本文選題：BIG + 幾何原型��； 參考：《大連理工大學》2014年碩士論文

【摘要】：本文試圖從幾何原型與空間原型兩個角度分析與追溯BIG的建筑設計與形體塑造策略,從而了解到BIG豐富而統(tǒng)一的建筑創(chuàng)作手法與設計哲學,并從中獲得有益于當代國內(nèi)建筑創(chuàng)作的啟示。 本文共分五章,包含三部分內(nèi)容。 第一部分(第一、二章)陳述了課題的提出,研究意義、研究現(xiàn)狀、研究方法及框架內(nèi)容,論文的組織結(jié)構(gòu)等等,并簡述了BIG的建筑創(chuàng)作背景及其當前創(chuàng)作思想的主要組成部分。其中第二章是對相關理論概念的界定,通過對西方建筑原型理論的追溯與相關書籍概念的研究界定出本文中原型思想的內(nèi)涵與延伸。 第二部分(第三、四章)著重從幾何原型與空間意向原型兩個出發(fā)點對BIG的相關作品進行梳理、分析與歸納,闡述原型思想如何影響B(tài)IG建筑創(chuàng)作過程。其中第三章對BIG作品從“□”型、“○”型、“△”型、與“—”型四個幾何原型出發(fā)結(jié)合案例綜合分析BIG作品的形體塑造方法。建筑是以三維空間為基礎的,二維向三維的轉(zhuǎn)化過程是研究的重點。BIG用一系列的“動作”將諸多外來條件轉(zhuǎn)變成形體塑造的動力,通過不斷的嘗試與篩選滿足各方利益并達到最終“快樂的形式”。第四章從比亞克·因格爾斯的生活和教育背景中提取出兩個經(jīng)驗空間原型“交往空間”和“擁擠文化”,并從建筑現(xiàn)象學角度分析了BIG如何將兩個空間意向原型代入到設計作品中。 第三部分(第五章)總結(jié)歸納了BIG的建筑設計思辨與創(chuàng)作哲學及其對當代國內(nèi)建筑創(chuàng)作所帶來的一些有益啟示。
[Abstract]:This paper attempts to analyze and trace back the architectural design and body shaping strategy of big from the angles of geometric archetype and spatial archetype, so as to understand the rich and unified architectural creation techniques and design philosophy of big. And from it is beneficial to the contemporary domestic architectural creation enlightenment. This paper is divided into five chapters, including three parts. The first part (chapter one and two) states the proposition of the subject, the significance of the research, the present situation of the research, the research methods and the contents of the framework, the organization structure of the paper, etc. The background of big's architectural creation and the main components of its current creative thought are also briefly described. The second chapter is the definition of related theoretical concepts, through the western architectural archetypal theory of tracing and related book concepts to define the connotation and extension of archetypal thought in this paper. The second part (chapter three and four) focuses on combing, analyzing and summarizing the related works of big from the two starting points of geometric archetype and spatial intention archetype, and expounding how archetypal thought influences the process of big architecture creation. The third chapter analyzes the shape shaping method of big works from four geometric archetypes: "-" type, "0" type, "type", "-" type and "-" type. Architecture is based on three-dimensional space, the process of transformation from two-dimensional to three-dimensional is the focus of the study. Big uses a series of "actions" to transform a lot of external conditions into the motive force of shape shaping. Through continuous trial and screening to meet the interests of all parties and achieve the ultimate "happy form." In the fourth chapter, two empirical space prototypes, "communication space" and "crowded culture", are extracted from Biarke Ingels' living and educational background. From the perspective of architectural phenomenology, this paper analyzes how big puts two spatial intention prototypes into the design works. In the third part (Chapter 5), the author summarizes and sums up the architectural design thinking and creative philosophy of big and its beneficial enlightenment to contemporary domestic architectural creation.
【學位授予單位】：大連理工大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：TU201

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本文編號：2054525