本文選題：張南垣 + 造園��； 參考：《天津大學》2014年碩士論文

【摘要】：張南垣作為明末清初的造園大師,尤其擅長疊石藝術,他創(chuàng)造了與以往不同的造園疊山手法,引領了新的疊石審美標準。他的造園疊山藝術實踐極大地促進了我國園林藝術的發(fā)展,標志著我國古典園林及其疊山藝術的成熟,同時也推動了造園技藝在不同地域間的傳播和交流。張南垣所造園林集中于江南地區(qū),且為數(shù)眾多。黃宗羲的《撰杖集?張南垣傳》稱“三吳1大家名園皆出其手。其后東至越2,北至燕3,請之者無需日�！贝髅赖摹稄埼碳覀鳌贩Q“諸公貴人皆延翁為上客,東南名園大抵多翁所構也�！薄肚迨犯濉分杏浭觥耙云湫g游江南數(shù)十年,大家名園,多出其手。東至越,北至燕,多慕其名來請者。”北京建工大學教授曹汛先生評論“張南垣為我國首屈一指的造園疊山大師,他的造園疊山作品水平最高數(shù)量最多,古今中外沒有一個人比得過。”當今國外尚未對張南垣及其園林進行研究,國內對此方面的欠缺系統(tǒng)性研究,研究角度也較為單一、片面。惟有曹汛先生研究得相對全面而深入,采用史學方法考證張南垣的生平、造園作品,并分析其造園疊山特點。本文從園林角度,通過逐一剖析張南垣的25處造園疊山作品,并結合文獻資料和前人研究成果,總結出張南垣造園疊山的步驟、手法及審美取向,并與同期園林專著《園冶》進行比較分析,深入探討張南垣的造園疊山藝術特征,探索其對園林發(fā)展的借鑒意義,最后闡述張南垣的園林思想和造園實踐對后世園林疊山的影響。
[Abstract]:Zhang Nanyuan, as a master of garden building in the late Ming and early Qing dynasties, was especially good at stone-folding art.His art practice has greatly promoted the development of Chinese garden art, marked the maturity of Chinese classical garden and its mountain stacking art, and also promoted the spread and exchange of gardening skills among different regions.Zhang Nanyuan's gardens are concentrated in the south of the Yangtze River, and numerous.Huang Zongxi's "compilation of wands"?Zhang Nanyuan Biography > said, "three Wu 1 all famous gardens are out of their hands."After the east to more than 2, north to Yan 3, please do not need day. "Dai Ming-shih 's Zhang Weng Family Biography says that "all the public and noble people are all guests of Yan Weng, and most of the famous gardens in the southeast have been constructed by many wengs." "A history of the Qing Dynasty" describes how to travel to the south of the Yangtze River for decades with its skill.East to Yue, north to Yan, more admire its name to invite. "Mr. Cao Jin, a professor at Beijing Construction and Engineering University, commented that "Zhang Nanyuan is one of our country's leading gardeners. He has the highest level of work in building mountains, and no one at all times and all over the world can match him."At present, there is no research on Zhang Nanyuan and his gardens in foreign countries, but there is a lack of systematic research on this aspect in our country, and the research angle is relatively single and one-sided.Only Mr. Cao Jin made a relatively comprehensive and thorough study, and used historical methods to verify Zhang Nanyuan's life and garden works, and to analyze the characteristics of his garden.From the point of view of garden, this paper analyzes the 25 works of Zhang Nanyuan, and summarizes the steps, techniques and aesthetic orientation of Zhang Nanyuan.And compared with the garden monographs "Garden Metallurgy" in the same period, it deeply discusses the artistic characteristics of Zhang Nanyuan's garden building, and explores its reference significance to the garden development.At last, the author expounds the influence of Zhang Nanyuan's garden thought and garden practice on the overlapping mountains of later generations' gardens.
【學位授予單位】：天津大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：TU986
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本文編號：1763837