發(fā)布時間：2018-04-15 03:24

  本文選題：木建筑 + 文化遺產(chǎn)��； 參考：《浙江農(nóng)林大學(xué)》2014年碩士論文

【摘要】：在我國源遠(yuǎn)流長的建筑史中，木質(zhì)材料為主的建筑占據(jù)了極其重要的地位。木材，作為中國傳統(tǒng)建筑的主要材料，總能激發(fā)人們對歷史的懷念與想象；木文化，作為人類智慧的積淀，更能在城市人居環(huán)境建設(shè)中提供更多的借鑒之處。 近年來，文化遺產(chǎn)的概念在我國得到了廣泛運(yùn)用，木建筑文化遺產(chǎn)的概念也隨之不斷地發(fā)展，不斷地改變。木建筑文化遺產(chǎn)概念的形成，強(qiáng)調(diào)了現(xiàn)代生活對中國傳統(tǒng)文化的吸收與提煉，使得木文化的精髓得以發(fā)揚(yáng)、木建筑遺產(chǎn)的特色得以繼承。木建筑文化遺產(chǎn)是中國璀璨文明的重要組成部分，有著悠久的歷史和深厚的文化底蘊(yùn)。從建筑類型上來看，我國木建筑文化遺產(chǎn)分為宮殿木建筑、宗教木建筑、園林木建筑、民居木建筑及其他木建筑五部分。從特點(diǎn)分析來看，木建筑文化遺產(chǎn)擁有生態(tài)美、形式美、藝術(shù)美、意境美等諸多優(yōu)點(diǎn)，對其應(yīng)用于現(xiàn)代室內(nèi)設(shè)計(jì)具有指導(dǎo)意義。 本文以木建筑文化遺產(chǎn)為根基，研究木建筑文化遺產(chǎn)的特點(diǎn)及其發(fā)展，圍繞現(xiàn)代室內(nèi)設(shè)計(jì)逐步建筑化、回歸自然化、高度民族化以及個性化發(fā)展的整體思路，詳細(xì)分析木建筑文化遺產(chǎn)結(jié)構(gòu)構(gòu)件、裝飾構(gòu)件及其他構(gòu)件的藝術(shù)特征、表現(xiàn)手法、造型特點(diǎn)以及裝飾思想，結(jié)合現(xiàn)代技術(shù)、工藝、材料特點(diǎn)和人們的不斷提高的精神、審美需求，將木建筑文化遺產(chǎn)本身所具備的主題內(nèi)容、文化寓意、裝飾特征運(yùn)用到現(xiàn)代室內(nèi)設(shè)計(jì)中，以創(chuàng)造出更加富有靈魂，更具人文化、民族化特質(zhì)和內(nèi)涵的室內(nèi)空間�？偨Y(jié)出了一套適用于將木建筑文化遺產(chǎn)應(yīng)用于現(xiàn)代室內(nèi)設(shè)計(jì)的方法，即對木建筑文化遺產(chǎn)的直接引用、提取與重構(gòu)、與現(xiàn)代材料技術(shù)的結(jié)合，以尋求木建筑文化遺產(chǎn)在今后新中式設(shè)計(jì)、復(fù)古設(shè)計(jì)、綠色設(shè)計(jì)的發(fā)展方向。并通過實(shí)際案例分析了木建筑文化遺產(chǎn)元素在現(xiàn)代室內(nèi)設(shè)計(jì)中的具體應(yīng)用，對木文化的傳承和傳統(tǒng)建筑的發(fā)展具有深遠(yuǎn)意義，對室內(nèi)設(shè)計(jì)實(shí)踐有著很強(qiáng)的指導(dǎo)作用和應(yīng)用作用。
[Abstract]:In the long history of architecture in China, wood-based architecture occupies an extremely important position.Wood, as the main material of Chinese traditional architecture, can always arouse people's nostalgia and imagination of history; Wood culture, as the accumulation of human wisdom, can provide more references in the construction of urban human settlement environment.In recent years, the concept of cultural heritage has been widely used in China.The formation of the concept of wooden architectural cultural heritage emphasizes the absorption and refinement of Chinese traditional culture by modern life, which makes the essence of wood culture develop and the characteristics of wooden architectural heritage inherit.The cultural heritage of wooden architecture is an important part of China's brilliant civilization, with a long history and profound cultural heritage.In terms of architectural types, the cultural heritage of Chinese wooden architecture is divided into five parts: palaces, religious wooden buildings, garden wooden buildings, residential wooden buildings and other wooden buildings.From the analysis of characteristics, the cultural heritage of wood architecture has many advantages, such as ecological beauty, form beauty, artistic beauty, artistic conception beauty and so on, which has guiding significance for its application in modern interior design.Based on the cultural heritage of wood architecture, this paper studies the characteristics and development of the cultural heritage of wood architecture, and focuses on the overall idea of gradual building, returning to nature, highly nationalization and individualized development of modern interior design.This paper analyzes in detail the artistic features, expression techniques, modeling features and decorative ideas of the wooden architectural cultural heritage structural components, decorative components and other components, combining with modern technology, technology, material characteristics and the spirit of people's continuous improvement.In order to create the interior space with more soul, human culture, nationalization and connotation, the main theme, cultural implication and decorative features of wooden architectural cultural heritage are applied to modern interior design.This paper summarizes a set of methods suitable for the application of wooden architectural cultural heritage in modern interior design, that is, the direct quotation, extraction and reconstruction of wooden architectural cultural heritage, and the combination with modern material technology.In order to seek wood architecture cultural heritage in the future new Chinese design, retro design, green design development direction.The concrete application of wooden architectural cultural heritage elements in modern interior design is analyzed through practical cases, which is of far-reaching significance to the inheritance of wood culture and the development of traditional architecture, and has a strong guiding and applied function to the practice of interior design.
【學(xué)位授予單位】：浙江農(nóng)林大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TU238.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 張翔;;傳統(tǒng)門窗藝術(shù)在現(xiàn)代室內(nèi)設(shè)計(jì)中的運(yùn)用[J];安徽建筑;2011年01期

2 李林森;;徽州古建筑木雕裝飾圖案藝術(shù)研究[J];安徽工業(yè)大學(xué)學(xué)報(社會科學(xué)版);2012年02期

3 王慶春;黃大岸;侯兆銘;周洋;;品讀中國木文化[J];大連民族學(xué)院學(xué)報;2007年01期

4 全峰梅;;東南亞傳統(tǒng)建筑的技術(shù)特征分析[J];廣西城鎮(zhèn)建設(shè);2010年10期

5 高玉萍;;淺析徽州古建筑的雕刻藝術(shù)[J];當(dāng)代藝術(shù);2012年03期

6 張愛東;;窗在中國古建筑中的特殊功能[J];北方文學(xué)(下半月);2012年06期

7 劉文艷;張學(xué)思;;淺談古建筑斗拱結(jié)構(gòu)的必要性[J];才智;2012年18期

8 肖銳;;中國古代木構(gòu)建筑——藝術(shù)的綜合體[J];中華建設(shè);2012年08期

9 高偉偉;;淺談斗h1的裝飾藝術(shù)[J];湖北生態(tài)工程職業(yè)技術(shù)學(xué)院學(xué)報;2010年03期

10 林毅紅;;中國傳統(tǒng)美學(xué)思想與博物館空間設(shè)計(jì)[J];美與時代(下半月);2008年11期

，

本文編號：1752311