑作品進行深入分析,總結(jié)黃聲遠的建筑創(chuàng)作形態(tài)演繹：主要分為隱喻的建筑形式、真實的構(gòu)成手法與多樣的空間感受三個方面。同時,論述了黃聲遠作品建筑創(chuàng)作的細節(jié)上的特色提煉。如材料的真實運用、細部設(shè)計中地域性的體現(xiàn)與光影色彩的獨特闡釋。最后,通過對黃聲遠作品的設(shè)計手法與思想的總結(jié),論述對于當代建筑師建筑創(chuàng)作的啟示。并望能針對我國建筑界的現(xiàn)狀,設(shè)計建造出適合我國國情、富有地方特色的本土建筑。
[Abstract]:Since the 1980s, the development of modern architecture in Taiwan has shown great vitality, and it is extremely characteristic of Taiwan's region. Huang Shengyuan is one of the most representative architects in Taiwan today. Huang Shengyuan, with his Tian Central Studio, is based in Ilan, Taiwan, focusing on the local architecture of Ilan. In the face of the beautiful natural conditions of Yilan and the friendly cultural environment, Huang learned from the traditional local buildings in Yilan, established a good cooperative relationship with the local government, and completely integrated with the local residents, and jointly completed a number of housing units. Social welfare agencies, the government public sector and other buildings, detailed explanation of his local construction practices in Ilan. Taking the needs of the general public as the starting point, Huang Shengyuan designed the building by communicating with the owner. He realized the social responsibility of the building by appropriate means, and explained the profound connotation and humanistic concern of the building. This paper takes Huang Shengyuan's architectural works in Yilan as the research object, and analyzes his works and thoughts from three aspects: concept interpretation, form deduction and individuation condensation, and then forms a holistic grasp of his architectural concept. First of all, this paper analyzes the background of Huang Shengyuan's creative thoughts from the following three aspects: the development of Taiwan architecture after the war, the rise and development of Yilan House, and the personal education and work experience of Huang Shengyuan. Secondly, in the research of Huang Shengyuan's creative idea, it summarizes from three aspects: close to nature's wish, strong place feeling and professional introspection. Then, through the in-depth analysis of Huang Shengyuan's representative architectural works, this paper summarizes Huang Shengyuan's architectural creation form deduction: mainly divided into three aspects: metaphorical architectural form, real composing technique and various space feeling. At the same time, it discusses the characteristics of Huang Shengyuan's architectural creation. Such as the real use of materials, detail design in the embodiment of regional and unique interpretation of light and shadow color. Finally, through the summary of the design technique and thought of Huang Shengyuan's works, the enlightenment to contemporary architect's architectural creation is discussed. According to the present situation of our country's architecture, we can design and build the local architecture which is suitable for our country's national conditions and rich in local characteristics.
【學(xué)位授予單位】：廈門大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TU-86

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