發(fā)布時(shí)間：2018-03-31 22:32

  本文選題：纖維藝術(shù)　切入點(diǎn)：語(yǔ)言表現(xiàn)形式　出處：《山東大學(xué)》2014年碩士論文

【摘要】：在人類(lèi)文明縱橫交錯(cuò)、奔流不息的歷史長(zhǎng)河中,沒(méi)有任何一種文化創(chuàng)造的模式比纖維藝術(shù)更具生命力,因而它始終沒(méi)有離開(kāi)人類(lèi)的生活空間�！皬膵雰撼錾鷷r(shí)抹去體液的布,到死去時(shí)臉上覆蓋的布,從出生到離世,人類(lèi)的生活空間離不開(kāi)纖維制品的呵護(hù)�！雹龠@是日本設(shè)計(jì)師渡邊廣子對(duì)纖維織物與人類(lèi)的關(guān)系所作的最精辟的描述。同樣在現(xiàn)代藝術(shù)中纖維藝術(shù)作為一種變化莫測(cè)、多維度的藝術(shù)占據(jù)著十分重要的地位,也是備受?chē)?guó)內(nèi)外藝術(shù)界與建筑界關(guān)注度的藝術(shù)門(mén)類(lèi)之一。纖維藝術(shù)作為一種獨(dú)特的藝術(shù)表現(xiàn)形式,從傳統(tǒng)的壁掛形態(tài)到與室內(nèi)空間結(jié)合的新型纖維藝術(shù)形態(tài),無(wú)論它的藝術(shù)風(fēng)格和表現(xiàn)形式如何演變,它與室內(nèi)空間相結(jié)合的特性將在語(yǔ)言表現(xiàn)形式的發(fā)展變化中展現(xiàn)其豐富性。 本文以開(kāi)闊的視角,結(jié)合具體作品,運(yùn)用系統(tǒng)的方法對(duì)纖維藝術(shù)語(yǔ)言的表現(xiàn)形式進(jìn)行了詮釋。重點(diǎn)研究了纖維藝術(shù)不同的語(yǔ)言表現(xiàn)形式在室內(nèi)空間中的應(yīng)用。探討了以材質(zhì)為基礎(chǔ)、肌理為導(dǎo)向的理念去構(gòu)建新的表現(xiàn)形式,分析和研究了纖維藝術(shù)的語(yǔ)言表現(xiàn)形式,分析了不同形態(tài)、不同材料、不同技法工藝和不同的色彩語(yǔ)言的纖維藝術(shù)在室內(nèi)空間中的應(yīng)用,從而提出室內(nèi)空間中纖維藝術(shù)語(yǔ)言表現(xiàn)形式需要?jiǎng)?chuàng)新應(yīng)用,因此必將構(gòu)建新的藝術(shù)語(yǔ)言表現(xiàn)形式進(jìn)而融入到現(xiàn)代室內(nèi)設(shè)計(jì)之中。簡(jiǎn)言之,纖維藝術(shù)的語(yǔ)言表現(xiàn)形式是本文的核心而如何融入到室內(nèi)空間的應(yīng)用之中更是本文的關(guān)鍵之處。本論文是在查閱大量資料并充分調(diào)研的基礎(chǔ)下,深入分析了纖維藝術(shù)的語(yǔ)言表現(xiàn)形式與室內(nèi)空間二者之間的關(guān)系創(chuàng)造出更完美的室內(nèi)空間。
[Abstract]:In the interlaced and flowing history of human civilization, no model created by culture is more alive than fiber art, so it never leaves the living space of mankind. "the cloth that erases body fluids from the birth of a baby, To the cloth covered with his face when he died, from birth to death, Human living space can not be separated from the care of fiber products. "1 this is the most incisive description of the relationship between fiber fabrics and human beings made by Japanese designer Yoshiko Watanabe. Fiber art is also an inscrutable form of modern art. Multi-dimensional art occupies a very important position, and it is also one of the most concerned art categories in the world of art and architecture at home and abroad. Fiber art is a unique form of artistic expression. From the traditional wall hanging form to the new fiber art form which combines with the indoor space, no matter how its artistic style and expression form evolves, the characteristics of its combination with the interior space will show its richness in the development and change of the language expression form. In this paper, from an open perspective, combined with specific works, This paper uses systematic method to interpret the expression form of fiber art language. It focuses on the application of different language expression forms of fiber art in indoor space. Texture oriented concept to construct new forms of expression, to analyze and study the language expression of fiber art, to analyze different forms, different materials, The application of fiber art of different techniques and different color languages in indoor space, thus it is pointed out that the expression forms of fiber art language in indoor space need to be applied innovatively. Therefore, it is bound to construct a new artistic language expression form and then merge into modern interior design. The language form of fiber art is the core of this paper, and how to integrate it into the application of indoor space is the key of this paper. The paper deeply analyzes the relationship between the language expression of fiber art and indoor space and creates a more perfect interior space.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：TU238.2

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本文編號(hào)：1692788