本文選題：電影院 + 數(shù)字放映　； 參考：《重慶大學(xué)》2014年碩士論文

【摘要】：電影產(chǎn)業(yè)經(jīng)歷了初步發(fā)展、繁榮和蕭條之后，從21世紀(jì)初開始迎來了又一個黃金發(fā)展時代，一路高歌猛進(jìn)。電影產(chǎn)業(yè)的發(fā)展也推動著電影技術(shù)的發(fā)展，隨著數(shù)字電影的出現(xiàn)，電影技術(shù)出現(xiàn)革命性變革，數(shù)字電影技術(shù)正在逐步取代膠片電影技術(shù)并漸漸成為主流�？v觀歷史，影院建筑發(fā)展與電影技術(shù)發(fā)展息息相關(guān)，在數(shù)字電影技術(shù)領(lǐng)域研究如火如荼的今天，電影院建筑設(shè)計卻停滯不前，，而且目前就電影院建筑設(shè)計和數(shù)字放映技術(shù)的研究，具有明顯的類型區(qū)分性，尤其是數(shù)字放映技術(shù)研究缺乏必要的建筑實踐調(diào)研和總結(jié)，大多數(shù)的研究都停留在就技術(shù)論技術(shù)的層面，并沒有將數(shù)字電影技術(shù)與影院建筑設(shè)計有機(jī)的結(jié)合起來，而且沒有理性的研究過程和前瞻性的研究結(jié)果，缺乏系統(tǒng)性和綜合性。 在數(shù)字電影技術(shù)逐漸普及的今天，影院建筑設(shè)計研究還停留在膠片電影技術(shù)時代的設(shè)計系統(tǒng)下，沒有突破傳統(tǒng)設(shè)計模式。因此，在影院建設(shè)實踐中，出現(xiàn)很多設(shè)計問題，問題的癥結(jié)就在于沒有以數(shù)字放映工藝為基礎(chǔ)進(jìn)行影院建筑設(shè)計。為解決這些問題，筆者創(chuàng)新性的將數(shù)字放映工藝與影院建筑設(shè)計有機(jī)的結(jié)合起來研究，達(dá)到既滿足電影放映工藝要求，又滿足影院建筑設(shè)計要求的目的，從而實現(xiàn)有效保證觀演質(zhì)量的同時，完善和補(bǔ)充觀演建筑設(shè)計及其理論的研究價值。 筆者以常規(guī)城市多廳影院為研究對象，利用抽樣調(diào)查的方法，對重慶主城區(qū)范圍內(nèi)數(shù)字放映概況、放映室與觀眾廳建筑工藝設(shè)計現(xiàn)狀、影院功能組合設(shè)計現(xiàn)狀等進(jìn)行實地調(diào)研，結(jié)合文獻(xiàn)查閱，整理并總結(jié)現(xiàn)狀資料和數(shù)據(jù)；在原始資料的基礎(chǔ)上，以現(xiàn)行規(guī)范為評定標(biāo)準(zhǔn)，結(jié)合技術(shù)人員和觀眾使用后評價，剖析現(xiàn)狀呈現(xiàn)的問題并展開討論；然后在觀演建筑設(shè)計原理指導(dǎo)下，以數(shù)字放映機(jī)關(guān)鍵參數(shù)和操作管理要求變化為論據(jù)，結(jié)合觀眾行為心理，對影院出現(xiàn)的設(shè)計問題提出改進(jìn)策略，并探討新建數(shù)字影院的設(shè)計指導(dǎo)策略；最后在策略指導(dǎo)下，對調(diào)研中一例不合理案例進(jìn)行改進(jìn)設(shè)計，并通過改進(jìn)前后的分析對比驗證設(shè)計指導(dǎo)策略價值。
[Abstract]:After the initial development, boom and depression, the film industry has ushered in another golden era since the beginning of the 21st century. The development of film industry also promotes the development of film technology. With the emergence of digital film, the film technology has a revolutionary change, digital film technology is gradually replacing film technology and gradually become the mainstream. Throughout history, the development of cinema architecture is closely related to the development of film technology. Today, the research in the field of digital film technology is in full swing, but the architectural design of cinemas has stagnated. Moreover, the current research on the architectural design and digital projection technology of cinemas has obvious distinction of types, especially the lack of necessary architectural practice investigation and summary in the study of digital projection technology. Most of the studies are still on the level of technology theory, and do not combine digital film technology with cinema architecture design organically. Moreover, there is no rational research process and prospective research results, lack of systematization and comprehensiveness. Nowadays, with the popularity of digital film technology, the study of cinema architecture design is still in the design system of film film technology age, without breaking through the traditional design mode. Therefore, in the practice of cinema construction, there are a lot of design problems, the crux of the problem lies in the lack of digital projection technology for the design of cinema architecture. In order to solve these problems, the author innovatively combines the digital projection technology with the architectural design of cinemas, so as to meet both the requirements of film projection technology and the architectural design requirements of cinemas. In order to effectively guarantee the performance quality, improve and complement the architectural design and theoretical research value. Taking the conventional city multi-hall cinema as the research object, using the method of sampling investigation, the author conducts a field investigation on the general situation of digital projection in the main urban area of Chongqing, the present situation of the architectural technology design of the projector room and the audience hall, the present situation of the design of the function combination of the cinema, etc. On the basis of the original data, taking the current standard as the evaluation standard, combining with the post-evaluation of the technicians and the audience, the problems presented in the present situation are analyzed and discussed. Then under the guidance of the architectural design principle, with the argument of the change of the key parameters of digital projector and the requirements of operation management, combined with the behavior psychology of the audience, the paper puts forward the improvement strategy for the design problems that appear in the cinema. Finally, under the guidance of the strategy, we improve the design of an unreasonable case in the investigation and verify the value of the design guidance strategy through the analysis and comparison before and after the improvement.
【學(xué)位授予單位】：重慶大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TU242.2

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本文編號：1814188