本文選題：園林建筑 + 傳統(tǒng)油漆彩畫　； 參考：《重慶大學(xué)》2014年碩士論文

【摘要】：油漆彩畫在園林建筑中的應(yīng)用最早起源于實用意義，如防霉防腐防蛀等，繼而通過對木結(jié)構(gòu)的不完美的地方進(jìn)行覆蓋等手段體現(xiàn)其裝飾價值，然后在漫長的使用過程中逐漸地發(fā)展了油漆彩畫的美學(xué)價值，為園林建筑帶來了豐富的藝術(shù)表現(xiàn)形式與裝飾美感。作為中國古典園林及其建筑造型藝術(shù)領(lǐng)域的組成部分，油漆彩畫裝飾也表現(xiàn)出深遠(yuǎn)的藝術(shù)、文化與社會意義。油漆彩畫不僅是對園林建筑單體進(jìn)行髹飾，更多的時候，油漆彩畫的色彩、紋樣和整體布局也會因為園林景觀環(huán)境的主題和精神內(nèi)核的不同而有所不同。因此，在研究油漆彩畫在園林建筑中的應(yīng)用時，不僅要了解其外在的表現(xiàn)形式，也需要同時借由對古典園林進(jìn)行的更深入分析，來分析油漆彩畫在古典園林中應(yīng)用時的深層次內(nèi)涵，以及油漆彩畫與古典園林的相互關(guān)系。 在論述過程中，文章首先分析了傳統(tǒng)油漆彩畫在園林建筑裝飾中的應(yīng)用歷史沿革，雖然這一問題相對復(fù)雜，但它卻是不可回避的。文章通過查閱考古資料和相關(guān)文獻(xiàn)記載，參考同時代的漆器文物特征，實地考察現(xiàn)有園林建筑的裝飾遺存，并綜合各歷史時期的社會背景得出了油漆彩畫的應(yīng)用歷史脈絡(luò)。接下來，文章以應(yīng)用歷史總結(jié)內(nèi)容為基礎(chǔ)，專門針對傳統(tǒng)油漆彩畫在園林建筑裝飾中的色彩、紋樣以及所蘊含的哲學(xué)美學(xué)理念進(jìn)行重點分析，并對皇家園林、私家園林、寺觀園林三大地方風(fēng)格及北方、江南，嶺南三大地方格的各自裝飾特征進(jìn)行對比，解析每種風(fēng)格的特點，從中梳理出主要的園林建筑油漆彩畫裝飾脈絡(luò)，這也是文章的重點。在以上兩部分的基礎(chǔ)上，，我嘗試總結(jié)了中國傳統(tǒng)園林建筑油漆彩畫裝飾的規(guī)律性內(nèi)涵：其整體布局和構(gòu)圖經(jīng)歷了具象到抽象到簡潔再到繁復(fù)的過程，并在清后期呈現(xiàn)出程式化的特征，油漆彩畫在對歷史的延續(xù)和繼承中，同時承載了中國傳統(tǒng)文化多彩的寓意和內(nèi)涵。并在最后結(jié)合當(dāng)代全球化浪潮對傳統(tǒng)文化形成沖擊的現(xiàn)實，以及我們振興古典園林藝術(shù)的迫切責(zé)任，提出了關(guān)于傳統(tǒng)園林建筑油漆彩畫裝飾在新時代的繼承與發(fā)展問題。 本文由總結(jié)園林建筑中油漆彩畫裝飾歷史入手，歸納出油漆彩畫裝飾的應(yīng)用特征，并深入分析其中的形式內(nèi)涵，并借由這些分析來推導(dǎo)出油漆彩畫裝飾的造型特征、設(shè)計原則、內(nèi)在規(guī)律及審美內(nèi)涵，并希望通過這些研究為弘揚中國古典園林文化做出一點貢獻(xiàn)。
[Abstract]:The application of paint painting in garden architecture originated from practical meaning, such as anti-mildew, anticorrosion and moth-proof, and then reflected its decorative value by covering the imperfect place of wood structure. Then in the long process of use, it gradually develops the aesthetic value of paint painting, which brings rich artistic expression and decorative aesthetic sense to the garden architecture. As an integral part of Chinese classical garden and its architectural plastic arts, painting and color painting decoration also shows profound artistic, cultural and social significance. Paint painting is not only to paint the individual garden architecture decoration, more often, paint color, pattern and overall layout will also be different because of the theme of the landscape and the spirit of the core of the different landscape. Therefore, in studying the application of paint painting in garden architecture, we should not only understand its external forms of expression, but also need a more in-depth analysis of classical gardens at the same time. To analyze the deep connotation of painting color painting in the application of classical garden, and the relationship between painting color painting and classical garden. In the process of discussion, the article first analyzes the history of the application of traditional paint painting in the decoration of garden architecture. Although this problem is relatively complex, it is unavoidable. By referring to the archaeological materials and related documents, referring to the characteristics of lacquer artifacts of the same era, the article investigates the decorative remains of the existing garden buildings on the spot, and draws the historical context of the application of paint color paintings by synthesizing the social background of each historical period. Then, based on the application of historical summary, the article focuses on the color, pattern and philosophy and aesthetics of traditional paint painting in the decoration of garden architecture, and analyzes the royal garden and private garden. The three local styles of monastery garden and their respective decorative characteristics of north, Jiangnan and Lingnan are compared, and the characteristics of each style are analyzed, from which the main decorative veins of painting and color painting of garden architecture are sorted out, which is also the focal point of the article. On the basis of the above two parts, I try to summarize the regular connotation of painting and color painting decoration of Chinese traditional garden architecture: its overall layout and composition have experienced the process from concrete to abstract to succinct to complicated. And in the late Qing Dynasty showed the stylized characteristics, paint painting in the continuation and inheritance of history, while carrying the Chinese traditional culture colorful implication and connotation. Finally, combining the reality of the impact of the contemporary globalization wave on the traditional culture, and our urgent responsibility of revitalizing the classical garden art, this paper puts forward the inheritance and development of the painting and color painting of the traditional garden architecture in the new era. Starting with the history of painting decoration in garden architecture, this paper sums up the application characteristics of paint color painting decoration, and deeply analyzes the formal connotation of it, and deduces the modeling features and design principles of paint color painting decoration by these analysis. Through these studies, we hope to make some contributions to the promotion of Chinese classical garden culture.
【學(xué)位授予單位】：重慶大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TU986.4;TU238

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