發(fā)布時間：2018-06-25 10:50

  本文選題：符號學(xué) + 中國自然山水園��； 參考：《西南交通大學(xué)》2014年碩士論文

【摘要】：現(xiàn)如今在世界經(jīng)濟(jì)快速發(fā)展的今天,隨著國家的不斷進(jìn)步與發(fā)展,世界各國家間的合作與交流也越來越密切,尤其是在經(jīng)濟(jì)以及文化交流等領(lǐng)域。在這樣的世界環(huán)境之下,中西方園林藝術(shù)的交流也變得更加的方便與快捷,中國園林藝術(shù)在發(fā)展的同時也向著西方優(yōu)秀的園林設(shè)計(jì)學(xué)習(xí)。但就今天的中國園林設(shè)計(jì)來看,中國園林藝術(shù)的發(fā)展似乎進(jìn)入到了一個較迷茫的時期。人們大量的照搬與抄襲西方園林的設(shè)計(jì)手法和建園思想,忽略了自己本國所具有的景觀特色和文化內(nèi)涵。其次是有不少的設(shè)計(jì)師由于對于古代建筑與符號的思考研究不夠深入導(dǎo)致了大量的仿古風(fēng)、古建熱建造了大量的園林卻少有一個是具有中國自己傳統(tǒng)符號和文化內(nèi)涵的。人們在關(guān)注物質(zhì)生活的同時更佳注重精神層面的享受。因此介于以上種種的原因,本文將從一個全新的視角和分析點(diǎn)來深入探討我國自然式園林與英國自然式園林藝術(shù)發(fā)展的不足與差異,從而得出我們對傳統(tǒng)園林更好更全面的認(rèn)識,使我們中國自然式園林藝術(shù)有一個更深刻的了解,同時從新的角度去認(rèn)識符號背后所承載的文化內(nèi)涵和獨(dú)特的藝術(shù)魅力。運(yùn)用符號學(xué)的分析方法,將中、英自然式園林進(jìn)行分析與對比。通過對園林景觀中的符號語構(gòu)學(xué)、語義學(xué)以及語用學(xué)進(jìn)行對比分析,從而找到中、英自然式園林在造園要素、意境表達(dá)、建園思想等方面的相似性與差異性。同時在理論研究的基礎(chǔ)上,通過具體的中、英自然式園林的實(shí)例來具體分析兩國的差異性以及造成這些差異的原因。進(jìn)而在現(xiàn)代園林景觀的設(shè)計(jì)中從新審視我們的設(shè)計(jì),并對現(xiàn)代園林景觀設(shè)計(jì)提供一定的指導(dǎo)和啟示作用。從而使得像我們這樣的年輕人對我國文化更有信心,也促使我們新一代的年輕園林從業(yè)者既不妄自尊大,也不妄自菲薄。
[Abstract]:Today, with the rapid development of the world economy, with the continuous progress and development of the country, the cooperation and communication between the countries of the world is becoming more and more closely, especially in the fields of economic and cultural exchanges. Under such a world environment, the exchange of Chinese and western garden art has become more convenient and quick, Chinese garden art is also becoming more and more convenient. At the same time, it also studies the excellent landscape design in the West. However, in the view of the Chinese garden design today, the development of Chinese garden art seems to be in a more confused period. People have copied and copied the design techniques and ideas of the western gardens and ignored the landscape features and culture of their own country. Secondly, many designers have led to a large number of imitating antiquity because of the lack of research on ancient architecture and symbols. The ancient construction heat built a large number of gardens but few of them have Chinese traditional symbols and cultural connotations. People pay more attention to the spiritual enjoyment of material life. This is in a variety of reasons. This article will discuss the shortcomings and differences of natural garden and British natural garden art from a new angle of view and analysis point, so that we can get a better and more comprehensive understanding of traditional garden, and make our Chinese natural garden art have a more profound understanding, at the same time, The new angle is to understand the cultural connotation and unique artistic charm behind the symbols. Using the analytical method of semiotics, the Chinese and English natural gardens are analyzed and compared. Through the comparison and analysis of the semiotics, semantics and pragmatics in the landscape, the elements of the garden are found in the garden. At the same time, on the basis of the theoretical research, the differences between the two countries and the reasons for these differences are analyzed by the concrete examples of Chinese and English natural gardens, and then the design of our modern garden landscape is examined and the modern landscape is set up. It provides some guidance and inspiration to make young people like us more confident of our culture, and to make our new generation of young garden practitioners neither arrogant nor arrogant.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TU986.1

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本文編號：2065657